scholarly journals The Clothing of a Georgian Banker, Thomas Coutts: A Story of Museum Dispersal

Costume ◽  
2012 ◽  
Vol 46 (1) ◽  
pp. 17-54 ◽  
Author(s):  
David Wilcox
Keyword(s):  
Twentieth Century ◽  
North America ◽  
Early Years ◽  
Large Collection ◽  
Victoria And Albert Museum

In the early years of the twentieth century, the surviving wardrobe of the Georgian banke r Thomas Coutts (1735–1822) was donated to the Victoria and Albert Museum, London. This large collection of clothing was subsequently parcelled up and dispersed to museums around Britain and North America. This essay gives an account of this process and attempts to provide a description of Coutts’ late wardrobe, discusses how it relates to his life and times and re-unites on paper, at least, the surviving strands of the original collection. The essay also presents details of the cut and construction of some of these clothes, through descriptions, photography and annotated cutting diagrams.

scholarly journals Residual Radicalism

Ethnologies ◽  
2014 ◽  
Vol 34 (1-2) ◽  
pp. 273-298
Author(s):  
Richard MacKinnon ◽  
Lachlan MacKinnon
Keyword(s):  
Twentieth Century ◽  
North America ◽  
Working Class ◽  
Steel Plant ◽  
Early Years ◽  
Class Consciousness ◽  
Human Beings ◽  
Steel Mill ◽  
Cape Breton ◽  
Steel Making

The making of songs is an important, yet under-explored tradition amongst steel workers throughout North America. Steel making has been an essential part of Cape Breton Island’s economy and landscape since the mid-nineteenth century. The first steel mill was constructed in Sydney Mines in the 1870s; a larger mill was built in the newly emerging city of Sydney, the island’s largest centre, by 1901. Distinctive traditions of work and leisure began to emerge amidst the grid-patterned streets and company-owned homes of workers and managers. In the early years of the twentieth century, a close-knit working-class consciousness had taken root in the steel making centre of Sydney, Cape Breton Island. Songs explore topics such as the harsh conditions of work in the steel plant, personalities and places, tragedies, the industrial conflicts of the 1920s, and the attitudes of workers toward management. Many are often tinged with satire and witty analysis of working-class life.Sydney, as with many communities in North America, has profoundly experienced the process of deindustrialization in the latter part of the twentieth century. The last operating coal mines closed in Cape Breton the 1990s and the Sydney Steel plant shut its doors in 2000. This paper explores the questions: what role did songs about steel play in the development of class consciousness during the development of the steel industry in Sydney? Do songs play an equally significant role in the latter part of the twentieth century when the community was undergoing the process of deindustrialization? What types of songs about steel making and the steel mill are found in each of these significant periods in Sydney’s history? An exploration of some of these songs reveal much about how human beings respond to the processes of industrialization and deindustrialization.

New insights into the controversy surrounding marine biological laboratory (Marine Station) facilities in the Firth of Clyde in the early twentieth century

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore
Keyword(s):  
Twentieth Century ◽  
Early Years ◽  
Marine Biological Laboratory ◽  
Biological Station ◽  
Marine Biological ◽  
Biological Laboratory ◽  
Early Twentieth Century ◽  
Marine Station ◽  
Regius Professor ◽  
Adjacent Island

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.

Songs of the spirit from Dufftown

2019 ◽  
Vol 70 (1) ◽  
pp. 36-54
Author(s):  
Shelagh Noden
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Church Music ◽  
Early Years ◽  
Liturgical Music

Following the Scottish Catholic Relief Act of 1793, Scottish Catholics were at last free to break the silence imposed by the harsh penal laws, and attempt to reintroduce singing into their worship. At first opposed by Bishop George Hay, the enthusiasm for liturgical music took hold in the early years of the nineteenth century, but the fledgling choirs were hampered both by a lack of any tradition upon which to draw, and by the absence of suitable resources. To the rescue came the priest-musician, George Gordon, a graduate of the Royal Scots College in Valladolid. After his ordination and return to Scotland he worked tirelessly in forming choirs, training organists and advising on all aspects of church music. His crowning achievement was the production, at his own expense, of a two-volume collection of church music for the use of small choirs, which remained in use well into the twentieth century.

Publish the Picture at Your Peril: Visual Ideas and the Commercial Apparatus of Life Magazine

2021 ◽  
Vol 20 (2) ◽  
pp. 301-324
Author(s):  
Joshua S. Schwartz
Keyword(s):  
Twentieth Century ◽  
Intellectual Property ◽  
Consumer Goods ◽  
Social Behaviors ◽  
Early Years ◽  
Business Practices ◽  
The Novel ◽  
Life Magazine ◽  
Advertising Revenue ◽  
Manufacturing Company

AbstractIn the early years of the twentieth century, Life magazine had only approximately one hundred thousand subscribers, yet its illustrated images (like the Gibson Girl) significantly influenced fashion trends and social behaviors nationally. Its outsized influence can be explained by examining the magazine’s business practices, particularly the novel ways in which it treated and conceptualized its images as intellectual property. While other magazines relied on their circulation and advertising revenue to attain profitability, Life used its page space to sell not only ads, but also its own creative components—principally illustrations—to manufacturers of consumer goods, advertisers, and consumers themselves. In so doing, Life’s publishers relied on a developing legal conception of intellectual property and copyright, one that was not always amenable to their designs. By looking at a quasi-litigious disagreement in which a candy manufacturing company attempted to copy one of the magazine’s images, this article explores the mechanisms behind the commodification and distribution of mass-circulated images.

Selling Historic Natchez to Depression-Era Pilgrims

2019 ◽  
pp. 153-210
Author(s):  
Susan T. Falck
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Great Depression ◽  
Historical Memory ◽  
Early Years ◽  
Racial Ideology ◽  
The Great Depression ◽  
Cultural Image ◽  
The World ◽  
Depression Era

This chapter recounts the early years of the Natchez Pilgrimage, a heritage tourism enterprise created by the Natchez Garden Club at the height of the Great Depression. The Pilgrimage dramatized a mix of decades-old southern racial ideology and white historical memory that was repackaged for 1930s consumption. Pilgrimage founder Katherine Miller and other leading clubwomen defined their community’s cultural image, while also redefining the meaning of traditional southern womanhood. The Pilgrimage is also the story of how one southern community’s selective expression of historical memory captivated white tourists eager to immerse themselves in the world of the Old South so vividly portrayed by popular writers and entertainers of the 1930s. The widespread appeal of the Pilgrimage home tours and pageant suggests the power of popular culture to shape a tenacious historical memory that remained in force for much of the twentieth century and lingers even today.

Insecurity in the Persian Gulf

2018 ◽  
pp. 145-152
Author(s):  
Mehran Kamrava
Keyword(s):  
Twentieth Century ◽  
Persian Gulf ◽  
Global Economy ◽  
Human Security ◽  
Early Years ◽  
Arab Uprisings ◽  
Territorial Sovereignty ◽  
Advanced Economies ◽  
Security Challenges ◽  
The Persian Gulf

Since the early years of the twentieth century, the Persian Gulf has been viewed as a strategically vital waterway, both for the global economy in general and for the continued prosperity of advanced economies in particular. In the process, the region has become an arena for the emergence of multiple and often overlapping security challenges, many of them indigenous to the area and many imported from abroad. Up until the 2011 Arab uprisings, most of these security challenges revolved around territorial, political, and military competitions and conflicts within and between actors from the region itself and from the outside. While threats and challenges to human security were also present, they were often overshadowed by more immediate and more tangible threats to territorial sovereignty and those posed by various forms of political and military competition between state actors.

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