City of Women, City of God

Author(s):  
Brianna Leavitt-Alcántara

Chapter 1 examines the hagiography of local holy woman Anna Guerra de Jesús who migrated to Guatemala’s capital in the late seventeenth century. While the early modern Catholic ideal of feminine piety prized enclosure, obedience, and virginity, Anna was neither nun nor virgin, but rather a poor abandoned wife and mother. And although Church decrees clearly required actively religious laywomen to live in cloistered communities, Anna became an independent beata (laywoman who took informal vows) and Jesuit tertiary. This chapter explores Anna’s lived religious experience as a poor migrant and abandoned wife and mother, her engagement with female mysticism and devotional networks, and her alliances with powerful priests and religious orders. It also places Anna’s story within the context of late seventeenth and early eighteenth-century Santiago de Guatemala, particularly urban demographic shifts and social tensions, as well as movements for spiritual renewal and enthusiastic lay female piety.

2019 ◽  
pp. 12-37
Author(s):  
Matthew C. Bingham

Chapter 1 introduces the individuals described in standard histories as “Particular Baptists.” Drawing upon the manuscript collection of the early eighteenth-century Baptist historian Benjamin Stinton, the chapter surveys their origins, formation, and early attempts at ecclesiastical organization. But, more importantly, the chapter examines the development of Baptist historiography and the ways in which the deliberate distortions of early Baptist historians continue to influence present scholarship. As the chapter contends, the basic interpretive framework within which early English Baptists have been understood is seriously flawed. Rather than growing organically out of the evidence, many of the fundamental conventions which govern scholarly discussion of early modern English Baptists have been bequeathed to modern historians by eighteenth-century Baptist churchmen. These early denominational historians wrote the story of their collective past with an eye firmly fixed upon the needs of their own collective present, and their decisions continue to negatively affect modern scholarship.


2020 ◽  
pp. 23-44
Author(s):  
Anna Pakes

Chapter 1 explores the historical development of dance in Europe, from the Renaissance to the early eighteenth century, focusing particularly on the themes of dance structures, authorship, and autonomy. It considers early modern and secondary sources on social dance, the ballet de cour, and baroque dance, developing the argument that none of these practices produces dance works in the modern sense. Nonetheless, early dance sources to concepts of dance-as-object and dance as “performable” operating well before the idea of a work of dance art develops. This first chapter, then, explores what might be termed the early prehistory of the dance work, through analysis of different ways in which dances are conceived, composed, notated, performed, and linked to developing artistic traditions.


2018 ◽  
Vol 19 (1) ◽  
pp. 92-121
Author(s):  
Mihaela-Viorica Constantinescu

Abstract The paper focuses on impoliteness dealt with from a historical pragmatics perspective (Jucker [ed.] 1995; Culpeper and Kádár [eds] 2010; Jucker and Taavitsainen [eds] 2010; etc.). The approach adopted in this study favours a first-order im/politeness view (Watts et al. [eds] 1992; Eelen 2001; etc.), which is mainly concerned with the evaluation of behavioural elements by the participants in a communicative event. As im/politeness in Romanian is under-researched from a historical sociopragmatic perspective, this analysis tries to fill a gap exploring the seventeenth to early-eighteenth century cultural patterns and their characteristics in only two main Romanian provinces, Moldavia and Wallachia (separate states from the Middle Ages until their union in 1859). My analysis is limited to the understanding and practices of “impoliteness” in official settings (court and diplomatic interactions), aiming to capture the production and evaluation, as well as some self-reflexive aspects (Eelen 2001; Kádár 2013) and emotional effects of “impoliteness”. The corpus consists of Moldavian and Wallachian chronicles from the second half of the seventeenth-century and first half of the eighteenth-century, presenting local court life and also scenes at the Ottoman court.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


Author(s):  
Daniel Essig García

Abstract: cultural and material change described by historians of reading intersects with literary history in different and complex ways. An example is the cultural practice of silent reading in intimacy, which came to be pivotal for the literature of sensibility. It was gendered female in the eighteenth century and looked upon with disfavour, notably by moralists and pedagogues. However, not very long before, silent reading was associated with spirituality and women’s religious experiences, and was compatible with the virtues expected of the “lady of the Renaissance”. Several texts from the seventeenth century, notably diaries by women, will be discussed. Título en español: “Resonancia del silencio: inspiración y pasividad en la lectura femenina en el siglo XVII”.Resumen:los cambios culturales y materiales que describe la historia de la lectura entran en relaciones variadas y complejas con la historia literaria. Un ejemplo de esa dialéctica es la evolución de la práctica de la lectura silenciosa en recogimiento, que alcanzó una importancia extraordinaria para la novelística del Dieciocho. Se consideraba propia de las mujeres y estaba mal vista por moralistas y pedagogos. No mucho antes, empero, la lectura en silencio había sido un componente de la experiencia espiritual y religiosa de la mujer del Renacimiento, y como tal compatible con las virtudes femeninas. El artículo incluye comentarios de varios textos del diecisiete, en particular diarios de mujeres.


