Drawing from Bruno Latour and using the case of La Luz del Mundo, a Mexican Pentecostal church in Atlanta, as an example, this chapter demonstrates the payoffs of a non-reductive, materialist, networks approach to the study of religion. By embedding embodied, historical human actors in vascularized and inter-active ecological figurations from which they have evolved, and through and within which they carve out shared and contested spaces of livelihood, this approach moves beyond the Cartesian-Kantian model of the sovereign, unified, and buffered subject dominant in Western modernity and religious studies, more specifically, allowing for a rich exploration of the multiple processes and materials that make religious phenomena efficacious. The chapter concludes by endorsing Isabelle Stengers’s notion of a cosmopolitics that is maximally inclusive in its engagement with alterity.