Two Hundred Years Together

2019 ◽  
Vol 25 (1-3) ◽  
pp. 501-524 ◽  
Author(s):  
Alexander Solzhenitsyn
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Social Violence ◽  
Cultural Life ◽  
Early Twentieth Century ◽  
History Of ◽  
Russian Intelligentsia ◽  
The One

This essay is a translated excerpt from the first volume of Solzhenitsyn’s controversial history of Russian-Jewish relations, Dvesti let vmeste: 1795 – 1995, which was first published in Russian in 2001 and 2002. Solzhenitsyn writes from explicitly nationalist positions, ascribing defined identities and “fates” to disparate peoples, and seeks to offer a “two-sided and equitable” account of the “sins” and historical “guilt” of both Russians and Jews. He seeks to establish “mutually accessible and benevolent paths along which Russian-Jewish relations may proceed” on the basis of an honest and full accounting of history. In this excerpt he treats the immediate prerevolutionary period of the early twentieth century, drawing on the writings of a number of prominent commentators of that period, both Jewish and Russian. He argues that a combination of, on the one hand, the investments of the progressive Russian intelligentsia in atonement for anti-Semitic policies and social violence, and, on the other, Jewish assimilation to Russian cultural life led to an identification of Jews with revolutionary and anti-tsarist culture. Among the figures treated here by Solzhenitsyn are Vladimir Jabotinsky, Lev Tolstoi, Nikolai Berdiaev, and Pyotr Struve.

New Asian Races, New Mixtures, and the “Mexican” Race

2017 ◽  
Author(s):  
Paul Schor
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Racial Classification ◽  
Racial Categorization ◽  
Early Twentieth Century ◽  
The Us ◽  
European Immigrants ◽  
The One ◽  
Us Census

This chapter discusses changes in racial categorization in the early twentieth century with respect to the US census. Whenever there was a question of the racial classification of new populations, whether in the continental United States or in the territories acquired since 1867, the census always relied on the principles and techniques developed since 1850 to distinguish blacks from whites. Chief among these was the principle of hypodescent, in more or less rigid forms. However, the early twentieth century saw change occurring in two directions: on the one hand, the racialization of a growing number of non-European immigrants and their descendants; on the other, the weakening of the distinctions between the descendants of European immigrants. The remainder of the chapter details the disappearance of the “mulatto” category and the introduction and forcible elimination of the “Mexican” category.

From Work to Therapy: The Changing Politics of Occupation in the Twentieth Century

1993 ◽  
Vol 56 (10) ◽  
pp. 360-364 ◽  
Author(s):  
Mark Jackson
Keyword(s):  
Twentieth Century ◽  
Learning Disabilities ◽  
Occupational Therapy ◽  
Learning Difficulties ◽  
Occupational Therapists ◽  
The Other ◽  
Professional Expertise ◽  
Economic Forces ◽  
History Of ◽  
The One

Historically, there have been strong links between the establishment and maintenance of health through occupation, on the one hand, and broad sociopolitical and economic forces, on the other. As a result, occupational therapists have consistently contributed to, and been influenced by, prevalent attitudes to work, leisure, unemployment and poverty. This article examines the nature of these Interactions between occupational therapy and society, by exploring some of the continuities and discontinuities in the practice of occupational therapy within the history of a particular institution established in 1902 for children and adults with what are now referred to as ‘learning difficulties’ or ‘learning disabilities’. The article argues that it is the strength of the ideological and pragmatic links between therapy, health and work, rather than a reliance on rigid biomedical explanations of disease, that has traditionally constituted the basis for the professional expertise of occupational therapists.

Macrofractures on bone-tipped arrows: analysis of hunter-gatherer arrows in the Fourie collection from Namibia

Antiquity ◽  
2012 ◽  
Vol 86 (334) ◽  
pp. 1179-1191 ◽  
Author(s):  
Justin Bradfield
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Early Twentieth Century ◽  
The One ◽  
Similar Kind

Bone points of two types, the one thin and poisoned and the other robust and not poisoned, are examined in this study of impact fractures. The bone points seem to have had similar experiences to stone points, producing fractures of a similar kind. Most of the fractures in the historical collection examined were caused by impacts. However, this early twentieth-century collection is not thought to be representative of contemporary fracture frequencies that occurred in hunting.

scholarly journals Every Text is a Performance: A Pre-History of Performance Philosophy

2015 ◽  
Vol 1 (1) ◽  
pp. 24 ◽  
Author(s):  
David Kornhaber
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Dramatic Literature ◽  
Partial Model ◽  
Boundary Points ◽  
Other Hand ◽  
Theatrical Performance ◽  
Textual Authority ◽  
History Of ◽  
The One

