Editorial Decisions and Journal Submissions in Economics

Author(s):  
Gauri Kartini Shastry
Keyword(s):  
1984 ◽  
Vol 39 (3) ◽  
pp. 324-324 ◽  
Author(s):  
Thomas M. Ostrom
Keyword(s):  

2021 ◽  
Vol 7 (2) ◽  
pp. eabd0299
Author(s):  
Flaminio Squazzoni ◽  
Giangiacomo Bravo ◽  
Mike Farjam ◽  
Ana Marusic ◽  
Bahar Mehmani ◽  
...  

Scholarly journals are often blamed for a gender gap in publication rates, but it is unclear whether peer review and editorial processes contribute to it. This article examines gender bias in peer review with data for 145 journals in various fields of research, including about 1.7 million authors and 740,000 referees. We reconstructed three possible sources of bias, i.e., the editorial selection of referees, referee recommendations, and editorial decisions, and examined all their possible relationships. Results showed that manuscripts written by women as solo authors or coauthored by women were treated even more favorably by referees and editors. Although there were some differences between fields of research, our findings suggest that peer review and editorial processes do not penalize manuscripts by women. However, increasing gender diversity in editorial teams and referee pools could help journals inform potential authors about their attention to these factors and so stimulate participation by women.


BDJ ◽  
2018 ◽  
Vol 224 (10) ◽  
pp. 759-759
Author(s):  
M. Wilson

2021 ◽  
Author(s):  
Serge P J M Horbach

Abstract The global Covid-19 pandemic has had considerable impact on the scientific enterprise, including scholarly publication and peer review practices. Several studies have assessed these impacts, showing among others that medical journals have strongly accelerated their review processes for Covid-19 related content. This has raised questions and concerns regarding the quality of the review process and the standards to which manuscripts are held for publication. To address these questions, this study sets out to assess qualitative differences in review reports and editorial decision letters for Covid-19 related, articles not related to Covid-19 published during the 2020 pandemic, and articles published before the pandemic. It employs the open peer review model at the British Medical Journal and eLife to study the content of review reports, editorial decisions, author responses, and open reader comments. It finds no clear differences between review processes of articles not related to Covid-19 published during or before the pandemic. However, it does find notable diversity between Covid-19 and non-Covid-19 related articles, including fewer requests for additional experiments, more cooperative comments, and different suggestions to address too strong claims. In general, the findings suggest that both reviewers and journal editors implicitly and explicitly use different quality criteria to assess Covid-19 related manuscripts, hence transforming science’s main evaluation mechanism for their underlying studies and potentially affecting their public dissemination.


2017 ◽  
Vol 57 (6) ◽  
pp. 534-535
Author(s):  
José Maria Tonelli ◽  
Felipe Zambaldi
Keyword(s):  

2021 ◽  
Vol 15 (1) ◽  
pp. 71-93
Author(s):  
HARRIET MATTHEWS

Synthesising real events with creative treatment, increasingly emotive and cinematic documentary presents now more than ever an ethically challenging dichotomy between factual broadcasting and fictional entertainment. Within the discussions of documentary ethics, this dichotomy is largely explored in relation to visual and editorial decisions which might be accused of manipulating or reframing the ‘truth’. However, within both ethical guidelines for documentary production, and academic debate around documentary ethics, reference to music is somewhat scarce. Potential challenges faced by non-music academics in asserting the role of music within documentary, a perceived precedence of visual over auditory components, and the notion of the documentarist as an ‘artist’ all participate in defending and deflecting the ethical responsibility of music in the contemporary audio-visual documentary. Through exploring the use of music in three different documentaries, this research proposes a typology outlining music’s areas of ethical concern, including persuasion, representation, and emotional heightening. Music’s ethical precariousness emerges in recognising its capacity to influence audience perception of ‘reality’ through emotional and semiotic capacity, and crucially, in the degree to which its influence often remains unnoticed.


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