scholarly journals The Wikipedia Diversity Observatory: helping communities to bridge content gaps through interactive interfaces

Author(s):  
Marc Miquel-Ribé ◽  
David Laniado

AbstractIn this paper, we present the Wikipedia Diversity Observatory, a project aimed to increase diversity within Wikipedia content. The project provides dashboards with visualizations and tools which show content gaps in terms of imbalances in the coverage of topics, and of concepts that are not shared across Wikipedia language editions. The dashboards are built on datasets generated for each of the more than 300 existing language editions, with features that label each article according to geography, gender and other categories relevant to overall content diversity. Through various examples, we show how the tools encourage and help editors to bridge the gaps in Wikipedia content. Finally, we discuss the project’s impact on the communities and implications for the Wikimedia movement in a moment in which covering diversity is considered strategic.

2021 ◽  
pp. 194016122110251
Author(s):  
Zahraa Badr

The Egyptian media has witnessed various changes in the ownership spectrum after the 2011 revolution. To explore this evolution, and through the Habermasian lens, this study examined ownership concentration in the 2019 media sphere in Egypt by mapping media outlets and their owners. It also investigated the relationship between this concentration and content diversity in a sample of print outlets in the first quarter of 2019. Three patterns of ownership concentration in the Egyptian media were identified: concentrated state ownership, concentrated private ownership, and not concentrated private ownership. Based on these findings, I argue that the media sphere in Egypt is dominated by a few gatekeepers, mostly the state, that influence content diversity and jeopardize the democratic public sphere in postrevolution Egypt.


2017 ◽  
Vol 19 (3) ◽  
pp. 241-256 ◽  
Author(s):  
Ramon Lobato

This article considers how established methodologies for researching television distribution can be adapted for subscription video-on-demand (SVOD) services. Specifically, I identify a number of critical questions—some old, some new—that can be investigated by looking closely at SVOD catalogs in different countries. Using Netflix as an example, and drawing parallels with earlier studies of broadcast and cinema schedules, I ask what Netflix’s international catalogs can tell us about content diversity within streaming services, and how this can be connected to longer traditions of debate about the direction and intensity of global media flows. Finally, I describe what a research agenda around Netflix catalogs might look like, and assess the utility of various kinds of data within such a project (as well as some methodological pitfalls).


Scene ◽  
2014 ◽  
Vol 2 (1) ◽  
pp. 179-196 ◽  
Author(s):  
Sofia Pantouvaki

The use of smart materials and wearable electronics has rapidly expanded in the field of fashion, introducing new interactive qualities of surfaces, materials and garments. In fashion garments, the performative environment functions as an abstract site for experimentation, expression and communication of the wearer through the intelligent garment. However, there is still limited use of embodied technologies in the field of performance costume for text-based and music-based performance, with the exception of integrated lighting technologies, currently broadly used in musical performance. This article provides a critical review of specific examples of technology-led garments in live performance, and uses a specific fragment from the Athens 2004 Olympic Games Opening Ceremony as a case study to highlight how technologies embedded in costume can create interactive interfaces between the body of the performer and the environment – the space, the other performers, the audience – becoming a transmitter and receiver of emotions, experiences and meanings in innovative ways. By analysing this case, as well as by posing questions, this article aims at generating a discourse on the expressive and narrative potential of the use of intelligent materials and embodied technologies within the creative practice of costume design.


Author(s):  
Wajid Khan ◽  
Siti Aishah Mohd Selamat ◽  
Manoharan Ramachandran

E-commerce has proven to play a pivotal role in the economy growth. One of the key e-commerce functions is the collection of the vast amount of useful transactional data to help businesses in understanding their consumers' behaviour. With the rapid and large volume of data collected, it is posing a great challenge for businesses to analyse the data on a day-to-day basis. The key issue is not in the generation or collection of data; it is in the manipulation of the collected data to churn out new and insightful information. Information visualisation is an effective tool in converting data into interactive interfaces to unearth hidden trends. It provides a platform to explore the data in a more rapid and intuitive approach. There are several existing techniques to analyse multidimensional data. This chapter seeks to introduce a comprehensive and robust visualisation model and framework for adoption. The visualisation model consists of four major layers, which include acquisition and data analysis, data representation, user and computer interaction, and result storage.


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