Lucien Bailly (1871–1940): An eccentric troublemaker and a real precursor. A short story of shareholders’ activism in France at the beginning of the twentieth century

2019 ◽  
Vol 25 (4) ◽  
pp. 518-535
Author(s):  
Christine Fournès
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Social Activism ◽  
Mining Industry ◽  
Minority Shareholders ◽  
Private And Public ◽  
The Creation ◽  
Proxy Fights ◽  
The Way

The article highlights the role of an eccentric troublemaker at the beginning of the twentieth century – Lucien Bailly. The Pont-à-Mousson company’s archives, one of the major joint stock companies in the mining industry at that time, provide a wealth of information about this very interesting character. It is argued that Lucien Bailly paved the way for present-day activism. While the nature of shareholder-activists is far different today, there is a similar dichotomy between private and public or cooperative and hostile actions. This is the true legacy of Lucien Bailly. He was also the pioneer of proxy fights with the creation of the first association defending minority shareholders and the precursor of social activism.

The Representation of Mary in the Architecture of Le Corbusier's Chapel at Ronchamp

1999 ◽  
Vol 68 (2) ◽  
pp. 398-416 ◽  
Author(s):  
Flora Samuel
Keyword(s):  
Twentieth Century ◽  
Le Corbusier ◽  
Cult Of Mary ◽  
The Way

In the Fondation Le Corbusier in Paris there is a little guide for pilgrims that was given to the architect when he began work on the pilgrimage chapel of Notre Dame du Haut Ronchamp (1955), probably the most influential yet contentious building of the twentieth century (fig. 1). Within the guide, the section on the cult of Mary has been heavily underlined and in the margin is the word “feminism,” written by Le Corbusier, a very unusual departure for a man of his times. In this article I will examine the role of Mary in the work of Le Corbusier and discuss the way in which she is interpreted in the architecture of Ronchamp.

Understanding the Properties of “Numbers”

2014 ◽  
Author(s):  
Victor J. Katz ◽  
Karen Hunger Parshall
Keyword(s):  
Twentieth Century ◽  
Algebraic Systems ◽  
Modern Algebra ◽  
The Creation ◽  
Eighteenth And Nineteenth Centuries ◽  
The Way

This chapter looks at how mathematicians sought to understand the properties of “numbers” and in doing so pave the way for modern algebra. As mathematicians in the eighteenth and nineteenth centuries struggled to understand what Fermat's alleged proof of his so-called “last theorem” might have been, they, as well as others motivated by issues other than Fermat's work, eventually came to extend the notion of “number.” And, they did this in much the same spirit that Évariste Galois had extended that of “domain of rationality” or field, that is, through the creation and analysis of whole new types of algebraic systems. This freedom to create and explore new systems—and new algebraic constructs like the determinants and matrices that were encountered in the previous chapter—became one of the hallmarks of the modern algebra that developed into the twentieth century.

Contract as Promise: Lessons Learned

2019 ◽  
Vol 20 (2) ◽  
pp. 367-379
Author(s):  
Charles Fried
Keyword(s):  
Twentieth Century ◽  
Contract Theory ◽  
Choice Theory ◽  
Contract Law ◽  
Lessons Learned ◽  
Self Determination ◽  
Theory Approach ◽  
The Law ◽  
The Way

Abstract In The Choice Theory of Contracts, Hanoch Dagan and Michael Heller state that by arguing “that autonomy matters centrally to contract,” Contract as Promise makes an “enduring contribution . . . but [its] specific arguments faltered because [they] missed the role of diverse contract types and because [it] grounded contractual freedom in a flawed rights-based view. . .. We can now say all rights-based arguments for contractual autonomy have failed.” The authors conclude that their proposed choice theory “approach returns analysis to the mainstream of twentieth-century liberalism – a tradition concerned with enhancing self-determination that is mostly absent in contract theory today.” Perhaps the signal flaw in Contract as Promise they sought to address was the homogenization of all contract types under a single paradigm. In this Article, I defend the promise principle as the appropriate paradigm for the regime of contract law. Along the way I defend the Kantian account of this subject, while acknowledging that state enforcement necessarily introduces elements — both normative and institutional — for which that paradigm fails adequately to account. Of particular interest and validity is Dagan and Heller’s discussion of contract types, to which the law has always and inevitably recurred. They show how this apparent constraint on contractual freedom actually enhances freedom to contract. I discuss what I have learned from their discussion: that choice like languages, is “lumpy,” so that realistically choices must be made between and framed within available types, off the rack, as it were, and not bespoke on each occasion. I do ask as well how these types come into being mutate, and can be deliberately adapted to changing circumstances.

scholarly journals Stages of busi(-)ness and identity

Ethnologies ◽  
2003 ◽  
Vol 24 (1) ◽  
pp. 225-249 ◽  
Author(s):  
Geoff Lightfoot ◽  
Valérie Fournier
Keyword(s):  
Family Business ◽  
Social Relations ◽  
Family Life ◽  
Social Life ◽  
Work Space ◽  
Small Family ◽  
The Family ◽  
Private And Public ◽  
The Creation

