Teaching Music Literacy in the Music Performance Ensemble

1986 ◽  
Vol 70 (487) ◽  
pp. 100-101
Author(s):  
Victor Weidensee
Semiotica ◽  
2015 ◽  
Vol 2015 (204) ◽  
Author(s):  
Mitchell Wong ◽  
Marcel Danesi

AbstractThis article presents a system of music notation that uses a combination of colors and shapes to represent sound. This system may present advantages over the traditional system of music notation, as its symbols are inherently related to the musical information that they communicate. The present article explains the basic workings of the system. It then describes an ethnographic study in which the system was used to teach music literacy to a group of elementary school music students. It concludes with the implications that such a system might have in the spheres of music performance and music education.


2012 ◽  
Vol 60 (1) ◽  
pp. 101-123 ◽  
Author(s):  
Kelly A. Parkes ◽  
Brett D. Jones

The primary purpose of this study was to examine whether any of the six motivational constructs in the expectancy-value model of motivation (i.e., expectancy, ability perceptions, intrinsic interest value, attainment value, social utility value, and cost) would predict whether students intended to have a career teaching classroom music or performing music. Participants included 270 undergraduate students enrolled in music programs at seven major U.S. universities who completed an online questionnaire. Using stepwise multiple regression, the authors documented that attainment value, intrinsic interest value, and expectancy predicted 74% of the variance in whether students intended to choose a career teaching music. They found that expectancy, attainment value, ability perceptions, and intrinsic interest value explained 65% of the variance in whether students intended to choose a career in music performance. Because of the importance of attainment value in predicting students’ intentions to teach and the importance of expectancies in predicting their intentions to have a performance career, these two constructs would be obvious choices for teachers and advisors to target if they want to encourage students to pursue these careers.


MANUSYA ◽  
2000 ◽  
Vol 3 (2) ◽  
pp. 23-31
Author(s):  
Twatchai Narkwong

The Kodály method of teaching music literacy was used by the writer to teach Western music notation to elementary students, at the laboratory school of Kasetsart University in Thailand for six years. The students achieved good competencies in reading music, singing and playing the recorder. The method was afterwards disseminated to music teachers of municipal schools in Bangkok and was accepted. It seems that the method will spread further to other groups of music teachers.


2007 ◽  
Vol 24 (1) ◽  
pp. 21-36 ◽  
Author(s):  
Vicky Ward

Despite recent moves toward a more collaborative relationship between the academic pursuit of music analysis and the practical pursuit of music performance, there remains a gulf between the two disciplines. This is partly because attempts at collaboration have generally focused on the use of music performance as a way of teaching music analysis rather than the use of music analysis as a way of teaching aspects of music performance. This article describes the development of a resource for teaching musical awareness using analytical techniques and assesses how this relates to teachers' own concerns and practices.


2000 ◽  
Author(s):  
Steven A. Finney ◽  
Caroline Palmer
Keyword(s):  

2009 ◽  
Author(s):  
Janeen D. Loehr ◽  
Rowena Pillay ◽  
Caroline Palmer
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document