scholarly journals Collaboration and identity formation in strategic interorganizational partnerships: An exploration of swift identity processes

2019 ◽  
Vol 18 (1) ◽  
pp. 171-211 ◽  
Author(s):  
Paula Ungureanu ◽  
Fabiola Bertolotti ◽  
Elisa Mattarelli ◽  
Francesca Bellesia

We investigate how collective identity formation processes interplay with collaboration practices in an inter-organizational partnership promoting regional innovation. We found that initial collaboration challenges are dealt with by setting up an early “swift identity” which is associated with material artifacts to increase its strength and stability (“swift identity reification”). However, as the partnership evolves, the reified identity becomes misaligned with partners’ underdeveloped collaboration practices. To ensure realignment, new attempts at reification are performed, as partners buy time for learning how to collaborate. Our findings contribute to extant identity research by proposing alternative (i.e. “swift” and “reified”) mechanisms of identity formation in contexts characterized by both heterogeneity challenges and integration imperatives. They also integrate the debate about the role of identity formation in the evolution of interorganizational partnerships. For both literatures, we highlight the important role of materiality.

2020 ◽  
Vol 15 (3) ◽  
Author(s):  
Ana Đorđević

The aim of the present study lies in an effort of converging anthropological, ethnomusicological and psychological approach to the relationship between music and collective identity. Music is considered a socio-cultural artifact, which mediates the processes of collective identity construction, and whose function in such process can be multiple. In order to understand the ways in which it is sutured into (in)formal processes of collective (self)identification, we propose simultaneous consideration of various dimensions: cultural, social, political, psychological. Although there already has been interdisciplinary research of the role of music in the emergence of identity, we advocate for a more complementary approach, by a consideration of the psychological accounts, adjusted to the needs of ethno-anthropological analysis. As the most comprehensive theoretical approach, we propose cultural psychology of music. Future empirical research on specific identity processes mediation by music as cultural artifact, should include the analysis of intersecting local and global social trends, aspects of musicological analysis, specificities of psychological development of identity, the role of socio-political strategies of identity formation, and, last but not least, cultural specificity of the community in focus of the research. We find the complexity of the phenomenon in focus to be obligatory for the complexity of the theoretical and methodological approach.


2020 ◽  
pp. 146144482095812
Author(s):  
Tiana Gaudette ◽  
Ryan Scrivens ◽  
Garth Davies ◽  
Richard Frank

Since the advent of the Internet, right-wing extremists and those who subscribe to extreme right views have exploited online platforms to build a collective identity among the like-minded. Research in this area has largely focused on extremists’ use of websites, forums, and mainstream social media sites, but overlooked in this research has been an exploration of the popular social news aggregation site Reddit. The current study explores the role of Reddit’s unique voting algorithm in facilitating “othering” discourse and, by extension, collective identity formation among members of a notoriously hateful subreddit community, r/The_Donald. The results of the thematic analysis indicate that those who post extreme-right content on r/The_Donald use Reddit’s voting algorithm as a tool to mobilize like-minded members by promoting extreme discourses against two prominent out-groups: Muslims and the Left. Overall, r/The_Donald’s “sense of community” facilitates identity work among its members by creating an environment wherein extreme right views are continuously validated.


2019 ◽  
Vol 11 (1) ◽  
pp. 32-41 ◽  
Author(s):  
Nicolò Maria Iannello ◽  
Sam A. Hardy ◽  
Pasquale Musso ◽  
Alida Lo Coco ◽  
Cristiano Inguglia

2007 ◽  
Vol 52 (S15) ◽  
pp. 243-258 ◽  
Author(s):  
Cristina Flesher Fominaya

This article draws on ethnographic research to analyse the role of humour in the process of collective identity formation within autonomous anti-capitalist groups in Madrid. Autonomous groups embrace the principles of horizontality, openness, diversity, participatory democracy, self-organization, and direct action, so defining themselves in contradistinction to more “vertical” movement organizations of the institutional left. The process of collective-identity formation involves both generating a sense of internal cohesion, and projecting an alternative identity. Autonomous groups in Madrid face a double challenge, for they must integrate ideologically heterogeneous activists, and they must define themselves as being alternatives to the much more consolidated groups of the institutional left. I shall analyse the different ways in which humour is used to address both those challenges: to sustain groups over time, to defuse tensions and try to resolve conflict, for myth-making, and to integrate marginal group members. I will also discuss the role humour plays in charismatic leadership and its use in the projection of an alternative political identity in direct actions. Finally, I will discuss the contested nature of humour as a political tool in the context of the Madrid network.


2018 ◽  
Vol 6 (1) ◽  
pp. 76-91 ◽  
Author(s):  
Emma A. Bäck ◽  
Hanna Bäck ◽  
Marie Gustafsson Sendén ◽  
Sverker Sikström

Much of identity formation processes nowadays takes place online, indicating that intergroup differentiation may be found in online communities. This paper focuses on identity formation processes in an open online xenophobic, anti-immigrant, discussion forum. Open discussion forums provide an excellent opportunity to investigate open interactions that may reveal how identity is formed and how individual users are influenced by other users. Using computational text analysis and Linguistic Inquiry Word Count (LIWC), our results show that new users change from an individual identification to a group identification over time as indicated by a decrease in the use of “I” and increase in the use of “we”. The analyses also show increased use of “they” indicating intergroup differentiation. Moreover, the linguistic style of new users became more similar to that of the overall forum over time. Further, the emotional content decreased over time. The results indicate that new users on a forum create a collective identity with the other users and adapt to them linguistically.


2014 ◽  
Vol 23 (4) ◽  
pp. 639-644
Author(s):  
DEBORAH GOULD

Fifteen plus years into the ‘emotional turn’ in the study of contentious politics, the question is no longer ‘do emotions matter’ but rather ‘do emotions evernotmatter?’ Or, stated positively, can we grasp the phenomena that we group together under the name of collective political action without paying attention to feelings, emotions, affect? As others have argued, the factors that social movement scholars deem important for mobilisation – e.g. political opportunities, organisations, frames – have force precisely because of the feelings that they elicit, stir up, amplify, or dampen. We turn towards emotion, then, in order to understand the workings of the key concepts in the field. In addition, we need to explore feelings because they often are a primary catalyst or hindrance to political mobilisation, attenuating the role of other factors. Then there are the many other aspects of collective political action, beyond the question of mobilisation per se, where emotions play important roles, from ideological struggles to alliance formation to activist rituals to collective identity formation to community building. So, again, are emotions ever unimportant, are they ever a simply trivial aspect of what happens in and around contentious politics? Historians of emotion might take the argument further. If, as Rosenwein argues, ‘emotions are about things judged important to us’,2if emotions are indications of what matters, of what is valued and devalued, how can scholars interested inanyaspect of social lifenotconsider emotions?


2019 ◽  
Vol 63 (2) ◽  
pp. 238-257
Author(s):  
Susanna L. Sacks

Abstract:Evan Mawarire’s poetic video “This Flag,” first posted on Facebook on April 20, 2016, mobilized an international protest movement against then-president of Zimbabwe Robert Mugabe between April and September of 2016. In the video, Mawarire built on the poetics of anti-colonial resistance and nationalization to create a rallying cry. The piece’s remediation through the hashtag channel #ThisFlag created rhetorical links between digital organizing and grounded action. This literary perspective on contemporary discussions of social media and collective identity formation shows how the poetic elements of the video enabled Mawarire’s claim to spread and motivate a grounded movement.


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