Résumé This article explores how space gets mobilised in the performance of “family business”. The very concept of the “family business” collapses some deeply entrenched distinctions in Western modern societies, those between home and work, private and public, family life and business rationality, distinctions that are mapped over space through the creation of boundaries between work space and family space, home and office. The “family business”, especially when run from home, unsticks this ordered sense of space as familial images and business stages are collapsed. Our analysis of small family run boarding kennels focuses on the way space is used to frame different stages of action. In particular, we draw upon theatrical metaphors to explore the work that goes into the staging of identities and social relations. We first discuss the relationships between space, stages, performance and identity through a theatrical lens; we then draw upon material from our study of family run boarding kennels to explore how owner-managers use space as a malleable resource from which they carve out and assemble different stages to perform their business and themselves to different audiences. After going back into the theatre to discuss the role of stages in weaving together coherent stories in the family business or in drama, we close by exploring the limitations of the theatrical metaphor for the analysis of social life.

The Role of Play in the Life of the Child

1998 ◽  
Vol 3 (3) ◽  
pp. 113-114 ◽  
Author(s):  
Ann Cattanach
Keyword(s):  
Real Situation ◽  
Children's Play ◽  
Children’S Play ◽  
The Creation ◽  
Situational Constraints ◽  
The Way

Pellegrini and Smith (1998) have provided a challenging review of the forms and possible functions of play during childhood, and Blatchford's (1998) paper on children's play reports a programme of research about the nature of play at school breaktimes that seems to be the sort of research that Pellegrini and Smith recommend in their conclusion, calling for more descriptive studies of children's play. When considering the nature and possible functioning of play during childhood Pellegrini and Smith explore general definitional issues. They suggest that play theorists such as Piaget and Vygotsky considered that play was the way that children learnt skills necessary for successful functioning in adulthood. Perhaps this is a simple way to express, for example, Vygotsky's (1978) descriptions of play in ‘The Role of Play in Development’ in Mind in society. Vygotsky states that in play a child creates an imaginary situation; that play is the place where a child spontaneously makes use of his ability to separate meaning from an object without knowing he is doing it. The creation of an imaginary situation is the first manifestation of the child's emancipation from situational constraints and the primary paradox of play is that the child operates with an alienated meaning in a real situation. Vygotsky may be describing an important skill for successful functioning in adulthood, but it is also an important function in childhood.

Jam Making, Cuthbert Rabbit and Cakes: Redefining Domestic Labour in the Women's Institute, 1915–60

Rural History ◽  
1996 ◽  
Vol 7 (2) ◽  
pp. 207-219 ◽  
Author(s):  
Maggie Morgan
Keyword(s):  
Twentieth Century ◽  
Rural Women ◽  
Domestic Labour ◽  
The Way

I have discussed elsewhere the role of the British Women's Institute Movement within twentieth-century feminism. This paper will take this argument further by focusing on the way in which the W.I. redefined domestic labour as skilled and thus provided scope for rural women to gain status and validation from their involvement in it. First, however, I want to propose a different perception of the Women's Institute Movement from the more common idea of ‘Jam and Jerusalem’ popular in the 1990s, and describe its activities for those unfamiliar with the Movement.

Tellings of an Encounter: A Meeting between Muḥammad ʿAbduh, Herbert Spencer and Wilfrid Blunt (1903)

2018 ◽  
Vol 3 (1-2) ◽  
pp. 105-128
Author(s):  
Ammeke Kateman
Keyword(s):  
Twentieth Century ◽  
Herbert Spencer ◽  
History Of ◽  
The Way

AbstractIn 1903, the Islamic reformist Muḥammad ʿAbduh (1849-1905), the English philosopher Herbert Spencer (1820-1903) and the English writer Wilfrid Scawen Blunt (1840-1922) met in Spencer’s home in Brighton. This article focuses on the history of the various tellings of this encounter that brought together three intellectuals from a globalizing and colonial world. It shows that the various renditions were creative negotiations of the encounter’s meaning across times, places and languages in the twentieth century. Specifically, this article’s comparison of the content, form and role of the accounts in Rashīd Riḍā’sAl-Manār(1915 and 1922), Blunt’sMy Diaries(1920), Riḍā’s biography of ʿAbduh (theTārīkh, 1931) and ʿImārah’s collection of ʿAbduh’s works (Al-Aʿmāl al-Kāmilah, 1972), and the way these accounts relate to each other through creative borrowing and translation, demonstrate the way European dominance in the global political and intellectual realm was confronted, negotiated and reiterated in the various tellings of the encounter.

scholarly journals An Electronic Сatalogue of Slobozhanshchina Icons of the Late 18th – Early 20th Centuries: Prerequisites for Creation, Purposes, Functions

