scholarly journals The decline of guilds and their monopoly in English provincial towns, with particular reference to Exeter

Urban History ◽  
2018 ◽  
Vol 46 (3) ◽  
pp. 443-463 ◽  
Author(s):  
MASARU YONEYAMA
Keyword(s):  
Civil War ◽  
Early Modern ◽  
Early Modern England ◽  
City Government ◽  
Royal Authority ◽  
Craft Guilds ◽  
The City

ABSTRACTThis article examines the decline of the craft guilds in early modern England by way of a case-study of the Tuckers’ Company in Exeter. From the 1980s, this case figured prominently in the historiographical debate concerning guild decline; however, it has not been examined recently. The current study reveals the Tuckers’ Company is not a case of decline in guild membership so much as a case of the loss of guild monopoly and a concomitant transition to charitable functions. On the basis of empirical sources, this study also reveals the mechanisms and context of this transformation in the post-Civil War politics of the city of Exeter. Specific attention is given to first, the decline of royal authority bolstering the guild against the city government and secondly, the shift of power in the guild with the ascendance of the merchant fullers. Finally, the historiographical implications of the article's findings are discussed.

unrechtliche peinliche schmehung oder dem gemeinen nutz nuetzlich?Eine Fallstudie zur Normenkonkurrenz im Schmähschriftprozess des 16. Jahrhunderts

2020 ◽  
Vol 25 (1) ◽  
pp. 135-149
Author(s):  
Jan Siegemund
Keyword(s):  
Early Modern ◽  
Common Good ◽  
Public Places ◽  
Legal Norms ◽  
The Public ◽  
The Common ◽  
The Public Sphere ◽  
The City ◽  
Different Levels

AbstractLibel played an important and extraordinary role in early modern conflict culture. The article discusses their functions and the way they were assessed in court. The case study illustrates argumentative spaces and different levels of normative references in libel trials in 16th century electoral Saxony. In 1569, Andreas Langener – in consequence of a long stagnating private conflict – posted several libels against the nobleman Tham Pflugk in different public places in the city of Dresden. Consequently, he was arrested and charged with ‘libelling’. Depending on the reference to conflicting social and legal norms, he had therefore been either threatened with corporal punishment including his execution, or rewarded with laudations. In this case, the act of libelling could be seen as slander, but also as a service to the community, which Langener had informed about potentially harmful transgression of norms. While the common good was the highest maxim, different and sometimes conflicting legally protected interests had to be discussed. The situational decision depended on whether the articulated charges where true and relevant for the public, on the invective language, and especially on the quality and size of the public sphere reached by the libel.

Rethinking Iconoclasm in Early Modern England: the Case of Cheapside Cross

2000 ◽  
Vol 4 (3-4) ◽  
pp. 379-404 ◽  
Author(s):  
Joel Budd
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
Traditional Religion ◽  
Traditional Beliefs ◽  
Beliefs And Practices ◽  
The Reformation ◽  
Complex Variety ◽  
City Of London ◽  
The City

AbstractProtestant iconoclasm has generally been understood as an assault on the beliefs and practices of traditional religion. This article challenges that understanding through a detailed study of Cheapside Cross, a large monument that was repeatedly attacked by iconoclasts in the sixteenth and seventeenth centuries. It draws on contemporary pamphlets and the manuscripts records of the City of London to reveal the complex variety of associations that Cheapside Cross acquired before and during the Reformation era. It argues that perceptions of the monument were shaped not only by its iconography but also by its involvement in ceremonies and rituals, including royal coronation processions. The iconoclastic attacks on Cheapside Cross should be interpreted not merely as a challenge to traditional beliefs but as attempts to restructure the monument's associations. The paper concludes that attacks on other images may be understood in a similar manner.

Ecclesiastical Monuments of Brașov/Kronstadt/Brassó and the (Imagined) Topography of a Transylvanian City in Late Medieval and Early Modern Times

Transilvania ◽  
2021 ◽  
pp. 59-64
Author(s):  
Liviu Cîmpeanu
Keyword(s):  
Early Modern ◽  
Interesting Case ◽  
Modern World ◽  
Historical Sources ◽  
Late Medieval ◽  
Modern Times ◽  
Early Modern Times ◽  
The City ◽  
Insight Into

By definition, a monument has extraordinary features that mark landscape and human minds alike. Without any doubt, the Medieval and Early Modern World of Europe was marked by ecclesiastical monuments, from great cathedrals and abbeys to simple chapels and altars at crossroads. A very interesting case study offers Braşov/ Kronstadt/Brassó, in the south-eastern corner of Transylvania, where historical sources attest several ecclesiastic monuments, in and around the city. Late medieval and early modern documents and chronicles reveal not only interesting data on the monasteries, churches and chapels of Braşov/Kronstadt/Brassó, but also on the way in which citizens and outsiders imagined those monuments in their mental topography of the city. The inhabitants of Braşov/ Kronstadt/Brassó and foreign visitors saw the monasteries, churches and chapels of the city, kept them in mind and referred to them in their (written) accounts, when they wanted to locate certain facts or events. The present paper aims in offering an overview of the late medieval and early modern sources regarding the ecclesiastical monuments of Braşov/Kronstadt/Brassó, as well as an insight into the imagined topography of a Transylvanian city.

Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe

2001 ◽  
Vol 18 (4) ◽  
pp. 616-657 ◽  
Author(s):  
Alexander J. Fisher
Keyword(s):  
Early Modern ◽  
City Government ◽  
Production Performance ◽  
Early Modern Europe ◽  
Musical Culture ◽  
Public And Private ◽  
The Public ◽  
Starting Point ◽  
The Relationship ◽  
The City

In the late 16th and early 17th centuries, the city government of Augsburg, Germany, struggled to maintain religious peace as the confessional boundaries between its Catholic and Protestant communities hardened. As tensions gradually rose, city officials feared and scrutinized the disruptive potential of the psalms and chorales sung by Augsburg's Protestant majority. Those suspected of owning, singing, or distributing inflammatory songs were subject to imprisonment, interrogation, torture, and exile. When an Imperial decree established a fully Catholic city government in March 1629, the authorities tightened this scrutiny, banning Protestant singing entirely in public and private and using a network of informants to catch violators. A remarkably well-preserved collection of criminal interrogation records in Augsburg dramatizes city officials' concern about religious song and their attempts to restrict its cultivation through coercive measures. These records, which preserve the testimony of suspects and witnesses as well as original evidence (such as manuscript or printed songs), show the ways in which local authorities tried to control singing that they felt threatened the public peace. At the same time, these sources give us unparalleled insight into the production, performance, and circulation of religious songs. Although the interrogations reveal much about how and where songs——often contrafacta of well-known psalms or chorales——were written and performed, the authorities were especially intent on finding out how they originated, who bought, sold, and sang them, and why. These exchanges between interrogators and suspects provide a starting point for an analysis of the relationship between singing, religion, and criminality in an early modern urban environment.

THE DEVELOPMENT OF POOR RELIEF IN LANCASHIRE, c. 1598–1680

2010 ◽  
Vol 53 (3) ◽  
pp. 551-572 ◽  
Author(s):  
JONATHAN HEALEY
Keyword(s):  
Seventeenth Century ◽  
Civil War ◽  
Early Modern ◽  
State Formation ◽  
Driving Force ◽  
Early Modern England ◽  
Poor Relief ◽  
Poor Law ◽  
The Poor

ABSTRACTThe development of the poor law has formed a key element of recent discussions of ‘state formation’ in early modern England. There are, however, still few local studies of how formal poor relief, stipulated in the great Tudor statutes, was implemented on the ground. This article offers such a study, focusing on Lancashire, an economically marginal county, far from Westminster. It argues that the poor law developed in Lancashire surprisingly quickly in the early seventeenth century, despite the fact that there is almost no evidence of implementation of statutory relief before 1598, and formal relief mechanisms were essentially in place before the Civil War even if the numbers on relief remained small. After a brief hiatus during the conflict, the poor law was quickly revived in the 1650s. The role of the magistracy is emphasized as a crucial driving force, not just in the enforcement of the statutes, but also in setting relief policy. The thousands of petitions to JPs by paupers, parishes, and townships that survive in the county archives suggests that magistrates were crucial players in the ‘politics of the parish’.

scholarly journals “Nature’s Bastards”: Grafted Generation in Early Modern England

2015 ◽  
Vol 38 (2) ◽  
pp. 121-148
Author(s):  
Claire Duncan
Keyword(s):  
Early Modern ◽  
Natural World ◽  
Early Modern England ◽  
The Winter's Tale ◽  
Scientific Texts ◽  
Winter's Tale ◽  
Early Modern English ◽  
Reproduction Humaine

This paper examines the shared rhetoric between human and horticultural generation in early modern England, particularly focusing on grafting. Early modern English gardening manuals imagine grafting as a method of controlling generation in the natural world, and early modern English obstetrical treatises imagine the female generative body in horticultural language. Alongside these scientific texts, this article uses Shakespeare’s The Winter’s Tale as a literary case study of grafting rhetoric. Ultimately, while grafting treatises imagine man’s power over generation in the natural world and obstetrical treatises imagine controlling human generation using horticultural metaphor, The Winter’s Tale complicates this fantasy by depicting Leontes’s efforts at genealogical control as unnecessary and fruitless: not only do Perdita and Hermione survive and flourish after his attempts to kill them, but Perdita is the legitimate and non-grafted offspring of Hermione and Leontes. Cet article examine la rhétorique que partagent la reproduction humaine et l’horticulture en Angleterre au début de l’époque moderne. Les ouvrages portant sur les jardins, à l’époque, représentent la greffe comme une méthode pour contrôler la reproduction dans le monde naturel, tandis que les ouvrages d’obstétrique de la même époque représentent la capacité reproductrice du corps féminin en termes d’horticulture. A côté de ces textes scientifiques, on se sert dans cet article de la pièce de Shakespeare The Winter’s Tale comme exemple de la rhétorique de la greffe. En dernière analyse, tandis que les ouvrages décrivant la greffe représentent la puissance humaine sur la reproduction dans le monde naturel et que les ouvrages d’obstétrique représentent la reproduction humaine avec des métaphores tirées de l’horticulture, The Winter’s Tale vient compliquer cet imaginaire en présentant comme futiles les tentatives de contrôle généalogique de Leontes : non seulement Perdita et Hermione survivent et fleurissent après les tentatives de meurtre, mais encore Perdita est le fruit légitime non-greffé des amours d’Hermione et Leontes.

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