scholarly journals Re-claiming resilience and re-imagining welfare: A response to Angela McRobbie

2021 ◽  
pp. 136754942110369
Author(s):  
Kim Allen
Keyword(s):  
Political Discourse ◽  
Popular Media ◽  
Complex Relation ◽  
Radical Feminist ◽  
Short Piece

Across popular media and political discourse, subjects are increasingly addressed through the language of resilience – called upon to be positive, to show ‘grit, and to ‘bounceback’ from adversity. In her latest book, Feminism and The Politics of Resilience: Essays on Gender, Media and the End of Welfare (2020), Angela McRobbie offers an incisive analysis of the gendered address that this call to resilience takes; teasing out its complex relation to the logics of post-feminism and locating its traction against a backdrop of neoliberal austerity which has disproportionately punished women – and poor, black and brown women especially. In this short piece, I reflect upon the book’s contributions and consider whether the language of resilience, rather than be abandoned, might be reclaimed and repoliticised as part of radical feminist re-imaginings of welfare

Fake News and the Jesus Historian

2016 ◽  
Vol 14 (3) ◽  
pp. 248-261
Author(s):  
Anthony Le Donne
Keyword(s):  
General Public ◽  
Political Discourse ◽  
Popular Media ◽  
Historical Jesus ◽  
Fake News ◽  
Political Climate ◽  
Donald Trump ◽  
Cultural Phenomenon

This article surveys a cultural phenomenon in American popular media that complicates how the historical Jesus is received: fake news. It suggests that fake Jesus news relates to the problems we face in Donald Trump-related political discourse. Moreover, the present political climate will make it even more difficult for professional historians to be heard and trusted by the general public.

Interpreting the Meaning of Ancient Stories in Contemporary Popular Media

PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (51) ◽  
Author(s):  
Louis Hoffman ◽  
Christine Buck
Keyword(s):  
Popular Media

Internet Political Discourse: The Myth of Incivility?

2011 ◽  
Author(s):  
Robert Martin Eisinger ◽  
Graham Neray
Keyword(s):  
Political Discourse

“I'd make thee eat the mischief thou hast vented”: Discourse of Law in Ben Jonson's Catiline His Conspiracy

2017 ◽  
Vol 24 (1) ◽  
pp. 22-45
Author(s):  
Akihiko Shimizu
Keyword(s):  
Early Modern ◽  
Political Discourse ◽  
Legal Discourse ◽  
The State ◽  
The Political ◽  
State Of Emergency ◽  
Gunpowder Plot ◽  
Effective Use ◽  
Legal Procedures ◽  
The Way

This essay explores the discourse of law that constitutes the controversial apprehension of Cicero's issuing of the ultimate decree of the Senate (senatus consultum ultimum) in Catiline. The play juxtaposes the struggle of Cicero, whose moral character and legitimacy are at stake in regards to the extra-legal uses of espionage, with the supposedly mischievous Catilinarians who appear to observe legal procedures more carefully throughout their plot. To mitigate this ambivalence, the play defends Cicero's actions by depicting the way in which Cicero establishes the rhetoric of public counsel to convince the citizens of his legitimacy in his unprecedented dealing with Catiline. To understand the contemporaneousness of Catiline, I will explore the way the play integrates the early modern discourses of counsel and the legal maxim of ‘better to suffer an inconvenience than mischief,’ suggesting Jonson's subtle sensibility towards King James's legal reformation which aimed to establish and deploy monarchical authority in the state of emergency (such as the Gunpowder Plot of 1605). The play's climactic trial scene highlights the display of the collected evidence, such as hand-written letters and the testimonies obtained through Cicero's spies, the Allbroges, as proof of Catiline's mischievous character. I argue that the tactical negotiating skills of the virtuous and vicious characters rely heavily on the effective use of rhetoric exemplified by both the political discourse of classical Rome and the legal discourse of Tudor and Jacobean England.

Screen Presence

2016 ◽  
Author(s):  
Stephen Monteiro
Keyword(s):  
Contemporary Art ◽  
Social Contexts ◽  
Popular Media ◽  
Andy Warhol ◽  
Film Culture ◽  
Artistic Practice ◽  
Popular Film ◽  
Robert Rauschenberg ◽  
Mona Hatoum ◽  
Source Materials

Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Working from a media and cultural studies perspective, Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures – Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through analysis of a range of examples and source materials, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema’s shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.

Food Network’s food-career frenzy? An examination of students’ motivations to attend culinary school

2019 ◽  
Vol 6 (2) ◽  
Author(s):  
Ryan Whibbs ◽  
Mark Holmes
Keyword(s):  
Social Media ◽  
Career Aspirations ◽  
Popular Media ◽  
Food Network ◽  
Intention To Persist ◽  
Culinary School ◽  
Media Discourses

This research presents the findings of a year long study, undertaken between 2016 and 2017, seeking to understand the degree to which students are influenced to attend culinary school by food medias, social media, and the Food Network. The notion that food medias draw the majority of new cooks to the industry is often present in popular media discourses, although no data exists seeking to understand this relationship. This study reveals that food medias play a secondary or tertiary role in influencing students to register at culinary school, while also showing previously unknown patterns related to culinary students’ intention to persist with culinary careers. Nearly 40 percent of this sample do not intend to remain cooking professionally for greater than five years, and about 30 percent are “keeping other doors open” upon entry into culinary school. Although food celebrity certainly plays a role in awareness about culinary careers, intrinsic career aspirations are the most frequently reported motivation.

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