scholarly journals Digital costume sketching through embodied awareness

2019 ◽  
Vol 4 (2) ◽  
pp. 229-241 ◽  
Author(s):  
Kirsi Manninen

This article presents a method for costume design, where empathy and embodiment are used as methodological choices by the designer in the character-creation process. In creating references for the sketching process, costume designers combine photos in which they portray themselves as the character that they imagine. These role-selfies, taken with a handheld tablet, work as starting points for the sketching procedure. The material for the present study is collected from MA costume design students who participated in digital character-creation courses at Aalto University, in Helsinki, Finland, and is a part of doctoral research by the author. The data are collected through a mixed-method approach and is organized as a case study investigating the experiences of using the body as a source for costume design. The research question in this study is as follows: does an awareness of one’s own body facilitate the sketching process? The initial results show that the research participants consider the method useful because it enables them to experience a stronger bodily connection with the digital medium, the imagined design and the emerging character in the costume sketching process. Hence, the findings of this study can be used to develop design and teaching practices not only in the field of costume design but also in other design processes involving character creation.

2021 ◽  
Author(s):  
◽  
Susette Goldsmith

<p>Aotearoa New Zealand began considering the preservation of some of its colonial buildings in the early twentieth century. Along with the buildings, and mostly by default, came their associated curtilage. This thesis asserts that the focus of heritage in this country has been on its buildings and that the curtilage - and in particular its gardens - has languished as a result. As an examination of garden heritage the study first explores the causes and consequences of this oversight. Secondly, it investigates the role that curtilage gardens can play in heritage and, finally, it considers how and why changes to heritage practice and management would better realise the potential of these gardens.  Little academic research has been carried out on garden heritage in this country and this study has therefore built on a multidisciplinary theoretical framework in order to fill this gap in the literature. The qualitative research undertaken includes a case study of Hurworth Cottage in Taranaki and has employed a mixed method approach that includes archival and documentary research and interviews.  In exploring the first research question, the study found that while some early attempts were made to protect garden heritage they were largely unsuccessful because they relied on the energies of individuals, failed to be adequately resourced and, to some extent, were outstripped by enthusiastic efforts to protect trees. The thesis does, however, cite examples where heritage agencies have been prompted to address wider issues of curtilage within the contemporary conservation plans of historic buildings. The case study addressed the second area of inquiry and established that curtilage gardens can act as powerful interpretive tools and, consequently, that no heritage building is best served by being considered in isolation. In examining contemporary heritage practice and management, the thesis broadens its focus to discuss overseas models of interpretive curtilage gardens and their relationships with their communities.</p>


2021 ◽  
Author(s):  
◽  
Susette Goldsmith

<p>Aotearoa New Zealand began considering the preservation of some of its colonial buildings in the early twentieth century. Along with the buildings, and mostly by default, came their associated curtilage. This thesis asserts that the focus of heritage in this country has been on its buildings and that the curtilage - and in particular its gardens - has languished as a result. As an examination of garden heritage the study first explores the causes and consequences of this oversight. Secondly, it investigates the role that curtilage gardens can play in heritage and, finally, it considers how and why changes to heritage practice and management would better realise the potential of these gardens.  Little academic research has been carried out on garden heritage in this country and this study has therefore built on a multidisciplinary theoretical framework in order to fill this gap in the literature. The qualitative research undertaken includes a case study of Hurworth Cottage in Taranaki and has employed a mixed method approach that includes archival and documentary research and interviews.  In exploring the first research question, the study found that while some early attempts were made to protect garden heritage they were largely unsuccessful because they relied on the energies of individuals, failed to be adequately resourced and, to some extent, were outstripped by enthusiastic efforts to protect trees. The thesis does, however, cite examples where heritage agencies have been prompted to address wider issues of curtilage within the contemporary conservation plans of historic buildings. The case study addressed the second area of inquiry and established that curtilage gardens can act as powerful interpretive tools and, consequently, that no heritage building is best served by being considered in isolation. In examining contemporary heritage practice and management, the thesis broadens its focus to discuss overseas models of interpretive curtilage gardens and their relationships with their communities.</p>


2020 ◽  
Vol 70 (suppl 1) ◽  
pp. bjgp20X711569
Author(s):  
Jessica Wyatt Muscat

BackgroundCommunity multidisciplinary teams (MDTs) represent a model of integrated care comprising health, social care, and the voluntary sector where members work collaboratively to coordinate care for those patients most at risk.AimThe evaluation will answer the question, ‘What are the enablers and what are the restrictors to the embedding of the case study MDT into the routine practice of the health and social care teams involved in the project?’MethodThe MDT was evaluated using a mixed-method approach with normalisation process theory as a methodological tool. Both quantitative and qualitative data were gathered through a questionnaire consisting of the NoMAD survey followed by free-form questions.ResultsThe concepts of the MDT were generally clear, and participants could see the potential benefits of the programme, though this was found to be lower in GPs. Certain professionals, particularly mental health and nursing professionals, found it difficult to integrate the MDT into normal working patterns because of a lack of resources. Participants also felt there was a lack of training for MDT working. A lack of awareness of evidence supporting the programme was shown particularly within management, GP, and nursing roles.ConclusionSpecific recommendations have been made in order to improve the MDT under evaluation. These include adjustments to IT systems and meeting documentation, continued education as to the purpose of the MDT, and the engagement of GPs to enable better buy-in. Recommendations were made to focus the agenda with specialist attendance when necessary, and to expand the MDT remit, particularly in mental health and geriatrics.


