Left-right dynamics of staging and composition in Class 15
The climax of Class 15 features a reverse cut that displaces the teacher from his fixed position on frame left to frame right. The functions of this decisive shift are examined, following Rudolf Arnheim and others, in light of conventional associations attached to the left- and right-hand sides of pictures.
2011 ◽
pp. 155-158
2019 ◽
pp. 203-222
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2020 ◽
Vol 23
(1)
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pp. 103-125
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2017 ◽
Vol 125
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pp. 154-162
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2004 ◽
Vol 91
(4)
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pp. 1570-1578
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1996 ◽
Vol 40
(2)
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pp. 72-76
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