scholarly journals ‘By consent of the whole chapter’: Lincoln Cathedral’s Rewards for Touring Players and School Comedies, 1561-1593

Early Theatre ◽  
2018 ◽  
Vol 21 (1) ◽  
Author(s):  
Jason Burg
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Alternative View ◽  
Elizabeth I ◽  
Unique Role ◽  
Dramatic Performance ◽  
The City

The records of Lincoln Cathedral possess the largest and most enduring evidence for cathedral-funded dramatic performance in medieval and early modern England. In the mid-sixteenth century earlier forms of financial backing were replaced by the rewarding of travelling players by the chapter. The absence of similar rewards in the civic accounts of the period makes the cathedral records unique in their documentation of touring players and school comedies in the city. The following essay demonstrates the unique role played by Lincoln Cathedral and reveals an alternative view of looking at who bestowed financial gifts on travelling players during the reign of Elizabeth I.

Practical Antipapistry during the Reign of Elizabeth I

1997 ◽  
Vol 36 (4) ◽  
pp. 371-396 ◽  
Author(s):  
Michael Questier
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Roman Catholic ◽  
Early Modern England ◽  
The State ◽  
Elizabeth I ◽  
English Reformation ◽  
Religious Struggle ◽  
Foreign Enterprises

We are so used to the “revisionist” account of the English Reformation as a story of Protestant failure and of (relative) Catholic success that it is easy to forget how late sixteenth-century English Catholicism was once viewed by scholars not as an innocent parish pastime or a culturally conservative reaction to puritan evangelical excess. In the older narratives of the religious struggle in early modern England, historians recounted a fierce battle—the papal excommunication of Queen Elizabeth, the endless plotting to promote the dynastic claim of Mary Stuart, and foreign enterprises to invade the realm and put paid to the Tudors. Here the politics of disagreement about religion engendered a fair measure of violence on the part of the state toward some of its Catholic subjects, and this confrontation has come down to us most vividly through the martyrological narratives in which leading Catholic clerics described the sufferings of the faithful. Yet these narratives were themselves deliberately depoliticized. The context of the state's proceedings was largely cut away, and the actions and opinions of the Catholic martyrs that so irritated the regime were glossed over as part of an incisive rhetorical statement that Catholics died for their religion, not for any treasonable inclinations on their part. This was a brilliant polemical reply to the official propaganda that described Roman Catholic Englishmen as not merely ungodly but a lethal threat to the security of the state. In the regime's opinion, and in the antipopish canon that developed at this time, they were a fifth column of dissent set fair to exploit and assist foreign attempts to unseat the Tudor regime. The language of antipopery rode continually on a fear of domestic plots and schemes to meddle in the settlement of religion and the succession to the throne.

Introduction

2018 ◽  
Author(s):  
Anna-Maria Hartmann
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Literary History ◽  
First Generation ◽  
Early Modern England ◽  
Related Material ◽  
Wide Range ◽  
The World ◽  
Early English

Mythographies were books that collected, explained, and interpreted myth-related material. Extremely popular during the Renaissance, these works appealed to a wide range of readers. While the European mythographies of the sixteenth century have been utilized by scholars, the short, early English mythographies, written from 1577 to 1647, have puzzled critics. The first generation of English mythographers did not, as has been suggested, try to compete with their Italian predecessors. Instead, they made mythographies into rhetorical instruments designed to intervene in topical debates outside the world of classical learning. Because English mythographers brought mythology to bear on a variety of contemporary issues, they unfold a lively and historically well-defined picture of the roles myth was made to play in early modern England. Exploring these mythographies can contribute to previous insights into myth in the Renaissance offered by studies of iconography, literary history, allegory, and myth theory.

Rethinking Iconoclasm in Early Modern England: the Case of Cheapside Cross

2000 ◽  
Vol 4 (3-4) ◽  
pp. 379-404 ◽  
Author(s):  
Joel Budd
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
Traditional Religion ◽  
Traditional Beliefs ◽  
Beliefs And Practices ◽  
The Reformation ◽  
Complex Variety ◽  
City Of London ◽  
The City

AbstractProtestant iconoclasm has generally been understood as an assault on the beliefs and practices of traditional religion. This article challenges that understanding through a detailed study of Cheapside Cross, a large monument that was repeatedly attacked by iconoclasts in the sixteenth and seventeenth centuries. It draws on contemporary pamphlets and the manuscripts records of the City of London to reveal the complex variety of associations that Cheapside Cross acquired before and during the Reformation era. It argues that perceptions of the monument were shaped not only by its iconography but also by its involvement in ceremonies and rituals, including royal coronation processions. The iconoclastic attacks on Cheapside Cross should be interpreted not merely as a challenge to traditional beliefs but as attempts to restructure the monument's associations. The paper concludes that attacks on other images may be understood in a similar manner.

