An unpublished source of the Book of Common Prayer: Peter Martyr Vermigli's Adhortatio ad Coenam Domini Mysticam

1968 ◽  
Vol 19 (1) ◽  
pp. 83-88 ◽  
Author(s):  
Alan Beesley

Liturgy, it has often been said, implies doctrine. Nowhere is this more patently clear than in the rubric before the second Exhortation ‘in case he [the Minister] shall see the people negligent to come to the Holy Communion’ in the Prayer Book of 1662. In view of the fact that ‘An Order for Holy Communion’ contained in the Report of the Liturgical Commission, April 1966, has departed from the valuable precedent of 1662, it may not be without contemporary value that we enquire into the origin, purpose and structure of this second Exhortation.

1958 ◽  
Vol 9 (1) ◽  
pp. 73-86
Author(s):  
Geoffrey G. Willis

The preface to the Book of Common Prayer, entitled Concerning the Service of the Church since 1662, but before that simply The Preface, was derived substantially from the preface to the revised Breviary of Quiñones, which was one of the sources for the revised daily offices of the Church of England. It appeals from what it considers the corruptions of the medieval office to the ‘godly and decent order of the ancient Fathers’. This order, it says, was devised for the systematic reading of holy scripture in the offices of the Church, and it was the intention of the compilers of the English Prayer Book to restore such a regular order of reading for the instruction of the people. It represented a revolt against three features of the lessons in the medieval breviary: first, against the frequent interruptions of the reading of scripture in course by the occurrence of feasts with proper lessons; secondly, the lack of completeness and continuity in the lessons themselves; and thirdly, the use of non-biblical material in the lessons. Even if the daily office of the breviary, which is based on the ecclesiastical year, were not interrupted by any immoveable feasts having proper lessons, it would still not provide for the reading of the whole of scripture, as its lessons are too short, and also the variable lessons are confined to the night office.


1992 ◽  
Vol 28 ◽  
pp. 255-265
Author(s):  
Kenneth W. T. Carleton

The liturgical section of The New English Hymnal contains musical settings for both eucharistie orders of the Church of England’s Alternative Service Book 1980. The modern-language service, Rite A, is provided with a newly-composed congregational setting in speech rhythm. The texts of Rite B use the traditional language of the Book of Common Prayer, and are given a musical setting taken from The Booke of Common Praier Noted by John Marbeck, published in 1550. An accompaniment is added, and the text is adapted where the original is no longer accurate. Its inclusion in this new hymn-book is evidence of the popularity which Marbeck’s setting has enjoyed for more than a hundred years. Its rediscovery took place in the nineteenth century through the influence of the Tractarians and their successors, who sought to revive traditional liturgical practices such as the singing of plainsong during worship. The Booke of Common Praier Noted is a musical setting of parts of the first English Prayer Book, which had been promulgated in 1549. The appearance of a second Prayer Book in 1552 rendered Marbeck’s work obsolete, as the new book expresses a different attitude towards music in worship. The 1549 Prayer Book encourages singing in many of the services, not least the Office of Holy Communion. The clerks, singing-men usually in minor orders, are expected to take a full part, and the normal eucharistie celebration is one which is sung virtually throughout. The Offices in the 1552 Book contain very few references to singing, and the clerks are nowhere mentioned. The only direction for singing any part of the order for Holy Communion is found at the end, when ‘Glory be to God on high’ may be said or sung. A rubric at Morning Prayer allows for the singing of the lessons in that service and at Evening Prayer, as well as the Epistle and Gospel at Holy Communion, so that the people may hear them more clearly. It is possible that the retention of this reference to singing from the first Prayer Book may have been an oversight, as the rubric is situated away from the main body of the service.


