A GLOBAL MEDIA EVENT?

2000 ◽  
Vol 35 (3) ◽  
pp. 309-330 ◽  
Author(s):  
Roel Puijk
Keyword(s):  
2021 ◽  
pp. 101269022199365
Author(s):  
Ilan Tamir

The enormous success of The Last Dance, the sports documentary on Michael Jordan’s career, and especially his last season, is the result of a rare confluence of factors, each of which is a unique and rare phenomenon in the history of sport. Their combination has already turned the mini-series into a global media event of the kind that is usually reserved for live broadcasts of extraordinary events. A basketball player with unusual personal and professional abilities, supported by a highly polished and well-oiled marketing system; the specific window of time in which his star shone – the late 1990s, when the era of media commercialization and globalization flourished, yet before the emergence of social media and their typical critical discourse; the rise in sports documentaries in recent years; and encasing all of these is the time of the documentary’s broadcast, when sports life across the world ceased due to the coronavirus. The mini-series, which seemingly deals with a single season in the career of a single player in a single sport, is actually so much more. It is a composition reflecting much wider social, sports and media phenomena.


2000 ◽  
Vol 94 (1) ◽  
pp. 173-181 ◽  
Author(s):  
Enno Hermann

This article argues that discourses of ‘the national’ in Australia have increasingly come to be treated in commodified terms — that is, in the language of advertising. It looks at the advertising campaign that accompanies the upcoming Sydney Olympic Games, where Australia features as a tourist spectacle of an idealised global culture. Images of natural beauty, multicultural harmony and particularly Indigenous culture are highlighted in this unprecedented opportunity for Australia to sell itself to the world. Treating the Sydney Olympics in this way, as a global media event, allows for some reconsideration of the processes and the images employed in Australia's national imagining.


Author(s):  
Jochem Kotthaus ◽  
Matthias Schäfer ◽  
Nikola Stankovic ◽  
Gerrit Weitzel

In this case study, the authors elaborate on the narrative structure of transnational popular media events. Drawing from Dayan and Katz’s concept of media events and Julia Sonnevend’s exceptional work on iconic global media events, they argue that fundamental changes in the way occurrences are being reported on and news is structured must be considered. Allowing for recent technological advancements, the role of the consumer and the compression of time in media use, the authors develop a methodological and theoretical framework fitting a more mundane and everyday life–based approach. They derive their results from the analysis of the “Podgorica Media Event,” a news cycle emerging from a racist incident during an international soccer game between England and Montenegro. Based on the body of 250 international news pieces, they identify a primary mother narration and a distinctive narration as the typical ways of storytelling on a transnational level. While differing greatly in content, aspects of transnational popular media events serve to protect and reify the cultural background they are grounded in on a national level. Thus, we assume that sport, or, more specifically, soccer, may become political in media communication not by the impact of state government but by the consumers themselves choosing and developing a popular media event in the first place.


Media Events ◽  
2016 ◽  
pp. 31-52
Author(s):  
Johanna Sumiala ◽  
Lilly Korpiola
Keyword(s):  

2000 ◽  
Vol 97 (1) ◽  
pp. 11-21 ◽  
Author(s):  
David Rowe

This article engages with the ‘canonical’ work of Daniel Dayan and Elihu Katz (1992) in reexamining aspects of the phenomenology of the media event, especially those of a global sporting nature. It considers a range of questions of ‘gain’ and ‘loss' in ‘being there’, and of television-inspired changes to the experience of in-person attendance. Innovations in the viewing possibilities at global media events are considered in relation to forms of sociality during competitions such as the Olympic Games and the soccer World Cup. The discussion also notes the existence of significant variations in the ‘script forms' of apparently similar media event types. Finally, it identifies interacting areas of focus important for an effective analysis of the dialectics of remote and proximate experience of global media events like the recent Sydney 2000 Olympic Games.


Author(s):  
Christian Morgner

This chapter will address the theory of the media event by Dayan & Katz from an international perspective. Both authors have studied and analysed a number of media events, but have ignored the global nature of these events. Furthermore, their focus on television as the prime medium has ignored historical approaches, namely, the sinking of the Titanic or was not yet applied to the range of new media, in particular social media, for instance, during the Fukushima disaster. This chapter will revisit these events, but discuss this event from a global perspective. How was it possible that the entire world would focus its attention to this event? What narratives, networks, symbols where required to create a density that made this event outstanding, created a before and after? How could a global audience be reached; culturally and technological? This research will look into material from various world regions, North America, Europe, Asia, Latin-America and Africa. On the basis of this material the chapter aims to extend Dayan & Katz original theory of the media event, through the dimension of the global media event, but also by opening this theory to research the role of other media technologies and settings. Theoretical considerations will address the role of global rituals and social media practices, but also the role of time and simultaneity of media messages and patterns, narratives and gestures of the media events' audience. On the basis of this more analytical frame of reference the global nature of other media events and media technologies will be discussed.


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