Poet Talk: Conversations with Robert Kroetsch, Daphne Marlatt, Erin Mouré, Dionne Brand, Marie Annharte Baker, Jeff Derksen and Fred Wah (review)

2007 ◽  
Vol 76 (1) ◽  
pp. 618-619
Author(s):  
Russell Brown
Author(s):  
Victoria Kuttainen ◽  
Greg Manning

This chapter examines postmodernist and literary experiments in Australia, Canada, New Zealand, and the South Pacific. It first considers Australia's brand of postmodernism, noting that it was much less a reaction to modernism than an effect of American influences that developed mid-century and a reflection on its late emergence from the colonial condition. It shows that Australian literature and its institutions since the 1930s had maintained a distant and uncomfortable relationship with literary modernism. Key writers discussed include Peter Carey, Gerald Murnane, and Elizabeth Jolley. The chapter goes on to discuss how Canada's scholars and writers, such as Robert Kroetsch, George Bowering and Daphne Marlatt have been interwoven in the genealogy of postmodern fiction in the Americas before concluding with an analysis of the postmodern novel in New Zealand and the South Pacific. Important writers here include Ian Wedde, Albert Wendt, and Sia Figiel.


2017 ◽  
pp. 219-220
Author(s):  
JON PAUL FIORENTINO
Keyword(s):  

Author(s):  
Elías Ortega-Aponte

This chapter traces how ancestral fragments evidenced in the embodied epistemology of afro-Caribbean “bomba” dancing and drumming haunt social and material reality as well as their theorization. Opening a space in affect studies for conversation between complexity theory, Dionne Brand, and Édouard Glissant, the chapter argues that the ghosts created by trauma, and the knowledge-fragments they keep, not only inform justice claims fragments, but may shape the fabric of reality.


2019 ◽  
pp. 201-216
Author(s):  
Celeste-Marie Bernier ◽  
Alan Rice ◽  
Lubaina Himid ◽  
Hannah Durkin

‘Naming the Money’ has become Himid’s signature installation, consisting of 100 colourfully painted figures interacting with each other across a large gallery space accompanied by a soundscape. It speaks to the history of Transatlantic Slavery and to modern modes of labour, which have in common the destruction of identities through the movement across geographies. Scraps of text on accounting paper on the backs of each figure tell poetically the journey of these people through the change in their names when in the new place. The figures act as a guerrilla memorialisation of multiple African diasporic figures who have been forgotten by history. Through the theoretical writings of Paul Ricoeur, Michael Rothberg, Stuart Hall, Dionne Brand, Hershini Bhana Young, Saidiya Hartman and Giorgio Agamben the chapter explicated the ways in which Himid uses her installation to comment on historical and contemporary trauma and those who are lost and displaced, then and now.


2000 ◽  
Vol 35 (2) ◽  
pp. 217-218
Author(s):  
Rand Marshall
Keyword(s):  

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