This article traces a genealogy of performance philosophy along two separate lines within the history of the twentieth-century academy.  On the one hand, it locates within the long history of philosophically-informed studies of dramatic literature a partial model for the work of performance philosophy, one that applied philosophical scrutiny to dramatic texts without ever extending the same consideration to theatrical performance—in spite of the practical theatrical work of many of this movement’s leading academic proponents.  On the other hand, it identifies in the poststructualist rethinking of textual authority an opening for the reconsideration of philosophical communication that returns performance to a place of philosophical potential that it has not securely held since before Plato’s dialogues.  It is argued that the intersection of these two trend lines in academic thought should be regarded as constituting an important intellectual genesis point for the emergence of performance philosophy and a useful means of approaching the purposes and boundary points of the field.

scholarly journals A Woman to Rule the World: Rome Personified in the Roman Republic

2021 ◽  
Author(s):  
◽  
Campbell Orchard
Keyword(s):  
Twentieth Century ◽  
Roman Empire ◽  
Roman Republic ◽  
The Other ◽  
Female Figure ◽  
Imperial Cult ◽  
National Representation ◽  
The World ◽  
History Of ◽  
The One

<p>Revitalised by Mussolini in the early twentieth century as a symbol of the ‘New Roman Empire’, Roma has endured a long history of national representation. Traditionally the figure of Roma is on the one side associated by historians with the Roman imperial cult and Augustus, and on the other by Numismatists as the helmeted female figure on the coinage of the Roman Republic. However, these figures are not presently considered one and the same. When describing this figure, Roma is considered a Greek innovation travelling west, which naturally discounts well over two centuries of Roman issued coinage. Roma inaugurated by Hadrian and previously manipulated by Augustus was not simply a Greek import, but a complex Roman idea, which, true to Roman form, incorporated native and foreign elements in shaping an outward looking signifier of Roman identity.</p>

Modernism and World Art, 1950–72

ARTMargins ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 55-76
Author(s):  
Nikolas Drosos
Keyword(s):  
Twentieth Century ◽  
Modern Art ◽  
American Art ◽  
Global Perspective ◽  
The Other ◽  
Soviet Bloc ◽  
Universal History ◽  
History Of Art ◽  
History Of ◽  
The One

Focusing on a series of exhibitions of modern art from the 1950s to the early 1970s, this article traces the frictions between two related, yet separate endeavors during the first postwar decades: on the one hand, the historicizing of modernism as a specifically European story; and on the other, the constitution of an all-encompassing concept of “World Art” that would integrate all periods and cultures into a single narrative. The strategies devised by exhibition organizers, analyzed here, sought to maintain the distance between World Art and modernism, and thus deferred the possibility of a more geographically expansive view of twentieth-century art. Realist art from the Soviet bloc and elsewhere occupied an uneasy position in such articulations between World Art and modernism, and its inclusion in exhibitions of modern art often led to the destabilizing of their narratives. Such approaches are contrasted here with the prominent place given to both realism and non-Euro-American art from the twentieth century in the Soviet Universal History of Art, published from 1956 to 1965. Against the context of current efforts at a “global” perspective on modern art, this article foregrounds the instances when the inner contradictions of late modernism's universalist claims were first exposed.

The “Black Buddhism Plan”: Buddhism, Race, and Empire in the Early Twentieth Century

2021 ◽  
pp. 1-47
Author(s):  
Adeana McNicholl
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Racial Identities ◽  
Early Twentieth Century ◽  
History Of ◽  
Black Pacific ◽  
The One ◽  
Single Figure ◽  
The Relationship

ABSTRACT This article traces the life of a single figure, Sufi Abdul Hamid, to bring into conversation the history of the transmission of Buddhism to the United States with the emergence of new Black religio-racial movements in the early twentieth century. It follows Hamid's activities in the 1930s to ask what Hamid's life reveals about the relationship between Buddhism and race in the United States. On the one hand, Hamid's own negotiation of his identity as a Black Orientalist illustrates the contentious process through which individuals negotiate their religio-racial identities in tension with hegemonic religio-racial frameworks. Hamid constructed a Black Orientalist identity that resignified Blackness while criticizing the racial injustice foundational to the American nation-state. His Black Orientalist identity at times resonated with global Orientalist discourses, even while being recalcitrant to the hegemonic religio-racial frameworks of white Orientalism. The subversive positioning of Hamid's Black Orientalist identity simultaneously lent itself to his racialization by others. This is illustrated through Hamid's posthumous implication in a conspiracy theory known as the “Black Buddhism Plan.” This theory drew on imaginations of a Black Pacific community formulated by both Black Americans and by government authorities who created Japanese Buddhists and new Black religio-racial movements as subjects of surveillance. The capacious nature of Hamid's religio-racial identity, on the one hand constructed and performed by Hamid himself, and on the other created in the shadow of the dominant discourses of a white racial state, demonstrates that Buddhism in the United States is always constituted by race.

