"Suicide Girls": Orhan Pamuk's Snow and the Politics of Resistance in Contemporary Turkey

2011 ◽  
Vol 23 (1) ◽  
pp. 138-154 ◽  
Author(s):  
Colleen Ann Lutz Clemens
2007 ◽  
Vol 35 (1) ◽  
pp. 78-84
Author(s):  
Cricket Keating

Author(s):  
Keith Jacobs

This chapter calls for a truthful understanding of politics that admits the complex and sometimes very contradictory subject positions that people adhere to. There is always a temptation to disengage from contemporary political struggles and instead expend time postulating what a ‘postneoliberal’ future might entail. In examining neoliberalism, the politics of resistance, and prosocial forms of engagement, the chapter argues that a useful starting point is to interrogate the subject positions people adopt to understand the contemporary political era. Often these rely on a depiction of an economic and social crisis accentuated by neoliberalism, a sense of moral outrage, and the attribution of culpability on to those who are considered responsible.


Polity ◽  
1996 ◽  
Vol 28 (4) ◽  
pp. 445-466 ◽  
Author(s):  
Brent L. Pickett

Author(s):  
Isabelle Torrance

Abstract Tom Paulin’s Greek tragedies present extremes of bodily abjection in order to service of a politics of resistance that is tied, in each case, to the political context of the drama’s production. The Riot Act (1984), Seize the Fire (1989), and Medea (2010), share a focus on the degradation of oppressed political groups and feature characters who destabilize the status quo. Yet the impact of disruptive political actions is not ultimately made clear. We are left wondering at the conclusion of each tragedy if the momentous acts of defiance we have witnessed have any power to create systemic change within politically rigged systems. The two 1980s plays are discussed together and form a sequence, with The Riot Act overtly addressing the Northern Irish conflict and Seize the Fire encompassing a broader sweep of oppressive regimes. The politics of discrimination in Medea are illuminated by comparison with similar themes in Paulin’s Love’s Bonfire (2010). Unlike other Northern Irish adaptations of Greek tragedy, Paulin’s dramas, arrested in their political moments, present little hope for the immediate future. Yet in asking us to consider if individual sacrifice is enough to achieve radical change they maintain an open channel for political discourse.


Human Affairs ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Marcela Linkova

AbstractInstituted in 2004, the Czech Republic research assessment has since changed on an annual basis. In this paper I examine how researchers in the Czech Republic negotiate research assessment. Using the concept of epistemic living spaces (Felt & Fochler, 2010; Felt, 2009), I first set in context the Czech research assessment system and second explore the micro-politics of resistance in which researchers engage in their daily conduct. Empirically, I draw on individual and group interviews carried out with Czech researchers in the humanities, social sciences and natural sciences, analyses of science policy documents including the Methodology for Evaluating Research, Development and Innovation Results, as well as public debates relating to research assessment, such as blogs and newspaper articles. The interviews were carried out between 2007 and 2010. Additional sources of data include participant observation at public events and seminars on the research and development system reform, research assessment and audit of the Czech system of research, development and innovation gathered between 2009 and 2011.


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