Book Reviews: Elisabeth Eide, Risto Kunelius and Angela Philips (eds) Transnational Media Events: The Mohammed Cartoons and the Imagined Clash of Civilizations Nordicom: Sweden, 2008, 290 pp. ISBN: 978 91 89471 64 1

2009 ◽  
Vol 5 (2) ◽  
pp. 245-247
Author(s):  
Elizabeth Poole
2018 ◽  
Vol 4 (3) ◽  
pp. 245-261
Author(s):  
Kathleen DeGuzman

This article studies diasporic spectatorship of transnational media of the Philippines and proposes that the unwatchable is not simply that which cannot stand to be seen. Rather, within the context of two Filipino-centric visual media events organized in San Francisco, the article frames as unwatchable difficult viewing experiences that produce unexpected strategies for beholding. By examining Brillante Mendoza’s film Ma’Rosa (2016) and Raffy Lerma’s photojournalistic coverage of extrajudicial killings linked to President Rodrigo Duterte’s war on drugs in the Philippines, the article positions laughter, silence, and turning away as diasporic viewing strategies that charge seemingly unengaged emotional responses with a politics for enduring traumatic visual media.


Author(s):  
Judith Keilbach

The trial against Adolf Eichmann was one of the first transnational media events on television. Its world-wide coverage required transnational cooperation. Using East German television reports about the trial this article argues that although the event transcended national borders it maintained at the same time ideological boundaries.


Author(s):  
Andreas Fickers ◽  
Andy O'Dwyer

In 1950 and 1952, the British Broadcast Corporation (BBC) and Radio Télévision Française (RTF) realized the first transnational television transmissions ever. The so called “Calais Experiment” (1950) and the “Paris Week” (1952) were celebrated as historic landmarks in European television and celebrated as a new “entente cordiale” between the two countries. This article aims at highlighting some of the tensions that surrounded the realization of these first experiments in transnational television by embedding the historic events into the broader context of television development in Europe and by emphasizing the hidden techno- political interests at stake. In line with current trends in transnational and European television historiography, the article analyses transnational media events as performances that highlight the complex interplay of the technical, institutional and symbolic dimension of television as a transnational infrastructure.


Tempo ◽  
1995 ◽  
pp. 29-36
Keyword(s):  

Volume I of Messiaen's ‘Traite’, ‘Music and Color’, and organ recordings Christopher DingleRobert Craft's Stravinsky memoirs and recordings Rodney Lister


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