Philosophies of Life

2019 ◽  
pp. 275-298
Author(s):  
Gavin Flood
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Seventeenth Century ◽  
Dynamic Process ◽  
The Other ◽  
Romantic Poetry ◽  
Theological Discourse ◽  
Life Itself ◽  
History Of ◽  
The One

On the one hand, we have the development of science from the seventeenth to nineteenth century, while on the other, we have a focus on life in philosophy at the dawn of the nineteenth century. Here, life is understood in terms of nature as a dynamic process linked to impulse or drive. Partly stemming from a mystical discourse in the seventeenth century, the concern for life comes to be disseminated through the history of both Romantic poetry and Romantic philosophy. This vitalist spirit can be traced through to the twentieth century. Life itself comes to be articulated through a mystical theological discourse that ends in Romantic poetry and through a philosophical discourse that ends in phenomenology.

Economic Diversification Among Mongolian Reindeer Herders: Continuity and Change in The Tannu Uriankhai Girdle

2021 ◽  
Vol 25 (1) ◽  
pp. 80-101
Author(s):  
Nicolas Rasiulis
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Economic Diversification ◽  
Regional Trade ◽  
Inner Asia ◽  
Continuity And Change ◽  
Early Twentieth Century ◽  
History Of ◽  
Anthropological Fieldwork

Drawing on seven months of anthropological fieldwork conducted in northernmost Mongolia among nomadic Dukha reindeer herders (widely known as Tsaatan), this article examines Dukha economic diversification in light of the history of the Upper Yenisei–Darkhad Depression region in northern Inner Asia. Before its dislocation into discrete territories of different socialist countries in the early twentieth century, this place, which I call the Tannu Uriankhai Girdle, comprised an integrated economic mosaic that featured both taiga- and steppe-based pastoralism, as well as hunting, fishing, gathering, agriculture, inter- and intra-regional trade and remunerated labour. Reindeer pastoralism complemented and was complemented by the other facets of this economic mosaic. Now the Dukha economy itself comprises nearly all facets of this mosaic. This economic configuration affords and is afforded by greater degrees of autonomy and autarky, which reinforce and are reinforced by the ongoing partnership between Dukha, reindeer and their shared taiga homeland.

scholarly journals Three Italian Illuminated Cuttings in the Royal Library of Copenhagen: the Master B. F., Attavante and the Master of Montepulciano Gradual I

2017 ◽  
Vol 56 ◽  
pp. 9
Author(s):  
Eleonora Mattia
Keyword(s):  
Twentieth Century ◽  
Fourteenth Century ◽  
Point Of View ◽  
The Other ◽  
Artistic Production ◽  
History Of Collecting ◽  
Early Twentieth Century ◽  
History Of ◽  
Late Nineteenth ◽  
Catalogue Raisonne

Eleonora Mattia: Three Italian illuminated Cuttings in the Royal Library of Copenhagen Some observations on the history of collecting illuminated cuttings serve to introduce three unpublished Italian fragments that are part of a collection of illuminated fragments conserved in the Royal Danish Library. The miniatures are described from the point of view of their liturgical and art-historical content and are presented in the form of entries in a catalogue raisonné. The Master B. F., who grew up under the shadow of Leonardo de Vinci, was among those miniaturists most sought-after by collectors in the late nineteenth and early twentieth century because of his evident stylistic debts to the great painter. The beautiful miniature in Copenhagen can now be added to the other known works of this Master and is critical not only to the reconstruction of his corpus, but also for the history of collecting, as it comes from the prestigious Holford Collection. It was already correctly attributed when it entered the collection of the Royal Library; it is here inserted into the activity of the artist, a dating is proposed, and a provenance is suggested from the series of choir books in the monastery of Santi Angelo e Nicolò a Villanova Sillaro in Lombardy, which were broken up around 1799. The Danish cutting here attributed to Attavante has a specific iconography that demonstrates an originality and an independence from models followed by contemporary Florentine painting, qualities not always acknowledged to the well known miniaturist whose extensive figurative production has sometimes been considered repetitive. A third fragment is here attributed to the Pisan Master of Montepulciano Gradual I. This anonymous miniaturist is at the centre of the most recent and innovative studies of fourteenth-century Tuscan painting: his activity belongs to the diversified texture of artistic production between Florence and its nearby cities, with expressive modalities independent of the tradition of the more strictly Giottesque masters. The miniature attributed to him here is to be added to the catalogue of his works, dispersed as they are in many European and American collections.

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