Suicide of Australians during the Vietnam War

2017 ◽  
Vol 26 (2) ◽  
pp. 149-151 ◽  
Author(s):  
Saxby Pridmore ◽  
Jamshid Ahmadi ◽  
William Pridmore

Objectives: National suicide rates fall during times of war. This fits with the notion of the population coming together against a common foe. But, what happens in the case of a war which is not fully supported, which draws the population and families apart? We consider this question by examining the Australian suicide rates during the divisive Vietnam War. Methods: We graphed and examined the Australian suicide figures for 1921–2010. Results: We found clear evidence of a decrease in the suicide rate for World War II (consistent with other studies), but a marked elevation of suicide during the Vietnam War. Conclusions: The elevation of the Australian suicide rate during the Vietnam War is consistent with Durkheim’s social integration model – when social integration is lessened, either by individual characteristics or societal characteristics, the risk of suicide rises.

2020 ◽  
pp. 73-98
Author(s):  
David Barno ◽  
Nora Bensahel

This chapter explores the role of leadership in military adaptation, which may be the most important factor of all. Adaptable tactical leaders must rapidly assess the battlefield and identify the need for change, remain willing to abandon accepted procedures when required, and candidly advocate for organizational change when needed. At the theater level, adaptive leaders face more challenges in identifying the need for change. They need to actively seek out ideas from throughout the chain of command, and to lead rapid battlefield change within their formations. The chapter examines the successful tactical adaptability of Captain John Abizaid during the 1983 invasion of Grenada and the failed tactical adaptability of Lieutenant Colonel Robert McDade in 1965 during the Vietnam War. It also examines the successful theater adaptability of Field Marshall William Slim during the Burma campaign of World War II, and the failed theater adaptability of General William Westmoreland in Vietnam War.


MANUSYA ◽  
2020 ◽  
Vol 23 (2) ◽  
pp. 205-223
Author(s):  
Ratiwan Watanasin

As food has a substantial cultural and economic value, globalization and the Internet have posed challenges to traditional culture. As previous research on Thai food has focused on recipes and the consumption behavior of the royal family and upper-class Thai citizens, this study therefore aims to investigate the Thai food culture of ordinary Thais before the proliferation of a foreign food culture. Senior citizens from diverse socio-economic backgrounds in central Thailand who witnessed two major cultural encounters, specifically World War ii and the Vietnam War, were interviewed until full data was obtained. Content analysis within the guidelines of consumer behavior analysis was conducted. The findings confirm that central food culture has been passed down over generations and has become firmly established. Unless there has been convenient access to provincial centers, then, food from other regions has seldom been consumed. Also, before globalization, acculturation with foreign foods was barely noticeable. Overall, a key driver of this acculturation was so-called “food availability”.


2016 ◽  
Vol 19 (4) ◽  
pp. 74-81
Author(s):  
Phuong Vu Thu Nguyen

The end of World War II led to fundamental changes in the international situation, posing problems for the victor nations which had to abandon the colonial system outdated and inconsistent with objectives. However, giving up interests in the colonies seemed hardly possible for the capitalist powers. France plotted to return to Vietnam to restore colonial rule. The USA went from having no interest in the return of France to backing France, and finally exerting deep intervention and direct involvement in the Vietnam War. This paper gives an outline of the United States involvement in Vietnam from 1950 to 1959.


Author(s):  
Nguyen Minh Giang

Although located in a region having close historical-cultural relations with the area of Southeast Asia, Australia always considers itself and is considered a special outpost of the West in Asia-Pacific. Since World War II up to now, the strategic alliance between Australia and the US has been developed comprehensively and deeply. Particularly, with the purpose of getting the protection in terms of security from the US towards the Near-North region, it's obvious that Australia had to accept the fact that the number of killed and wounded soldiers, advisories, and military workers during the period of the Vietnam war was equivalent to that of the killed and wounded ones of the two World Wars when Australia participated along with the British troops. To illustrate the aforementioned content, this article focuses on analyzing some objective factors including the development of the movement of national liberation, the founding and rising of Chinese socialism, and the policies of Southeast Asia of the US during the period of post-World War II, along with some subjective factors influencing the founding and development of the strategic alliance between Australia and the US such as the national interest and the role of Australia during the Vietnam war, the economiccultural- political platforms of the US-Australia relations, and three-key factors expressing the depth of these relations including military, politics and diplomacy, culture and education, science and technology.