2021 ◽  
Vol 44 (2) ◽  
pp. 87-111
Author(s):  
Nicholas A. Eckstein

Michel Foucault argued famously that early modern European governors responded to plague by quarantining entire urban populations and placing citizens under minute surveillance. For Foucault, such sixteenth- and seventeenth-century policies were the first steps towards an authoritarian paradigm that would only emerge in full in the eighteenth century. The present article argues that Foucault’s model is too abstracted to function as a tool for the historical examination of specific emergencies, and it proposes an alternative analytical framework. Addressing itself to actual events in early modern Italy, the article reveals that when plague threatened, Florentine and Bolognese health officials projected themselves into a spatio-temporal dimension in which official actions and perceptions were determined solely by the spread of contagion. This dimension, “plague time,” was not a stage on the irresistible journey towards Foucault’s “utopia of the perfectly governed city.” A contingent response to a recurrent existential menace, plague time rose and fell in response to events, and may be understood as a season.


Author(s):  
David Pearson

Studies of private libraries and their owners invariably talk about ‘book collecting’—is this the right terminology? After summarizing our broadly held understanding of the evolution of bibliophile collecting from the eighteenth century onwards, this chapter considers the extent to which similar behaviours can be detected (or not) in the seventeenth, drawing on the material evidence of bookbindings, wording in wills, and other sources. Do we find subject-based collecting, of the kind we are familiar with today, as a characteristic of early modern book owners? Some distinctions are recognized in ways in which medieval manuscripts (as opposed to printed books) were brought together at this time. The relationship between libraries and museums, and contemporary attitudes to them, is explored. The concluding argument is that ‘collecting’ is a careless word to use in the seventeenth-century context; just as we should talk about users rather than readers, we should use ‘owners’ rather than ‘collectors’ as the default term, unless there is evidence to the contrary.


2020 ◽  
pp. 77-105
Author(s):  
Ashraf H. A. Rushdy

This chapter explores the writings of four philosophers who were either directly or implicitly responding to the philosophers of the seventeenth century discussed in the previous chapter. The chapter looks at two philosophers who seem to adopt parts of the Hobbesian worldview—Pufendorf and Mandeville—and two who explicitly contest it: Shaftesbury and Butler. The primary questions they ask involve human motivations—whether they can be altruistic or must be acts of self-interest or self-love.


Author(s):  
Floris Verhaart

This chapter looks at examples of scholars who, in the early eighteenth century, worked on texts that were highly controversial from a moral perspective. The focus is on Pieter Burman’s edition of Petronius (1709) and Bentley’s work on Horace. Looking at this material from a perspective of textual criticism allowed Burman and Bentley to avoid delving too deeply into passages of a sexually loaded nature. Nevertheless, political and scholarly opponents of both men tried to blacken their reputation by connecting their research interests with their private lives. It is demonstrated that the association of textual critics with immorality was a commonplace in early modern Europe and that the tensions between in particular Burman and his opponents reveals a struggle to make classical philology a more independent field of enquiry versus other disciplines, such as theology.


2018 ◽  
Vol 62 (2) ◽  
pp. 349-373 ◽  
Author(s):  
MARK R. F. WILLIAMS

AbstractThis article assesses the role of memory, interiority, and intergenerational relations in the framing of early modern experiences and narratives of travel. It adopts as its focus three generations of the Clerk family of Penicuik, Scotland, whose travels through Europe from the mid-seventeenth century onward proved formative in the creation of varied ‘cosmopolitan’ stances within the family. While such widely studied practices as the ‘Grand Tour’ have drawn on discourses of encounter and cultural engagement within the broader narratives of the ‘long’ eighteenth century, this article reveals a family made deeply anxious by the consequences of travel, both during and after the act. Using diaries, manuscript correspondence, memoirs, and material objects, this article reveals the many ways in which travel was fashioned before, during, and long after it was undertaken. By shifting focus away from the act of travel itself and towards its subsequent afterlives, it explores the ways in which these individuals internalized what they experienced in the course of travel, how they reconciled it with the familiar, quotidian world to which they returned, and how the ‘cosmopolitan’ worldviews they brought home were made to inform the generations that followed.


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