2021 ◽  
pp. 109-117
Author(s):  
И.В. Краснова
Keyword(s):  
Twentieth Century ◽  
Cultural Heritage ◽  
Significant Part ◽  
History Museum ◽  
Documentary Sources ◽  
Great Patriotic War ◽  
History Of ◽  
The Creation ◽  
Private Collections ◽  
The Way

В статье обосновывается необходимость создания виртуального каталога слобожанских икон и ставится цель разработки основных характеристик проектируемой электронной коллекции. Проведен анализ документальных источников, использованы результаты исследований российских и украинских ученых. Исследована история музеев Слободской Украины, собиравших произведения иконописи, изучено влияние событий ХХ в. на иконописное наследие Слобожанщины, которое вследствие атеистической кампании 1930-х гг. и действий оккупантов в период Великой Отечественной войны утратило единство и оказалось раздробленным между многочисленными музейными и частными коллекциями. Данный фактор, а также несомненная уникальность региональной иконописной традиции стали предпосылками к разработке концепции электронного каталога, который призван объединить все сохранившиеся на сегодняшний день произведения слобожанской иконописи. The article substantiates the need to create a virtual catalogue of Slobozhanshchina (Sloboda Ukraine) icons and sets the aim of developing the main characteristics of the projected electronic collection. Based on the use of systemic-historical and historical-genetic methods, documentary sources were analysed, the results of research of Russian and Ukrainian historians and culture scientists were studied. The history of museums in Sloboda Ukraine, which collected works of icon painting, is considered; special attention is paid to the Historical and Church Museum. Until the revolutionary events of 1917, this museum’s collections were constantly replenished with new exhibits. The history of the creation of the Museum of Ukrainian Art and the Central Art and History Museum named after Gregory Skovoroda (Museum of Sloboda Ukraine) is analysed. The influence of the events of the twentieth century on the icon-painting heritage of Sloboda Ukraine is considered. This heritage, as a result of the atheistic campaign of the 1930s and the actions of the occupiers during the Great Patriotic War, lost unity and was fragmented between numerous museum and private collections. The consequences of the German fascist invaders’ plunder of the museums of Sloboda Ukraine were especially grave: hundreds of thousands of exhibits were destroyed or taken out of the country. The fact of huge and often irreparable losses in the cultural heritage of Sloboda Ukraine by the middle of the twentieth century is stated. At present, the museums of Sloboda Ukraine have already collected a significant part of icon-painting works (about 500), but this number is not comparable with the richest heritage of Sloboda Ukraine of the beginning of the twentieth century. The author emphasises that a certain number of Slobozhanshchina icons continue to remain in churches and private collections in both Ukraine and Russia. Information about icons received from individuals is insufficient for attribution and museum documentation compilation, so many of the icons have not yet been fully introduced into museum circulation. The way out of this situation, according to the author, is to create an electronic catalogue of Slobozhanshchina icons, which will be a database of icon-painting works from museum and private collections with texts and images. The concept of the electronic catalogue has been developed. The catalogue is designed to unite all the works of Slobozhanshchina icon painting that have survived to date.

Diaries Real and Fictional in Twentieth-Century French Writing

2018 ◽  
Author(s):  
Sam Ferguson
Keyword(s):  
Twentieth Century ◽  
Life Writing ◽  
Second World War ◽  
Andre Gide ◽  
World War ◽  
Avant Garde ◽  
Diary Writing ◽  
Second World ◽  
The Way

This is the first study of the diary in French writing across the twentieth century, as a genre including both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries (or journaux intimes) – a supposedly private form of writing – would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, André Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d’André Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889–1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau’s works published under the pseudonym of Sally Mara (1947–1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes’s experiments with the diary (1977–1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux’s published diaries (1993–2011) demonstrate the role of the diary in the modern field of life-writing, especially in comparison with autobiography. Throughout the century, the diary has repeatedly been used to construct an œuvre and author, but also to call these fundamental literary concepts into question.

The Religious Life of the Industrial Working Class in the Czech Lands?

2019 ◽  
Vol 46 (1) ◽  
pp. 99-110
Author(s):  
Jakub Štofaník
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
Religious Life ◽  
Church History ◽  
Private And Public ◽  
History Of ◽  
Czech Lands ◽  
Historic Change ◽  
Role Of Religion

The article focuses on the role of religion among working-class inhabitants of two industrial towns in the Czech lands, Ostrava and Kladno, during the first half of twentieth century. It analyses the enormous conversion movement, the position of new actors of religious life, and the religious behavior of workers. Looking at the history of the late nineteenth and first half of the twentieth century, the study understands religion as one of the constituent factors of society and its historic change. Traditional, new, and nonconformist religious actors appear as active agents in the private and public life of industrial towns. They mobilized workers, young people, and women, and they produced the major arena in which social, cultural, and church history come together.

Sign in / Sign up

Export Citation Format

Share Document