The Bonds of Kinship, the Ties of Freedom in Colonial Peru

2016 ◽  
Vol 42 (1) ◽  
pp. 3-21 ◽  
Author(s):  
Rachel Sarah O’Toole

By contrasting how families who mobilized African-descent networks gained more autonomy than those who relied on slaveholder patronage, this article explores the interplay between kinship and manumission on the northern Peruvian coast from the mid-seventeenth century into the early eighteenth century. For enslaved and freed people, kinship did not constitute a status, but a series of exchanges that required legal or public recognition and mutual acknowledgment. Manumission was embedded in articulated kinships, or announced relations, as well as in silenced kinships that often occurred because owners refused to recognize their relationships with enslaved women.

Author(s):  
Richard Archer

The chapter provides a history of slavery in New England and an interpretation of the origins and evolution of racism and racist practices. Although the first African Americans arrived in New England in the 1630s, their numbers remained small throughout the seventeenth century and almost all lived in some form of servitude. They faced discrimination largely because of their place in the hierarchy rather than their ethnic origins. A significant change occurred in the early eighteenth century when the number of people of African descent, almost all slaves, increased significantly. That growth was met by a host of racist laws. Slavery took various forms, but most slaveholders held one or two slaves. The exceptions were western Rhode Island and eastern Connecticut where plantation slavery took hold, and it would distinguish that part of New England by its extreme racism even after slavery disappeared.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


2020 ◽  
pp. 77-105
Author(s):  
Ashraf H. A. Rushdy

This chapter explores the writings of four philosophers who were either directly or implicitly responding to the philosophers of the seventeenth century discussed in the previous chapter. The chapter looks at two philosophers who seem to adopt parts of the Hobbesian worldview—Pufendorf and Mandeville—and two who explicitly contest it: Shaftesbury and Butler. The primary questions they ask involve human motivations—whether they can be altruistic or must be acts of self-interest or self-love.


Author(s):  
Brianna Leavitt-Alcántara

Chapter 1 examines the hagiography of local holy woman Anna Guerra de Jesús who migrated to Guatemala’s capital in the late seventeenth century. While the early modern Catholic ideal of feminine piety prized enclosure, obedience, and virginity, Anna was neither nun nor virgin, but rather a poor abandoned wife and mother. And although Church decrees clearly required actively religious laywomen to live in cloistered communities, Anna became an independent beata (laywoman who took informal vows) and Jesuit tertiary. This chapter explores Anna’s lived religious experience as a poor migrant and abandoned wife and mother, her engagement with female mysticism and devotional networks, and her alliances with powerful priests and religious orders. It also places Anna’s story within the context of late seventeenth and early eighteenth-century Santiago de Guatemala, particularly urban demographic shifts and social tensions, as well as movements for spiritual renewal and enthusiastic lay female piety.


2018 ◽  
Vol 69 (2) ◽  
pp. 199-213
Author(s):  
Kenneth J. Thomas

Seventeenth-century Muslim scholar Khatun Abadi, commissioned by his shah, was the first native speaker to translate the Gospels into Persian. The goal was an accurate rendition, accompanied by notes intended to address contradictions and false claims of Christians. The translation was completed in 1703 but first published in 1995, in Iran. Understanding translation to be an act of interpretation, this study asks if we can trust a translation made by someone who does not accept the interpretation of the community that calls the text scripture. Based on analysis of translator notes, translation deviations from its Arabic base text, and the choice of key terms, the study concludes that the translator maintained the text’s integrity with few exceptions but that his notes are problematic from the perspective of the Christian community. Lessons are suggested for Christian translators who work with persons of other faiths or prepare renditions to be used by them.


Author(s):  
K. Russell Lohse

This article reviews scholarship on the history and historiography of slavery in Mexico and Central America. Slaves (and people of African descent generally) played a far greater role in both Mexico and Central America than previously assumed or acknowledged. Although a minority of the population in most areas, black and mulatto slaves provided the bulk of the workforce in several key colonial industries. Even as a small minority of labourers, slaves often occupied critical roles in production as skilled workers and supervisors. By the late seventeenth century, creoles outnumbered Africans in Mesoamerica, and by the mid-eighteenth century, most slaves in the region were mulattos. By then, the recovery of the Indian population and the phenomenal growth of the mestizo and free mulatto populations throughout Mexico and Central America gradually eliminated the need for slave workers in most regions. Abolition in the 1820s resulted not just from the growth of the free population, nor from the commitment of creole patriots to Enlightenment ideals, but in part from the slaves' own efforts at liberating themselves.


