“Essentials” for Worship: Evelyn Underhill’s Prayer Book

2021 ◽  
Vol 51 (2) ◽  
pp. 187-202
Author(s):  
Robyn Wrigley-Carr

This article explores some of the theological principles required for effective church worship. In 1927, Evelyn Underhill (1875–1941) outlined four “Essentials” or principles for effective liturgy, identified in the context of revisions to the Anglican Book of Common Prayer: adoration, the historic, the Eternal, and the interplay between spirit and sense. This article explores the extent to which these four theological principles are actually embodied in prayers that Underhill selected and wrote for retreat leading at The House of Retreat, Pleshey (north London, UK), recently published as Evelyn Underhill’s Prayer Book. Additional theological principles, not mentioned in Underhill’s “Essentials” essay but evident in her book of prayers, are also evaluated and exemplified. Underhill’s guidance to her spiritual directees about the value of liturgy in their spiritual lives is also briefly touched upon.

Author(s):  
Charles Hefling

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.


1958 ◽  
Vol 9 (1) ◽  
pp. 73-86
Author(s):  
Geoffrey G. Willis

The preface to the Book of Common Prayer, entitled Concerning the Service of the Church since 1662, but before that simply The Preface, was derived substantially from the preface to the revised Breviary of Quiñones, which was one of the sources for the revised daily offices of the Church of England. It appeals from what it considers the corruptions of the medieval office to the ‘godly and decent order of the ancient Fathers’. This order, it says, was devised for the systematic reading of holy scripture in the offices of the Church, and it was the intention of the compilers of the English Prayer Book to restore such a regular order of reading for the instruction of the people. It represented a revolt against three features of the lessons in the medieval breviary: first, against the frequent interruptions of the reading of scripture in course by the occurrence of feasts with proper lessons; secondly, the lack of completeness and continuity in the lessons themselves; and thirdly, the use of non-biblical material in the lessons. Even if the daily office of the breviary, which is based on the ecclesiastical year, were not interrupted by any immoveable feasts having proper lessons, it would still not provide for the reading of the whole of scripture, as its lessons are too short, and also the variable lessons are confined to the night office.


Author(s):  
Charles Hefling

This chapter considers several aspects of the material embodiment of the Prayer Book in paper and ink. The topics range from general questions, such as identifying the sequence of words that constitute the Book of Common Prayer and how their integrity is maintained, to details such as orthography, punctuation, editorial updates, the use of red ink and blackletter type, printers’ interventions, and the curiously named Black Rubric. The chapter also touches on nonverbal features of Prayer Books as books, such as typography, and design. Included are a number of examples of illustrations, unofficially added to various editions, which both interpret the printed text and indicate how it was understood.


Author(s):  
Charles Hefling

The long eighteenth century has been called the Prayer Book’s golden age. Nothing in the text itself changed. But the text was disseminated in works meant to aid and encourage the personal and domestic devotions of families and individuals. There were thoughtful but not hostile proposals for revising the Prayer Book, two of which are discussed in this chapter as indications of what the text was expected to be and do in an enlightened age. And beyond the limits of the ecclesiastical establishment, the eighteenth century saw the beginning of a development that won its way to acceptance in Scotland and influenced a new version of the Book of Common Prayer in the newly independent United States.


Author(s):  
Charles Hefling

This chapter examines the Prayer Book’s self-presentation in its preliminary, nonliturgical prose: the two Acts of Uniformity (1559 and 1662) that define the constitution of the text and regulate its use in the Church of England; and the three prefatory essays, two of which were written by Thomas Cranmer for the original, 1549 Book of Common Prayer, and have been retained ever since. These texts are themselves primary sources that provide a preliminary context in which to understand the origins and purpose of the liturgies they precede. They outline the successive revisions of the Prayer Book, and indicate both the political and the theological dimensions of its contents.


Author(s):  
Brian Cummings

Until recently it was commonplace to assume that a prayer book in the English vernacular was an act of popularization and even democratization. Cranmer, in his preface, explicitly appeals to broadening the reach of liturgy, opening it out to a wider audience and a popular register. However, the Book of Common Prayer, as well as a radical reformation of devotion, was a political act of religion. ‘Politics and religion’ outlines the political changes that had an impact on the use and amendments to the Book of Common Prayer, with new editions appearing in 1552, 1559, and 1662 after Parliamentary Acts, making it the only permitted form of religious ritual and public prayer.


2018 ◽  
Vol 50 (1) ◽  
pp. 3-34
Author(s):  
Drew Nathaniel Keane

This article addresses limitations in the scholarship on the Edwardian editions of the Book of Common Prayer (1549 and 1552) and contributes to the growing body of research on early modern technical communication by approaching the Prayer Book as technical writing for a primarily oral–aural culture. I examine three sample texts from the Prayer Book to showcase their oral qualities and how these oral qualities contribute to the utility of the book. This examination shows that the Prayer Book played a role in the development of technical writing in the early modern period and that its oral features contribute to the success of its technical aims.


1968 ◽  
Vol 19 (1) ◽  
pp. 83-88 ◽  
Author(s):  
Alan Beesley

Liturgy, it has often been said, implies doctrine. Nowhere is this more patently clear than in the rubric before the second Exhortation ‘in case he [the Minister] shall see the people negligent to come to the Holy Communion’ in the Prayer Book of 1662. In view of the fact that ‘An Order for Holy Communion’ contained in the Report of the Liturgical Commission, April 1966, has departed from the valuable precedent of 1662, it may not be without contemporary value that we enquire into the origin, purpose and structure of this second Exhortation.


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