2007 ◽  
Vol 85 (1) ◽  
pp. 145-158 ◽  
Author(s):  
Heather Dunning ◽  
Allison Williams ◽  
Sylvia Abonyi ◽  
Valorie Crooks

Scene ◽  
2014 ◽  
Vol 2 (1) ◽  
pp. 179-196 ◽  
Author(s):  
Sofia Pantouvaki

The use of smart materials and wearable electronics has rapidly expanded in the field of fashion, introducing new interactive qualities of surfaces, materials and garments. In fashion garments, the performative environment functions as an abstract site for experimentation, expression and communication of the wearer through the intelligent garment. However, there is still limited use of embodied technologies in the field of performance costume for text-based and music-based performance, with the exception of integrated lighting technologies, currently broadly used in musical performance. This article provides a critical review of specific examples of technology-led garments in live performance, and uses a specific fragment from the Athens 2004 Olympic Games Opening Ceremony as a case study to highlight how technologies embedded in costume can create interactive interfaces between the body of the performer and the environment – the space, the other performers, the audience – becoming a transmitter and receiver of emotions, experiences and meanings in innovative ways. By analysing this case, as well as by posing questions, this article aims at generating a discourse on the expressive and narrative potential of the use of intelligent materials and embodied technologies within the creative practice of costume design.


Erdkunde ◽  
2019 ◽  
Vol 73 (4) ◽  
pp. 323-341 ◽  
Author(s):  
Kristina Jajtić ◽  
Valentina Galijan ◽  
Ivana Žafran ◽  
Marin Cvitanović

2021 ◽  
Author(s):  
Miranda Feasey

This Major Research Paper investigates Street Voices Magazine as an instrument and communications tool to engage and empower street youth in Toronto. The following questions guided my study: What are the ways in which Street Voices Magazine gives voice to the marginalized and silenced? Why is Street Voices Magazine an appropriate medium for connecting with street youth? A mixed-method approach was used to analyze the texts and images in three issues of the magazine to determine the effectiveness of the print medium, what these texts and images suggest about the motivations of the contributors, and whether the magazine meets its objective of serving street youth. The study suggests that the transformative potential of the arts, the role of the magazine in fostering in the contributors the identity of an artist, and the lack of other spaces for expression are significant themes that underpin Street Voices Magazine’s appeal and effectiveness. The study also leads to suggestions for further research, which could improve an understanding of this diverse demographic and confirm the impact of Street Voices Magazine.


2018 ◽  
Vol 7 (2) ◽  
pp. 221-243 ◽  
Author(s):  
Xavier Ramon ◽  
Richard Haynes

Through a mixed-method approach, we examine the sports programming offered by BBC ALBA between 2008 and 2016 and identify the value that the channel creates in Scotland through its diverse sports portfolio. In an increasingly cluttered and complex scenario where pay-TV giants Sky and BT hold a plethora of top-tier rights and BBC Scotland and STV cannot fit more sport into their schedules, BBC ALBA serves Gaelic-speaking and national audiences with a regular diet of quality sports programming. Beyond being instrumental to filling schedules, sports content has been a gateway for Gaelic, a key driver of BBC ALBA’s investment in the creative sector and a contributor to the development of grassroots sport in Scotland. However, the financial situation under which the channel operates makes it very difficult to sustain and improve its current position. This case study demonstrates that sport broadcasting offers genuine opportunities to maintain linguistic and cultural diversity in small nations, even in a context characterized by escalating competition, dwindling resources, and the proliferation of multiple viewing portals.


Author(s):  
Kate Vieira

This chapter tells the story of the research. It first lays out the research question: How do transnational families’ experiences with migration-driven literacy learning shift across their lifespans in relation to changing political borders, economic circumstances, and technologies? It then describes the field sites in which the question was addressed: Latvia, Brazil, and the United States. Next, it outlines the reasoning behind the author’s methodological choices. Specifically, it elaborates on the author’s use of a comparative case study approach to develop the book’s central concept, “migration-driven literacy learning.” In doing so, the chapter describes how the project entailed both “reasearching across lives” and “researching across continents.” Finally, it offers a brief overview of the rest of the book.


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