“A Region Which Will at the Same Time Delight and Disgust You”: Landscape Transformation and Changing Environmental Relationships in Civil War Washington, DC

2020 ◽  
Vol 66 (2) ◽  
pp. 125-152
Author(s):  
Nathan A. Marzoli
2020 ◽  
pp. 57-103
Author(s):  
Kenneth M. Price

Whitman’s war writings have been criticized on the grounds that he turns to pastoralism to justify the violence of the Civil War. Whitman was in fact intrigued by the pastoral tradition stretching from Virgil forward. Rather than being in thrall to arcadian fantasies, Whitman instead “sees through” (in both senses) pastoralism. His writings avoid romantic claptrap that serves to justify wartime violence. He experienced the war from the vantage points of New York City and Washington, DC, and he shows no yearning for an idyllic rural retreat, nor does he indulge in nostalgia for a lost way of life. Pastoralism often involves the care of cattle, and this chapter probes the ties between African Americans, cattle, and an anti-pastoral tradition.


2020 ◽  
pp. 146-174
Author(s):  
Kenneth M. Price

Democratic Vistas and Whitman’s later poetry and prose writings were shaped by his experiences in Washington, DC, a key site of experimentation with multi-racial democracy, and a city where local experiments had national implications. Washington was the nation’s first emancipated city and after the Civil War the combined forces of newly gained suffrage and effective political organizing led to a brief but remarkable surge in African American political power. Yet after promising initial gains, multi-racial democracy foundered, and ultimately democratic government itself was lost in the city when it became governed by appointed commissioners. Whitman’s mid-career achievements and failures can be illuminated against the backdrop of these local developments and the national scope of his work within the attorney general’s office.


Author(s):  
M. J. Michelbacher

This chapter presents a sermon delivered by M. J. Michelbacher. The occasion for the sermon was one of the many days of fasting and prayer proclaimed by the governments in Richmond and in Washington, DC during the Civil War years. Jefferson Davis proclaimed nine such days during the life of the Confederacy. While it is difficult to know how seriously the fasting component was taken by the population, religious leaders were apparently committed to observing them as occasions for addressing their people in specially prepared sermons, many of which were summarized in local newspapers and subsequently printed in pamphlet form. The themes were generally the acknowledgement of divine providence, the recognition of failures and sins, and the need to pray, in an appropriate posture of humility, for God's favour.


Author(s):  
Kenneth M. Price

During Walt Whitman’s decade in Washington, DC, 1863–73, he labored intensely, at times seeming to have three lives at once. He wrote the most distinguished journalism of his career; came into his own as a writer of letters; crafted memorable Civil War poetry, Drum-Taps and Sequel to Drum-Taps (1865) and later folded it into heavily revised and expanded versions of Leaves of Grass in 1867 and 1871; and produced his searching but also flawed critique of American culture, Democratic Vistas. Whitman’s work through the first three editions of Leaves (1855, 1856, 1860–61) often receives the highest praise, yet his writing in the Washington years is exceptional, too, by any reckoning—and is all the more remarkable given that he also cared for thousands of wounded and sick soldiers in Washington hospitals, serving as an attentive visitor. In addition, he served as a government clerk in various positions, most notably in the attorney general’s office when much was accomplished on the road toward a multi-racial democracy, including efforts to suppress the Ku Klux Klan, and much was also missed (both by the attorney general’s office and by Whitman) in the efforts to advance a more just and vibrant union. This book analyzes Whitman’s integrated life, writings, and government work in his urban context to reevaluate the writer and the nation’s capital in a time of transformation.


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