Book Review: Value and the Media: Cultural Production and Consumption in Digital Markets

2012 ◽  
Vol 142 (1) ◽  
pp. 178-179
Author(s):  
Lisa Gunders
2005 ◽  
Vol 7 ◽  
pp. 11-23
Author(s):  
Graham Murdock

This article puts forward the fundamental lines of thought on the Political Economy of Communications and the Media, since the development of capitalism up to the present day. Clarifying the distinction between Economy and Political Economy, this work examines the central split between two traditions within Political Economy: the Classic approach which is centred on markets and competition mechanisms and the Critical approach which is centred on the analysis of property and the distribution of power in society. Despite internal distinct traditions, for political economists’ questions about cultural production and consumption are never simply matters of economic organisation or creative expression and the relations between them. They are always also questions about the organisation of power and its consequences for the constitution of public life. Based on different Political Economy perspectives, this article attempts to present the most recent developments on communications and media markets in Europe and the major challenges and opportunities the discipline faces in a time marked by the emergence of a digital public sphere.


2003 ◽  
Vol 39 (1) ◽  
pp. 107-108
Author(s):  
Timothy Marjoribanks

2017 ◽  
Vol 1 (1) ◽  
pp. 21
Author(s):  
Amirudin Amirudin

In the 21st century, the media is increasing rapidly and requires a specific response from anthropology studies. Not only does the media bring with implications for changes in the process of production and consumption of culture, but also changes to its viewpoint and approach. It's not enough if the media was studied only with a classical perspective that only positioned the media as a cultural communication agent, or otherwise the media is approached with the effects study. However, the media also needs to be recognized with a more progressive perspective that positions the media as an agency in cultural production practices. Based on the idea, this paper provides provocation through Amirudin's research (2016) which tried to present a new perspective in media studies


2021 ◽  
Vol 7 (2) ◽  
pp. 205630512110213
Author(s):  
Brooke Erin Duffy ◽  
Annika Pinch ◽  
Shruti Sannon ◽  
Megan Sawey

While metrics have long played an important, albeit fraught, role in the media and cultural industries, quantified indices of online visibility—likes, favorites, subscribers, and shares—have been indelibly cast as routes to professional success and status in the digital creative economy. Against this backdrop, this study sought to examine how creative laborers’ pursuit of social media visibility impacts their processes and products. Drawing upon in-depth interviews with 30 aspiring and professional content creators on a range of social media platforms—Instagram, YouTube, TikTok, Pinterest, and Twitter—we contend that their experiences are not only shaped by the promise of visibility, but also by its precarity. As such, we present a framework for assessing the volatile nature of visibility in platformized creative labor, which includes unpredictability across three levels: (1) markets, (2) industries, and (3) platform features and algorithms. After mapping out this ecological model of the nested precarities of visibility, we conclude by addressing both continuities with—and departures from—the earlier modes of instability that characterized cultural production, with a focus on the guiding logic of platform capitalism.


1993 ◽  
Vol 20 (1) ◽  
pp. 147-149
Author(s):  
George Gerbner
Keyword(s):  

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