The Making of Homo Socialist: The Discursive Analysis of the Ideological Production of Class in China, 1949–1976

2022 ◽  
Vol 30 (1) ◽  
pp. 111-136
Author(s):  
Xiuying Cheng

Abstract Based on a critique of the history project titled “Oral History of Peasants’ Ordinary Life in the Revolutionary Era of China,” this article provides an analysis of class ideology production from Land Reform Movement to the Cultural Revolution in China. Thirty years of socialist construction in China was based on the craft of making the Homo Socialist. The focus here is on how personal experiences were transformed into state-endorsed conduct via the discourse of class and class struggle. Over the course of the sociopolitical transformations leading to the Cultural Revolution, “class” changed from a socioeconomic designation to a political behavioral metaphor, and in the end a purely symbolic gesture; personal experiences were transformed from hallmarks of class privilege to virtual identification with imagined class struggle. And the peasants went from being “owners of bitterness” to “debtors of bitterness” on the way to becoming “sinners of the revolution”—who gradually submitted themselves to the regime in the name of revolution, liberation, and redemption. These transformations were realized through discursive practices connecting personally embodied experiences with the abstract Marxist theory of class and class struggle. Examining the shifting nature of class ideology production helps to explain how the Chinese Communist Party understood the effects of its governance and how people found class ideology meaningful to them, even when it reached the point of absurdity.

Author(s):  
Wang Zheng

Locating a turning point in socialist film industry in 1964, this chapter demonstrates a crucial moment when a socialist feminist revolution of culture was replaced by the ascending Cultural Revolution in the cultural realm. An anti-feudalism agenda was defined as revisionist and bourgeois by radicals in the CCP in their propagating of a Maoist class struggle. Underlying the political maneuvers were personal animosities that led to Xia Yan’s downfall and Jiang Qing’s ascendance to the power center.The chapter presents a gender analysis of Jiang Qing’s revolutionary model theaters and suggests a re-location and re-periodization of the beginning of the Cultural Revolution in the cultural realm in 1964.


Author(s):  
Alexandre Trudel

Dans son œuvre mémorialiste tardive, Guy Debord offre l’image d’un certain type d’héroïsme littéraire. C’est à partir de l’époque post-révolutionnaire de sa vie que Debord change de stratégie dans le contrôle de la réception de ses productions. Alors que, durant la période situationniste, l’agitation culturelle devait s’organiser dans le secret, la période suivante voit Debord adopter le rôle plus classique de l’« auteur ». Anticipant sa postérité, Debord organise la diffusion posthume de son œuvre tout en peaufinant les dernières images « héroïques » qu’il lèguera de lui-même. Mais cette rupture apparente avec les principes hérités des avant-gardes ne doit pas masquer la singularité de la démarche, qui consiste en une mise en scène inédite de soi par l’entremise d’une dialectique apparition/disparition dans laquelle la littérature ne joue qu’un rôle partiel.AbstractIn his late memorialist works, French writer Guy Debord presents a distinctive image of literary heroism. It’s during the post-revolutionary era of his life that Debord changed his strategy in the control of his works’ reception.  Whereas during the situationnist era the cultural revolution ought to be spread in secret, the next period sees Debord adopting the classical function of the “author”. Anticipating his posterity to come, Debord organized the posthumous diffusion of his works while polishing up the ultimate heroic images of himself he would pass on. But this noticeable break with the principles inherited from the avant-gardes should not hide the singularity of Debord’s reasoning, which consists in an original mise en scène of the self by an appearance/disappearance dialectic in which literature only plays a partial part.


2016 ◽  
Vol 225 ◽  
pp. 234-252 ◽  
Author(s):  
Robert Harmel ◽  
Yao-Yuan Yeh

AbstractThis study addresses whether individuals who were sent down during the Cultural Revolution reveal different political attitudes from those who were socialized during the same period but were not themselves sent down. Using data from the urban sample of the 2006 General Social Survey of China, the authors find evidence that formerly sent-down youth – and particularly sent-down women – as compared to their not-sent-down peers, are today more willing to accept the class-struggle foundation of Mao's communist ideology but are, at the same time, more willing to assess the performance and structure of the communist regime critically.


Asian Survey ◽  
1968 ◽  
Vol 8 (5) ◽  
pp. 349-363 ◽  
Author(s):  
Jurgen Domes

Asian Survey ◽  
1974 ◽  
Vol 14 (4) ◽  
pp. 372-395 ◽  
Author(s):  
Harvey W. Nelsen

Sign in / Sign up

Export Citation Format

Share Document