Author(s):  
George W. Breslauer

Communism was the offspring of wars: World War I, World War II, and the Vietnam War. Are such wars likely in the coming decades? If not, new communist regimes on the Leninist-Stalinist-Maoist models are unlikely to come to power in the name of Marxism-Leninism. Whether that ideological heritage becomes again a beacon for revolution may depend on whether, in the future, the historical imagination comes to view communism as having been an achievement or a tragedy.


2021 ◽  
Vol 16 (1) ◽  
pp. 4-47
Author(s):  
Hisashi Shimojō

This paper examines the development of Vietnamese studies in post–World War II Japan. During the Vietnam War, Vietnamese studies in Japan was developed by a young generation of academics who were shocked by war coverage. Some of these scholars viewed Vietnamese society and its nationalist spirit as their “ideal social model,” and dedicated themselves to research topics centered on Vietnam’s rural society, revolution, and nationalism. However, when fieldwork became possible in the 1990s after the Đổi Mới reforms, research subjects became diversified among scholars who came after the Vietnam War generation as they encountered the country’s diverse realities.


2017 ◽  
Vol 38 ◽  
pp. 105-119
Author(s):  
Martin Holtz

The article explores the similarities of Westerns and war films and the ways in which the two genres have cross-fertilized each other since World War II. Central to their similarities are their efforts to render violence as a “regenerative” Slotkin means to establish or defend American civilization. Since the Vietnam War, however, the Western has taken a revisionist turn, and its subsequent evocations in war films expose the frontier ideology of justified violence in the name of the advancement of American civilization as a failed ideological project and highlight the imperialist aggression that connects America’s westward expansion with its military efforts. Using the example of Clint Eastwood’s film American Sniper 2014, the article argues that the use of Western elements in contemporary films about the Iraq War adds a sense of moral ambiguity to the portrayal of the hero, who exhibits a pathological obsession with a Western image of the righteous protector of civilization that is ultimately destructive to himself and the society he wants to protect.WESTERN A FILM WOJENNY — SNAJPER CLINTA EASTWOODA JAKO GATUNKOWA HYBRYDAArtykuł jest eksploracją podobieństw między westernem a filmem wojennym i sposobów, w jakie obydwa gatunki wzajemnie się przenikały od czasu II wojny światowej. Głównym ich podobieństwem jest próba prezentowania przemocy jako „odradzającego się” Slotkin środka służącego ustanowieniu bądź obronie amerykańskiej cywilizacji. Jednakże od wojny wietnamskiej western przeszedł rewizjo­nistyczny zwrot, a jego kolejne ewokacje w filmach wojennych eksponują ideologię Pogranicza bę­dącą usprawiedliwieniem przemocy w imię zaawansowania amerykańskiej cywilizacji jako projektu ideologicznego upadłego i ukazują imperialistyczną agresję, która łączy amerykańską ekspansję na zachód z jej militarnymi wysiłkami. Na przykładzie Snajpera Clinta Eastwooda 2014 niniejszy esej przekonuje, że zastosowanie westernowych elementów we współczesnych filmach o irackiej wojnie przydaje moralnej dwuznaczności portretowi bohatera, przejawiającego patologiczną obsesję wester­nowym image’em prawego obrońcy cywilizacji, skrajnie destrukcyjnego wobec siebie oraz społeczeń­stwa, które chce osłaniać.                                                                                              Przeł. Kordian Bobowski


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