scholarly journals CSWEP: 25 Years at a Time

1998 ◽  
Vol 12 (4) ◽  
pp. 177-183 ◽  
Author(s):  
Robin L Bartlett

The history and achievements of the American Economic Association's (AEA) Committee on the Status of Women in the Economics Profession (CSWEP) over the past twenty-five years are reviewed. A picture of women's standing in the economics profession in 1972 is drawn with statistics on the number of women on economics faculties, on prestigious editorial boards, and on the AEA program at its national meeting. While 1997 statistics reveal considerable progress for women in the profession, several questions and challenges for the next twenty-five years are outlined with suggestions as to how CSWEP hopes to address them.

1998 ◽  
Vol 12 (4) ◽  
pp. 185-189 ◽  
Author(s):  
Barbara R Bergmann

The achievements (or lack thereof) of the AEA's Committee on the Status of Women in the Economics Profession (CSWEP) are compared to those of analogous committees in three of our sister disciplines. In psychology, sociology, and history, committees of women professionals advocated and facilitated radical changes in the disciplines' treatment of issues involving gender. They also fought effectively for a far bigger role for women professionals in their disciplines. In the economics profession, the treatment of women's issues and the marginalization of women professionals remain problematic, despite the quarter century of CSWEP's existence.


2019 ◽  
Vol 8 (1) ◽  
pp. 65-80
Author(s):  
Dina Afrianty

AbstractIndonesian women were at the forefront of activism during the turbulent period prior to reformasi and were a part of the leadership that demanded democratic change. Two decades after Indonesia embarked on democratic reforms, the country continues to face challenges on socio-religious and political fronts. Both the rise of political Islam and the increased presence of religion and faith in the public sphere are among the key features of Indonesia's consolidating democracy. This development has reinvigorated the discourse on citizenship and rights and also the historical debate over the relationship between religion and the state. Bearing this in mind, this paper looks at the narrative of women's rights and women's status in the public domain and public policy in Indonesia. It is evident, especially in the past decade, that much of the public conversation within the religious framework is increasingly centred on women's traditional social roles. This fact has motivated this study. Several norms and ideas that are relied on are based on cultural and faith-based interpretations - of gender. Therefore, this paper specifically examines examples of the ways in which social, legal, and political trends in this context affect progress with respect to gender equality and gender policy. I argue that these trends are attempts to subject women to conservative religious doctrines and to confine them to traditional gender roles. The article discusses how these developments should be seen in the context of the democratic transition in Indonesia.


1992 ◽  
Vol 23 (4) ◽  
pp. 7-13 ◽  
Author(s):  
Marita M. Danek

The past twenty years have witnessed a major evolution in the roles and lifestyles of all women. These changes have been equally evident in the lives of women with disabilities. This paper traces changes in society as a whole, notes how these changes have impacted women with disabilities differentially and asks the question, “Where do we go from here?”


1955 ◽  
Vol 2 (3) ◽  
pp. 119-124 ◽  
Author(s):  
Charles Seltman

It is essential for us to question our own views and those of our predecessors on the status of women in ancient Athens. With few exceptions these views display a kernel of prejudice and a pulp of misunderstanding, skinned over with the bloom of evasiveness. It is, indeed, odd to observe how inquirers into the social framework of Greek society have been misled, and how few classical scholars have attempted to give the lie to the extravagances spread abroad concerning the alleged attitude of Athenians to their womenfolk. Temptation to write up a violent contrast between the daily lives of Spartan and Athenian women was great, and in the last century other half-conscious feelings helped a false presentation. Again and again it has been said or implied that Athenian married women lived in an almost oriental seclusion, and that they were looked on with indifference approaching sometimes to contempt. Quite recently it was alleged in a broadcast that the Athenian social system relegated women to the condition of squaws, the matron being little more than a domestic servant. ‘As wives and mothers’, said the speaker, ‘Athenian women were despised.’ Literary passages have in the past been torn from their context as evidence for this, and the inferior legal status of women has been stressed. There are, however, important exceptions among scholars, of especial value being an essay by Professor A. W. Gomme, and a long section in The Greeks by Professor H. D. F. Kitto, whose remarks on truncated quotations from Aristophanes and Xenophon are very illuminating. Anyone interested in the question is advised to read again pages 219–36 in that little volume, as most of what follows simply strengthens what Kitto has written. In a variety of religious festivals women took conspicuous parts, and with the festivals we may put the theatre, because Athenian women formed a part of the audience, as is admitted in the last edition of Haigh's great work.


Hawwa ◽  
2020 ◽  
pp. 1-23
Author(s):  
Dorit Gottesfeld

Abstract This article examines ʿAtaba thaqīlat al-rūḥ (“Threshold of heavy spirit,” 2011), a novel by the new generation West Bank writer Māyā Abū l-Ḥayāt, who is considered one of the prominent new generation Palestinian West Bank writers, in which diverse and unique use of a dance motif is found. The article reviews the history of dance in Arab society and the meanings that it had in the past and currently has in Arab society and culture. It illustrates how Abū l-Ḥayāt uses each of these meanings throughout her novel in order to reveal the female soul and the status of women in Arab society. The article shows how Abū l-Ḥayāt incorporates this motif into her novel in a unique and original way, thus exposing woman’s yearning for freedom, creating a new feminine language and undermining accepted norms.


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