The Social Body of Béla Balázs

2020 ◽  
Vol 47 (3) ◽  
pp. 7-20
Author(s):  
Erica Carter
Keyword(s):  
Film Theory ◽  
The Body ◽  
The Political ◽  
Popular Politics ◽  
Social Body ◽  
Expressive Movement ◽  
The Social ◽  
Social Realm ◽  
Politics Of The Body ◽  
Film Aesthetics

Abstract Focusing on the interwar writings of the film journalist and theorist Béla Balázs, this article argues for an understanding of Balázs’s film aesthetics as grounded in a popular politics of the body. Balázs understood film as a medium in which experiences of image, sound, and expressive movement and gesture shape human subjectivities within a newly mediatized social realm. The article explores Balázs’s consequent plea for a film politics of popular embodiment and asks what a survey of Balázs’s writings as both critic and theorist tell us about the political valences of his film theory now.

The multispatial governance of social and economic policy

2020 ◽  
pp. 155-174
Author(s):  
Bob Jessop
Keyword(s):  
Economic Policy ◽  
Civil Society ◽  
Capital Accumulation ◽  
Political Action ◽  
The Body ◽  
Capitalist Society ◽  
Social Body ◽  
The Social ◽  
Politics Of The Body

This chapter distinguishes Foucault’s approach from the work of Anglo-Foucauldian scholars. The latter adopted a microsocial perspective, focused on the programmes and rationalities of government that work across multiple alliances between different actors, and argued for bottom-up civil society responsibilization. Foucault was not only state-phobic but also suspicious of political action based on civil society. His theoretical interests shifted from the micro-physics of disciplinary society and its anatomo-politics of the body to the more general strategic codification of a plurality of discourses, practices, technologies of power, and institutional ensembles around a specific governmental rationality concerned with the social body (bio-power) in a consolidated capitalist society. This is reflected in the statification of government and the governmentalization of the state. This led to his analyses of sovereignty, territorial statehood, and state power and the role of civil society in this regard and to less well-substantiated claims about their articulation to the logic of capital accumulation.

The Forgotten Political Art Par Excellence? Architecture, Design and the Social Sculpting of the Body Politic

2016 ◽  
Author(s):  
Gabriel Rockhill
Keyword(s):  
Body Politic ◽  
The Body ◽  
The Political ◽  
Political Art ◽  
Social Body ◽  
Art And Politics ◽  
Collective Decisions ◽  
The Social ◽  
Historical Relationship

With a few rare but important exceptions, it is arguable that major contemporary debates on the historical relationship between art and politics—from the work of Lukács and Adorno to that of Lyotard and Rancière—have generally favored the visual arts and literature over and against architecture and urban design. However, as a few thinkers like Benjamin and Foucault have recognized, if there is one art that appears to be prototypically political (in the sense that it is almost inevitably the site of collective decisions that directly shape the social body while simultaneously being subject to multifarious communal appropriations), it is surely architecture. This paradox leads to a question of central importance, which serves to guide the analysis in this final chapter: why have many of the foremost philosophic debates on the historical relation between art and politics sidelined what is perhaps the political art par excellence? This leads to a critical re-examination of the metaphilosophical assumptions undergirding many of the standard historical narratives regarding the development of art and its relationship to politics.

scholarly journals Body experience in the east-slavonic culture tradition

2006 ◽  
Vol 5 (4) ◽  
pp. 74-82
Author(s):  
Ye. I. Kirilenko
Keyword(s):  
Special Interest ◽  
Modern Science ◽  
Medical Discourse ◽  
The Body ◽  
Emotional Intensity ◽  
Social Body ◽  
Body Experience ◽  
The Social ◽  
Ambivalent Attitude ◽  
Culture Tradition

In the modern science, the body is an object of interest not only to the natural science and medicine, but also the humanities. Of special interest, in particular, for the medical discourse, is the ethnic body experience. The paper reveals features of the body experience in the east-slavonic culture from the analysis of the mythological tradition. This experience is characterized by the pronounced interest and ambivalent attitude to the body’s life, natural body standards; and emotional intensity. The experience of the social body is of highest priority in the culture.