Author(s):  
Charles Hefling

The 1662 Book of Common Prayer is a revised recension of a liturgical text, first issued in 1549, which was at once an engine and a product of the English Reformation. This chapter situates the original Prayer Book in that context, and offers a detailed examination of its most contested text: the Supper of the Lord and the Holy Communion. This service was heavily revised in 1552, and the revisions shed light on the intentions of the revisers and the meaning of the revised text, which remains largely the same in the final revision of 1662. Among the theological issues involved were justification by faith, the presence of Christ, the nature of a sacrament, and the purpose of the eucharistic liturgy in a reformed church. This chapter also considers, more briefly, the revisions of other services that were made in 1552.


Author(s):  
Charles Hefling

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.


Author(s):  
Charles Hefling

This chapter considers several aspects of the material embodiment of the Prayer Book in paper and ink. The topics range from general questions, such as identifying the sequence of words that constitute the Book of Common Prayer and how their integrity is maintained, to details such as orthography, punctuation, editorial updates, the use of red ink and blackletter type, printers’ interventions, and the curiously named Black Rubric. The chapter also touches on nonverbal features of Prayer Books as books, such as typography, and design. Included are a number of examples of illustrations, unofficially added to various editions, which both interpret the printed text and indicate how it was understood.


Author(s):  
Charles Hefling

The long eighteenth century has been called the Prayer Book’s golden age. Nothing in the text itself changed. But the text was disseminated in works meant to aid and encourage the personal and domestic devotions of families and individuals. There were thoughtful but not hostile proposals for revising the Prayer Book, two of which are discussed in this chapter as indications of what the text was expected to be and do in an enlightened age. And beyond the limits of the ecclesiastical establishment, the eighteenth century saw the beginning of a development that won its way to acceptance in Scotland and influenced a new version of the Book of Common Prayer in the newly independent United States.


Author(s):  
Charles Hefling

This chapter examines the Prayer Book’s self-presentation in its preliminary, nonliturgical prose: the two Acts of Uniformity (1559 and 1662) that define the constitution of the text and regulate its use in the Church of England; and the three prefatory essays, two of which were written by Thomas Cranmer for the original, 1549 Book of Common Prayer, and have been retained ever since. These texts are themselves primary sources that provide a preliminary context in which to understand the origins and purpose of the liturgies they precede. They outline the successive revisions of the Prayer Book, and indicate both the political and the theological dimensions of its contents.


Author(s):  
Charles Hefling

“Divine Service” is a name for the most frequently performed act of public worship that is prescribed in the Book of Common Prayer. Most of this chapter examines the texts of the three liturgical offices in which Divine Service has consisted on Sundays: Morning Prayer (or Mattins), the Litany (or General Supplication), and the beginning of Holy Communion (or the Lord’s Supper), as these would take place on one specific day. Evening Prayer (or Evensong), which is a separate part of Divine Service, is also described. In the course of the discussion the chapter introduces a number of basic terms used throughout the book.


Author(s):  
Brian Cummings

Until recently it was commonplace to assume that a prayer book in the English vernacular was an act of popularization and even democratization. Cranmer, in his preface, explicitly appeals to broadening the reach of liturgy, opening it out to a wider audience and a popular register. However, the Book of Common Prayer, as well as a radical reformation of devotion, was a political act of religion. ‘Politics and religion’ outlines the political changes that had an impact on the use and amendments to the Book of Common Prayer, with new editions appearing in 1552, 1559, and 1662 after Parliamentary Acts, making it the only permitted form of religious ritual and public prayer.


2018 ◽  
Vol 50 (1) ◽  
pp. 3-34
Author(s):  
Drew Nathaniel Keane

This article addresses limitations in the scholarship on the Edwardian editions of the Book of Common Prayer (1549 and 1552) and contributes to the growing body of research on early modern technical communication by approaching the Prayer Book as technical writing for a primarily oral–aural culture. I examine three sample texts from the Prayer Book to showcase their oral qualities and how these oral qualities contribute to the utility of the book. This examination shows that the Prayer Book played a role in the development of technical writing in the early modern period and that its oral features contribute to the success of its technical aims.


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