2011 ◽  
Vol 8 (2) ◽  
pp. 179-214 ◽  
Author(s):  
JOÃO PEDRO D'ALVARENGA

ABSTRACTThe elevation of the Portuguese Royal Chapel to the rank of Patriarchal Church in 1716 was part of a larger process of ‘Romanization’ – that is, of assimilation and adaptation of Roman models within Portuguese music and culture. This involved the training of numerous chaplain-singers and young Portuguese composers in Rome, as well as the importation of chant books, ministers, singers and even the maestro di cappella of the Cappella Giulia, Domenico Scarlatti. According to the anonymous ‘Breve rezume de tudo o que se canta en cantochaõ, e canto de orgaõ pellos cantores na santa igreja patriarchal’ (Brief summary of all that is sung in plainchant and polyphony by the singers at the holy Patriarchal Church) – a document written at some point between 1722 and 1724 – the repertory of the Patriarchal Church was a varied mixture of works by thirty-two identified composers, mostly Italian and Portuguese, from a period ranging from the sixteenth century to the early eighteenth century. Some of the repertory for Holy Week is also extant in three large choirbooks prepared by a copyist from the Patriarchal Church in 1735 and 1736 for use in the Ducal Chapel in Vila Viçosa. These include ‘modern’ additions to late sixteenth-century and seventeenth-century pieces and also some curious reworkings, made with the purpose of adjusting older works to newly ‘Romanized’ performance conditions and aesthetic ideals. The sources examined in this article thus show that Portuguese ‘Romanization’, far from being a simple transplantation of ideas and practices from the centre to the periphery, was a dynamic process of acculturation and adaptation rooted in emerging forms of historical consciousness.


1982 ◽  
Vol 23 (89) ◽  
pp. 50-60 ◽  
Author(s):  
William Macafee ◽  
Valerie Morgan

The study of Irish historical demography has long been an area of complexity and controversy; and the further back into the past the search for patterns and trends is pushed, the more the problems multiply. Much of the difficulty stems from the inadequacy and/or variability of the available sources. Hearth-tax returns, enumeration lists of various types, estate records and registers of baptisms, marriages and burials, all pose problems of interpretation and in addition, for any single area, they are likely to provide only fragmentary and discontinuous evidence. $$Largely because of these difficulties, only a limited number of detailed analyses of population patterns in specific areas as far back as the late seventeenth century and early eighteenth century have been attempted. Yet at the same time the work which has been done has made it apparent both that this is a crucial period in terms of demographic history and that only detailed case studies can provide the evidence necessary to enlarge upon our current very general understanding.


2016 ◽  
Vol 12 (1) ◽  
Author(s):  
Andreas H. Jucker

AbstractFictional texts constitute complex communicative acts between an author and an audience, and they regularly depict interactions between characters. Both levels are susceptible to an analysis of politeness. This is particularly true for early eighteenth-century drama, which – in the context of the age of politeness – established new dramatic genres to educate and edify their audiences. Characters were used to demonstrate good or bad behaviour as examples to be followed or avoided. Early eighteenth-century drama was a reaction against what was considered to be the immorality and profanity of Restoration drama of the seventeenth century. Two plays serve as illustrations and a testing ground for an analysis of fictional politeness that considers both communicative levels; the play itself and the interactions within the play. Richard Steele’s sentimental comedy “The Conscious Lovers” (1722) gives an example of good behaviour by being exceedingly polite to the audience in the theatre through characters that are exceedingly polite to each other; and George Lillo’s domestic tragedy “The London Merchant, or the History of George Barnwell” (1731) shows the “private woe” of everyday characters in order to warn the younger generation against wrongdoing and to propagate middle-class virtues and moral values.


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