scholarly journals Senescent changes in parafoveal color appearance: saturation as a function of stimulus area

2002 ◽  
Vol 19 (1) ◽  
pp. 208 ◽  
Author(s):  
Holger Knau ◽  
John S. Werner
Keyword(s):  
Color Appearance ◽  
Stimulus Area

Change of color appearance due to extremely high light level: corresponding colors under 100 and 3000 cd/m2

2019 ◽  
Vol 2019 (1) ◽  
pp. 320-325 ◽  
Author(s):  
Wenyu Bao ◽  
Minchen Wei
Keyword(s):  
Light Level ◽  
Limited Range ◽  
High Light ◽  
Color Preference ◽  
Color Appearance ◽  
Appearance Model ◽  
Color Matching ◽  
Light Levels ◽  
Appearance Models ◽  
Psychophysical Study

Great efforts have been made to develop color appearance models to predict color appearance of stimuli under various viewing conditions. CIECAM02, the most widely used color appearance model, and many other color appearance models were all developed based on corresponding color datasets, including LUTCHI data. Though the effect of adapting light level on color appearance, which is known as "Hunt Effect", is well known, most of the corresponding color datasets were collected within a limited range of light levels (i.e., below 700 cd/m2), which was much lower than that under daylight. A recent study investigating color preference of an artwork under various light levels from 20 to 15000 lx suggested that the existing color appearance models may not accurately characterize the color appearance of stimuli under extremely high light levels, based on the assumption that the same preference judgements were due to the same color appearance. This article reports a psychophysical study, which was designed to directly collect corresponding colors under two light levels— 100 and 3000 cd/m2 (i.e., ≈ 314 and 9420 lx). Human observers completed haploscopic color matching for four color stimuli (i.e., red, green, blue, and yellow) under the two light levels at 2700 or 6500 K. Though the Hunt Effect was supported by the results, CIECAM02 was found to have large errors under the extremely high light levels, especially when the CCT was low.

Real-world environment affects the color appearance of virtual stimuli produced by augmented reality

2019 ◽  
Vol 2019 (1) ◽  
pp. 237-242
Author(s):  
Siyuan Chen ◽  
Minchen Wei
Keyword(s):  
Augmented Reality ◽  
Real World ◽  
Mixed Reality ◽  
Rapid Development ◽  
Light Level ◽  
Color Appearance ◽  
Chromatic Adaptation ◽  
Lighting Condition ◽  
The Real ◽  
World Environment

Color appearance models have been extensively studied for characterizing and predicting the perceived color appearance of physical color stimuli under different viewing conditions. These stimuli are either surface colors reflecting illumination or self-luminous emitting radiations. With the rapid development of augmented reality (AR) and mixed reality (MR), it is critically important to understand how the color appearance of the objects that are produced by AR and MR are perceived, especially when these objects are overlaid on the real world. In this study, nine lighting conditions, with different correlated color temperature (CCT) levels and light levels, were created in a real-world environment. Under each lighting condition, human observers adjusted the color appearance of a virtual stimulus, which was overlaid on a real-world luminous environment, until it appeared the whitest. It was found that the CCT and light level of the real-world environment significantly affected the color appearance of the white stimulus, especially when the light level was high. Moreover, a lower degree of chromatic adaptation was found for viewing the virtual stimulus that was overlaid on the real world.

Color Constancy

2017 ◽  
Author(s):  
Joshua Gert
Keyword(s):  
Visual Representation ◽  
Color Constancy ◽  
Color Appearance ◽  
Fine Grained ◽  
Hybrid View

This chapter presents an account of color constancy that explains a well-known division in the data from color-constancy experiments: So-called “paper matches” exhibit a much higher level of constancy than so-called “hue-saturation matches.” It argues that the visual representation of objective color is the representation of something associated with a function from viewing circumstances to color appearances. Thus, a relatively robust constancy in the representation of objective color is perfectly consistent with a relatively less robust level of constancy in color appearance. The account also endorses Hilbert’s idea that we can represent the color of the illumination on a surface as well as the color of the surface itself. Finally, the chapter addresses an objection to the hybrid view that notes our capacity to make very fine-grained distinctions between the objective colors of surfaces.

Color Difference Evaluation Based on Image Color Appearance Model

2012 ◽  
Vol 200 ◽  
pp. 637-640
Author(s):  
Jing Liang ◽  
Yong Bin Zhao ◽  
Hui Gao
Keyword(s):  
Calculation Method ◽  
Color Difference ◽  
Color Images ◽  
Color Appearance ◽  
Appearance Model ◽  
Difference Formula ◽  
Difference Calculation

The iCAM (image color appearance model) as the most advanced modern color appearance model is constantly being put into use. In color images industry, the evaluation of the color difference is significant. This article will focus on color difference formula of image color appearance model and analysis its reasonable color difference calculation method, which reflects the advantages of image color appearance model.

Application of a New Color Universal Design Method Based on the Color Appearance of Dichromats to a Campus Map

2021 ◽  
Keyword(s):  
International Symposium ◽  
Fast Track ◽  
Universal Design ◽  
Design Method ◽  
Color Appearance ◽  
Color Imaging ◽  
Electronic Imaging

Fast track article for IS&T International Symposium on Electronic Imaging 2021: Color Imaging XXVI: Displaying, Processing, Hardcopy, and Applications proceedings.

scholarly journals Nonlinearities in color coding: Compensating color appearance for the eye's spectral sensitivity

2006 ◽  
Vol 6 (9) ◽  
pp. 12 ◽  
Author(s):  
Yoko Mizokami ◽  
John S. Werner ◽  
Michael A. Crognale ◽  
Michael A. Webster
Keyword(s):  
Spectral Sensitivity ◽  
Color Appearance ◽  
Color Coding
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