Die Road-Story als Medium der Literarisierung eines gesellschaftlichen Umbruchs. »Milenas Erben« von Wolfgang Sréter

2020 ◽  
pp. 35-50
Author(s):  
Anna Majkiewicz
Keyword(s):  
Road Story

scholarly journals TV program “Svit navyvorit” as a project in Ukrainian travel-journalism form

2021 ◽  
Vol 27 (4) ◽  
pp. 252-258
Author(s):  
Kateryna Diuzheva
Keyword(s):  
The Internet ◽  
Scientific Methods ◽  
Scientific Problem ◽  
News Discourse ◽  
Tv Program ◽  
Media Space ◽  
General Scientific ◽  
Widespread Phenomenon ◽  
The Subject ◽  
Road Story

Unlike the last century journalism, the modern one greatly simplifies the communication between the author and his recipient by using the ability to travel and to transmit the information the last user, the recipient, very quickly. Besides technologies, the format chosen by the author of the information message contributes to this. The main objective of the study and the subject of the research is the TV program “Svit navyvorit”. It is a sample of media tourism, which represents distant and little-known cultures and the population of different countries for the Ukrainian recipient in reportage issues. This is popular and relevant for the modern recipient type of media product. This thesis is proved according to the information provided in the study for the number of views by the project in the Internet. The scientific problem is to clarify the format of transmission in today conditions of the widespread phenomenon of genre syncretism. The aim of the article is to define the genre characteristics of “Svit navyvorit”, to find a classification niche for the format. Therefore, the article pays attention to the analysis of features and characteristics of the project, which is manifested in the examples of different series by the program. This is the novelty of the study. With the help of reflections caused by these features, the article attempts to find out what the “Svit navyvorit” is: a travel show, a report, a review, a road story, etc. The format of the program, which has no analogues in the Ukrainian media space, can be defined as an original travel show, a syncretic phenomenon in the genre aspect. This is confirmed by the following features and peculiarities: reports from the scene, eyewitness comments, author’s remarks and direct impressions, communication, drama, eventfulness, contrast, the acquisition of signs of news discourse, lifestyle journalism. The array of seasons and issues of the program “Svit navyvorit” considered in the article combines the features of informativeness, journalism, analytics, art and entertainment. The following general scientific methods are used in the article: comparative, descriptive, comparative-typological, historical-functional, and systemic; method of analysis, synthesis. The prospect of further research is to develop ways to study the paradigm of the format of Ukrainian travel journalism with mandatory rating control based on the number of views.

Errand into the Wilderness: The Cursed Earth as Apocalyptic Road Narrative

2009 ◽  
Vol 43 (3) ◽  
pp. 497-534
Author(s):  
BRIAN IRELAND
Keyword(s):  
National Identity ◽  
American History ◽  
Significant Feature ◽  
Grapes Of Wrath ◽  
The Road ◽  
Close Textual Analysis ◽  
Road Narrative ◽  
American National Identity ◽  
On The Road ◽  
Road Story

Mobility is a significant feature of American history and culture. This is reflected in the literature and cinema of the road genre, in influential novels such as Jack Kerouac's On the Road and John Steinbeck's Grapes of Wrath, and in films like Bonnie and Clyde (1967) and Easy Rider (1969). However, when non-Americans create road stories they tend to employ symbols and narratives that are often considered intrinsically American. These storytellers appear to have absorbed or internalized aspects of American national identity, and this is reflected in their work. This is demonstrated in The Cursed Earth, an apocalyptic road story in twenty-five parts, which was published in the British weekly comic 2000AD from May to October 1978. Written by British writer Pat Mills, with contributions from John Wagner and Chris Lowder, The Cursed Earth features the character Judge Dredd, perhaps the most popular and most recognizable icon of British comics of the last thirty years. Through close textual analysis of the Cursed Earth story, this article reveals how thematic elements of the road genre are linked to significant themes in American history and culture.

New Directions for Old Roads: Rewriting the Young Adult Road Trip Story

2020 ◽  
pp. 80-94
Author(s):  
Jason Vanfosson
Keyword(s):  
Young Adult ◽  
Literary History ◽  
Road Trip ◽  
The Road ◽  
The North ◽  
New Directions ◽  
On The Road ◽  
A Site ◽  
Road Narratives ◽  
Road Story

This chapter argues that contemporary young adult road narratives rewrite the story of the road to include more diverse representations that expose the challenges of traveling while part of a marginalized group. Road trip narratives codify privilege via class, gender, sexual orientation, and whiteness within the North American context to define a dominant road story that has commonly been represented throughout literary history. This chapter examines how the young adult road trip becomes a site of subversion for indigenous travelers, travelers of color, queer travelers, and trans travelers through the ways certain identities receive or navigate the privilege of mobility on the road within different geographical spaces.

Rembrandt Reads the Gospels: Form, Context and Theological Responsibility in New Testament Interpretation

1997 ◽  
Vol 50 (4) ◽  
pp. 399-413 ◽  
Author(s):  
Clive Marsh
Keyword(s):  
Biblical Interpretation ◽  
Christian Theology ◽  
Christian Doctrine ◽  
Constructive Theology ◽  
The Bible ◽  
The World ◽  
History Of ◽  
Biblical Scholar ◽  
Road Story ◽  
The Church

Art is part of the history of the church, and relates to spirituality and to the practical expression of Christian faith. It illustrates theological loci and biblical themes. Often, the art which fulfils this function does so with the conscious intent of the artist; sometimes not. Attempts have been made, however, to argue that art not only illustrates theology, but also contributes to it. Even so, systematic theologians and biblical scholars — when they do talk to each other — still converse on the basis of largely word-centred approaches to their tasks. I am neither systematic theologian nor biblical scholar, precisely because I attempt to keep a foot in both camps. I am even less of an art critic. Yet it is clear that in the world of art there is a whole area of exploration yet to be ventured into not only historically (have we really sufficiently explored how biblical interpretation and doctrinal theology have been influenced by art?) but also from the perspective of constructive theology (what contribution can art past and present make to the very reformulation and expansion of Christian doctrine?). This paper offers a brief reading of three paintings by Rembrandt, of the Emmaus Road story in Luke 24.13–35. The theological significance of the changing interpretations of the passage is drawn out and the implications of the use of the paintings, in terms of the creative use of the Bible in Christian theology.

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