The Cartographic Image of ‘The Country’ in Early Modern England

1979 ◽  
Vol 29 ◽  
pp. 129-154 ◽  
Author(s):  
Victor Morgan
Keyword(s):  
Political Culture ◽  
Early Modern ◽  
Early Modern England ◽  
The Political ◽  
Elizabeth I ◽  
Renaissance England ◽  
The Common

Some four hundred years ago this month Stephen Limbert, master of Norwich School, stood before the gates of the Great Hospital and addressed his well-turned Latin phrases to an audience almost as eminent as that gathered here today. Elizabeth I and her mobile summer court were on progress, and Norwich, the second city of the kingdom and capital of a region that was both the agricultural and manufacturing heartland of England, was determined to impress its monarch with both its loyalty to the Tudor dynasty and its contribution to the common weal—so it hired an impecunious London hack, sometime soldier and court hanger-on, Thomas Churchyard, to write the script. In part, at least, this no doubt accounts for the frequently reiterated commonplaces of Elizabethan propaganda embodied in such of those pageants and speeches as survived the intermittent downpours that sent both Her Majesty and her municipal hosts scurrying for cover on more than one occasion during her visit. Neither did Master Limbert's disquisition differ in its enthusiasm for Elizabethan rule from those of his metropolitan confrère. ‘It is reported’, he told Her Majesty, ‘that Aegypte is watered with the yerely overflowing of the Nilus, and Lydia with the golden streame of Pactolus, whyche thing is thought to be the cause of the greate fertilytye of these countries: but uppon us, and farther, over all Englande, even into the uttermoste borders, many and maine rivers of godlynesse, justice and humilitie, and other inumerable good things … do most plentifully gush out … from that continuall and most aboundaunt welspring of your goodnesse … With what prayses shall wee extoll, with what magnificent wordes shall we expresse, that notable mercie of your Highnesse, most renowned Queene’, sentiments that earned the former Norwich schoolmaster the Queen's invitation to kiss her ungloved hands, and sentiments that direct our attention to the symbols and image-creating aspects of the political culture of renaissance England.

scholarly journals The decline of guilds and their monopoly in English provincial towns, with particular reference to Exeter

Urban History ◽  
2018 ◽  
Vol 46 (3) ◽  
pp. 443-463 ◽  
Author(s):  
MASARU YONEYAMA
Keyword(s):  
Civil War ◽  
Early Modern ◽  
Early Modern England ◽  
City Government ◽  
Royal Authority ◽  
Craft Guilds ◽  
The City

ABSTRACTThis article examines the decline of the craft guilds in early modern England by way of a case-study of the Tuckers’ Company in Exeter. From the 1980s, this case figured prominently in the historiographical debate concerning guild decline; however, it has not been examined recently. The current study reveals the Tuckers’ Company is not a case of decline in guild membership so much as a case of the loss of guild monopoly and a concomitant transition to charitable functions. On the basis of empirical sources, this study also reveals the mechanisms and context of this transformation in the post-Civil War politics of the city of Exeter. Specific attention is given to first, the decline of royal authority bolstering the guild against the city government and secondly, the shift of power in the guild with the ascendance of the merchant fullers. Finally, the historiographical implications of the article's findings are discussed.

Idleness

2015 ◽  
Author(s):  
James Kearney
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Fourteenth Century ◽  
Early Modern England ◽  
Vantage Point ◽  
History Of Ideas ◽  
Late Medieval ◽  
Human Labor ◽  
History Of ◽  
Christian Thought

This essay examines the role that the specter of idleness played in the ongoing transformation of labor in England during the late medieval and early modern periods. It begins by tracing an historical shift in Christian conceptions of labor through a knotty genealogy of ideas about labor and idleness that extends from the fourteenth to the seventeenth centuries. The essay then turns to an early sixteenth-century text that is not often considered in either medieval or early modern histories of Christian thought about labor: Thomas More’sUtopia(1516). The essay contends thatUtopiais fundamentally shaped by More’s meditation on labor and idleness and that that meditation opens the utopian text out toward a vexed history of ideas concerning human work that extends forward from the fourteenth century. With its idiosyncratic but historically resonant meditation on human labor, More’sUtopiarepresents a particularly useful vantage point from which to address the ongoing transformation of Christian conceptions of work in late medieval and early modern England.

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