The Japanese Village in the Seventeenth Century

1952 ◽  
Vol 12 (1) ◽  
pp. 1-20
Author(s):  
Thomas C. Smith
Keyword(s):  
Seventeenth Century ◽  
Middle Ages ◽  
The Body ◽  
Social Classes ◽  
Vital Function ◽  
The West ◽  
Social Body ◽  
The Social ◽  
Physical Barriers ◽  
The Middle Ages

As in the Middle Ages in the West, so in Tokugawa Japan (1600–1868) men were fond of explaining the hierarchical society in which they lived by comparing it to an organism. Social classes, Confucian scholars said, were like parts of the body: each had a vital function to perform, but their functions were essentially different and unequal in value. In this scheme the peasants were second in importance only to the ruling military class. Just as the samurai officials were the brains that guided other organs, so the peasants were the feet that held the social body erect. They were the “basis of the country,” the valued producers whose labor sustained all else. But, as a class, they tended innately to backsliding and extravagance. Left alone they would consume more than their share of the social income, ape the manners and tastes of their betters, and even encroach upon the functions of other classes to the perilous neglect of their own. Only the lash of necessity and the sharp eye of the official could hold them to their disagreeable role. They had to be bound to the land; social distinctions had to be thrown up around them like so many physical barriers; and, to remove all temptation to indolence and luxury, they had to be left only enough of what they produced to let them continue producing.

scholarly journals Medicalisation

2006 ◽  
Vol 05 (01) ◽  
pp. C02 ◽  
Author(s):  
Mario Colucci
Keyword(s):  
Large Scale ◽  
18Th Century ◽  
Political Power ◽  
Health Condition ◽  
The Political ◽  
Social Body ◽  
Medical Issues ◽  
The Social ◽  
Physical Wellbeing ◽  
Optimal Health

Medicalisation means first of all a science – medicine – going beyond its boundaries: from the art of healing individuals, or systematically classifying useful information to treat diseases affecting individuals, it gradually turns into a pervasive development of knowledge and practices that, from the 18th century onward, are applied to collective issues, which traditionally are not regarded as medical issues, thus moving toward large-scale protection of the social body health. The physical wellbeing of people, as well as the protection and improvement of their health condition, become one of the main objectives of the political power, which aims not only at dealing with social marginalisation and poverty to make them productive, but also at “planning society as sphere of physical wellbeing, optimal health and longevity”.

Summary

2015 ◽  
pp. 137-138
Author(s):  
Emily Hughes
Keyword(s):  
Film Theory ◽  
Historical Context ◽  
Narrative Structure ◽  
The Body ◽  
Award Winning ◽  
The Social ◽  
Critical Approaches

This chapter summarises the study of Pedro Almodóvar's Talk to Her (2002). Talk to Her is a film that reflects the social and historical context of Spain and demonstrates many of Almodóvar's auteur characteristics. Its award-winning screenplay defies traditional conventions in genre and narrative structure whilst still creating something that is aesthetically pleasing and accessible to view. The interpretations cited in this book are not the only interpretations. This is a film which becomes richer through discussion and analysis and by approaching it from different critical approaches such as: auteur, genre, narrative, gender, and psychoanalytic film theory. Indeed, the film leaves the viewer with many interesting questions to consider. Ultimately, it is important to look at the film within the body of Almodóvar's work, particularly through exploring his depictions of rape.

scholarly journals Risk as Moral Danger: The Social and Political Functions of Risk Discourse in Public Health

1993 ◽  
Vol 23 (3) ◽  
pp. 425-435 ◽  
Author(s):  
Deborah Lupton
Keyword(s):  
Public Health ◽  
Body Politic ◽  
Modern Society ◽  
The Body ◽  
The Political ◽  
The Social ◽  
Divine Retribution ◽  
Multiple Meanings ◽  
The Individual ◽  
Risk Discourse

Risk is a concept with multiple meanings and is ideologically loaded. The author reviews the literature on risk perception and risk as a sociocultural construct, with particular reference to the domain of public health. Pertinent examples of the political and moral function of risk discourse in public health are given. The author concludes that risk discourse is often used to blame the victim, to displace the real reasons for ill-health upon the individual, and to express outrage at behavior deemed socially unacceptable, thereby exerting control over the body politic as well as the body corporeal. Risk discourse is redolent with the ideologies of mortality, danger, and divine retribution. Risk, as it is used in modern society, therefore cannot be considered a neutral term.

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