Double Agency: Acts of Impersonation in Asian American Literature and Culture; Americans First: Chinese Americans and the Second World War

2007 ◽  
Vol 79 (1) ◽  
pp. 201-203
Author(s):  
S. Metzger
Author(s):  
D. S. R. Welland

Obviously, British interest; in American studies is not something which began during the Second World War and matured rapidly after 1945. Yet, no doubt because of post-1945 enthusiasm for American studies in many parts of Great Britain, such an impression has often been engendered – sometimes, indeed, unwittingly by those who ought to know better. It is partly with the object of correcting such an impression that fche Bulletin hopes to publish, from time to time, revaluations of pioneering British works on American subjects. There are at least three other good reasons for attempting a series of this kind: it might help to stimulate British students of American subjects to explore the traditions within which they are working; it could draw attention to neglected but significant British writings on American themes; and it might well produce some articles which are interesting in their own right.


2021 ◽  
Vol 66 (1) ◽  
pp. 191-204
Author(s):  
Loredana Bercuci

"James Baldwin’s Giovanni’s Room (1956) as a Transgressive White-Life Novel. In the wake of the Second World War, American literature saw the rise of a type of novel that is little known today: the white-life novel. This type of novel is written by black writers but describes white characters acting in a mostly white milieu. While at the time African-American critics praised this new way of writing as a sign of maturity, many have since criticized it for being regressive by pandering to white tastes. This paper sets out to analyze the most famous of these novels, namely James Baldwin’s Giovanni’s Room (1956). It is my contention that Giovanni’s Room connects blackness and queerness through the use of visual metaphors in the novel, disrupting thus the post-war consensus on ideals of white masculinity. The novel, while seemingly abandoning black protagonists, enacts a subtle critique of white heteronormativity akin to Baldwin’s own positioning within American thought of the post-war era. Keywords: blackness, James Baldwin, post-war fiction, queer, white-life novel "


2004 ◽  
Vol 15 (2) ◽  
pp. 97-123 ◽  
Author(s):  
Jane Dunnett

Abstract In this article the author sets out to illustrate some of the strategies which Italian translators and publishers adopted, or were forced to adopt, to ensure that their texts passed muster under Fascism. “Taboo” areas are identified and an attempt is made to sketch out what were often rather vague criteria for acceptability. The author proceeds to survey the mechanisms that were put in place to vet books—essentially, preventive censorship and police confiscation—for the duration of the dictatorship. It is argued that the apparatus of the State was only partially successful at monitoring the content of works of literature. This historical contextualisation, drawing on archival and published material, is followed by a number of case-studies, first of three novels by John Steinbeck, and then of Americana, a famous anthology of American literature published during the Second World War. In her conclusion, the author draws attention to the failure of the regime to implement a watertight policy on translation, despite its desire to influence the way readers interpreted books.


Author(s):  
Julian Gunn

Christopher Isherwood was a British American novelist, memoirist, and playwright best known for The Berlin Diaries, a fictionalized portrayal of his experiences with the urban demimonde and the rise of Nazism in pre-Second World War Berlin. A close friend of W. H. Auden and other modernist writers, Isherwood used modernist aesthetic technique to present the destructive effects of Fascism on the ethical behavior of ordinary Germans (Spiro: 17). Isherwood's work had considerable influence on British and, after his move in 1939 to Los Angeles, American literature.


2005 ◽  
Vol 13 (1) ◽  
pp. 144-154
Author(s):  
Tom Burns

Resumo: Neste artigo são discutidas as narrativas ficcionais e jornalísticas da Segunda Guerra Mundial no contexto de discórdia da sociedade norte -americana, que esteve dividida entre isolacionistas e intervencionistas durante os primeiros anos da guerra. A participação espontânea na guerra e a dúvida sobre uma percepção clara por que os homens lutavam têm sido questionadas por historiadores revisionistas. Era consenso geral, entanto, que a guerra era tanto justa como necessária. As questões políticas e sociais da guerra, como o totalitarismo, o racismo e outras formas de opressão, não são ignoradas pelas narrativas ficcionais sobre os combates. As narrativas jornalísticas e os filmes de Hollywood ocupam-se mais em mostrar o combatente como representante de valores americanos.Palavras-chave: literatura norte-americana; narrativas de guerra; literatura e sociedade.Abstract: This article discusses fictional and journalistic narratives of the Second World War within the divided climate of opinion of American society, which, during the early years of the war, was split between isolationists and interventionists. The question of willing participation in the war and clear ideas as why men fought have been questioned by revisionist historians, but there was a general consensus that the war was both just and necessary. Political and social issues of the war, such as totalitarianism, racism, and other forms of oppression, are not neglected in the fictional narratives, even in the novels of combat. Journalistic narratives, like Hollywood movies, on the other hand, are more concerned with showing the fighting-man as representing perceived American values.Keywords: North-American literature; narratives of war; socio-political issues in literature.


Author(s):  
A.J. Yumi Lee

Asian American immigrant communities have been shaped by encounters with state surveillance, policing, detention, and deportation, and contemporary Asian American literature reflects this history. Many foundational Asian American literary texts narrate experiences of policing and incarceration related to immigration, and contemporary Asian American literary works frequently comment and build on these stories. Such works also recall the creative tactics that immigrants have employed to protect each other and elude the state, including adopting or inventing different names, identities, and familial affiliations. Another body of Asian American literature addresses experiences of encampment linked to war, occupation, and militarism that have both preceded and followed Asian American immigration to the United States. In particular, the internment of Japanese Americans in the western United States and Canada during World War II gave rise to numerous creative works, including fiction, poetry, memoir, art, and film by internees and the generations that followed. Asian American literary texts about post–World War II US wars in Asia, including the Korean and Vietnam Wars and the Global War on Terror, depict transnational wartime carceral spaces such as prisoner-of-war camps and refugee camps as sites that have generated Asian diasporic migrations. Post-9/11 Asian American works have responded to the militarized policing and incarceration of Muslims, Arabs, and South Asians, both domestically and globally. Finally, contemporary narratives of Asian American incarceration in the United States frequently address the connections between the policing of immigrants and the larger prison industrial complex, asking readers to situate Asian Americans comparatively in relation to other vulnerable groups, particularly other communities of color who have been targeted for abuse and incarceration by police and the state historically and in the 21st century.


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