The Face of the Devil Finally Revealed

2013 ◽  
Vol 21 (2) ◽  
pp. 149-149
Author(s):  
Badr AbdullGaffar
Keyword(s):  
The Face ◽  
2012 ◽  
Vol 48 ◽  
pp. 385-396
Author(s):  
Oliver Logan

The successful and highly authoritative Jesuit opinion-journal La Civiltà Cattolica was founded in 1850 to assert Catholic values in the face of ‘the Revolution’, an allegedly nefarious process that had begun with the Revolution of 1789 and was seen by the Jesuit writers as continuing with the 1848 revolution in Italy and the ongoing Risorgimento movement; this called the temporal power of the papacy into question and also entailed wider issues of secularization. For these writers, the periodical press was a dangerous new force and the only way to combat it effectively was on its own ground. The serial novels which ran in the fortnightly journal from 1850 until 1927 were evidendy written in the belief that the devil should not be left with all the most gripping yarns. The dangers to morality posed by romantic novels were constantly emphasized in the journal’s own fiction. The dominant tone of this fiction was polemical. The villains represented the forces of Jacobinism, the secret societies of the early Risorgimento, and Freemasonry. Conspiracy was a constant theme. Indeed, the leitmotifs of anti-Jesuit polemic depicting the Society of Jesus as an occult conspiratorial organization were in turn deployed by the Jesuit writers against Freemasonry. In the present study, however, the emphasis will be primarily on what the works of Antonio Bresciani (1798–1862), the pioneer Jesuit novelist between 1850 and 1861, had to say about Christian life and values. This, in fact, has most relevance to the genre of the romantic novel.


1990 ◽  
Vol 34 (2) ◽  
pp. 325
Author(s):  
Cynthia Schmidt ◽  
John W. Nunley

2017 ◽  
Vol 24 (1) ◽  
pp. 243 ◽  
Author(s):  
William M. Adams

Abstract This article explores the surprising closeness and apparent warmth of the relations between biodiversity conservation organisations and corporations. It argues that in this paradoxical engagement, conservationists are exhibiting an extreme form of pragmatism - a willingness to 'sleep with the enemy.' The article considers the implications of these arrangements using the metaphor of a Faustian Bargain, a deal with the devil to acquire power in exchange for the soul. It considers the lure to conservationists of the logics underlying collaboration in the forms of market-based neoliberal conservation and the green economy in the light of the long-standing tradition of opposition in the face of the destructive engagement between capitalism and nature. It considers the benefits of conservation of its Faustian bargain, and explores its consequences. Key Words: biodiversity conservation, neoliberal conservation


1990 ◽  
Vol 20 (3) ◽  
pp. 286
Author(s):  
Christopher Fyfe ◽  
John W. Nunley
Keyword(s):  
The Face ◽  

2019 ◽  
pp. 74-91
Author(s):  
James Phillips

This chapter relies on The Devil Is a Woman (1935), the last film Sternberg and Dietrich made together, to develop an account of Sternberg’s antagonistic relation to the off-screen. More than most directors, he is a maker of self-sufficient images: this informs his understanding of narrative. In the face of the positive treatment of the off-screen in film studies over recent decades, the chapter defends Sternberg against the criticisms leveled at cinemas of mere spectacle. The carnival atmosphere and unreliable narrator of The Devil Is a Woman are prompts for investigating and contesting the fictional world by which a viewer frames the individual shots of a film. The eccentric architectural space of The Blue Angel (1930) is treated as a reason for attributing to Sternberg a longer-term interest in disentangling cinema from the viewer’s cognitive practice of elaborating, with the help of the off-screen, a world around the shots of which a film is composed.


1988 ◽  
Vol 21 (3) ◽  
pp. 568
Author(s):  
Frederic Lamp ◽  
John W. Nunley
Keyword(s):  
The Face ◽  

Author(s):  
Charmele Ayadurai ◽  
Sina Joneidy

Banks have experienced chronic weaknesses as well as frequent crisis over the years. As bank failures are costly and affect global economies, banks are constantly under intense scrutiny by regulators. This makes banks the most highly regulated industry in the world today. As banks grow into the 21st century framework, banks are in need to embrace Artificial Intelligence (AI) to not only to provide personalized world class service to its large database of customers but most importantly to survive. The chapter provides a taxonomy of bank soundness in the face of AI through the lens of CAMELS where C (Capital), A(Asset), M(Management), E(Earnings), L(Liquidity), S(Sensitivity). The taxonomy partitions challenges from the main strand of CAMELS into distinct categories of AI into 1(C), 4(A), 17(M), 8 (E), 1(L), 2(S) categories that banks and regulatory teams need to consider in evaluating AI use in banks. Although AI offers numerous opportunities to enable banks to operate more efficiently and effectively, at the same time banks also need to give assurance that AI ‘do no harm’ to stakeholders. Posing many unresolved questions, it seems that banks are trapped between the devil and the deep blue sea for now.


1986 ◽  
Vol 42 (3) ◽  
Author(s):  
A. G. Van Aarde

Demonology in New Testament times Modem demonology has become a cult just as it had been in mediaeval times. But there is a difference. Then people opposed the Devil; now people believe in the Devil. This paper argues that modem demonology is an escapism of reality and in direct contrast to the New Testament's message. The thesis is debated against the background of a discussion of demonology in New Testament times. In this discussion it is indicated how the face of evil has changed from Old Testament times up to the New Testament period. Evil has become an extraterrestrial figure, symbol and power. As the personification of the prince of evil, the Devil is inter alia identified with the mythological serpent in a lost paradise and is defeated at the realization of God's messianic kingdom in Jesus Christ, the prince of light. The New Testament proclaims that salvation means that man determines to exist as man of God before evil made man his slave.


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