Exhibit Essay Review: "Faux Reality" Show? The Body Worlds Phenomenon and Its Reinvention of Anatomical Spectacle

2007 ◽  
Vol 81 (4) ◽  
pp. 848-862 ◽  
Author(s):  
James Thomas Hamilton Connor
Obiter ◽  
2014 ◽  
Vol 35 (2) ◽  
Author(s):  
Magda Slabbert ◽  
Bonnie Venter

The Body Worlds exhibition takes the visitor through a journey of more than 200 specimens. These various skinless full body plastinates are posed in different positions to display how the human body works; they vary from the chess player with his brain split open to display the brain “in action”, the runner with his muscles falling off the bones to display the working of the muscles in athletics and the controversial pregnant woman with her womb cut open to show her eight month old foetus. Von Hagens the creator of Body Worlds believes his exhibition is educational – educating the masses. Since the first exhibition of Body Worlds there has been rigorous debate on whether the display is a violation of human dignity or not. This aspect is discussed in the article. In conclusion the process regarding donating a complete dead body in South Africa is highlighted and the question is answered whether a South African citizen could legally donate his or her body to a Body Worlds display.


2013 ◽  
Vol 40 ◽  
pp. 306-330 ◽  
Author(s):  
Christina Goulding ◽  
Michael Saren ◽  
Andrew Lindridge
Keyword(s):  
The Body ◽  

Author(s):  
Erminia Pedretti ◽  
Ana Maria Navas Iannini ◽  
Joanne Nazir
Keyword(s):  
The Body ◽  

2020 ◽  
Author(s):  
Daniel Klug ◽  
Axel Schmidt

In reality TV, the eliciting of emotions and physical expressions and displays is a key strategy to authenticate represented behavior. We follow a multimodal approach to analyze the eliciting of participants’ body reactions and the exploiting of provoked emotions in the German reality show Germany’s Next Top Model. Here, controllable and staged working situations, such as a catwalk in high altitude, become a mental or physical challenge for the contestants. These challenges trigger uncontrollable affective momentum as the participants must overcome their physical and mental resistance to master the task. We analyze how physical representations are elicited, exploited and applied stage believable images of self-overcoming. The real challenge for the contestant is to regain control of her body and to overcome her fear. Within the staging of authenticity, this illustrates that and how bodily expressions are used to verify mediated events regarding a “claim to ‘the real’”. The success of the contestants in Germany’s Next Topmodel and the appeal of the show both highly depend on whether and how the representation of the evoked self-overcoming appears as credible. To achieve this, the proper staging of elicited emotions and corresponding bodily displays is crucial.


2020 ◽  
Vol 43 ◽  
Author(s):  
David Spurrett

Abstract Comprehensive accounts of resource-rational attempts to maximise utility shouldn't ignore the demands of constructing utility representations. This can be onerous when, as in humans, there are many rewarding modalities. Another thing best not ignored is the processing demands of making functional activity out of the many degrees of freedom of a body. The target article is almost silent on both.


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