scholarly journals Experimenting with the Physicality of Digital Materiality

2019 ◽  
Author(s):  
Chrissy Pretious-Cooney
Keyword(s):  
Author(s):  
Martin Rieser

This chapter will examine and critically align a number of pioneering projects from around the world, using mobile and pervasive technologies, which have challenged the design and delivery of mobile artworks, as documented on the author’s weblog and book The Mobile Audience (Rodopi, 2011). These will be presented together with examples from the artist’s own research and practice, which have been concerned with the liminal nature of digital media and the intersection of the real and virtual, the physicality of place, and the immateriality of the imaginary in artistic spaces. Two projects in process are also referenced: The Prisoner—a motion-captured, emotionally responsive avatar in the round—and Secret Garden—a virtual reality digital opera. Lastly, this chapter considers the nature of digital materiality in the exhibition of miniature Internet transmitted sculptures: Inside Out: Sculpture in the Digital Age.


2020 ◽  
pp. 146144482096890
Author(s):  
Kristina Stenström

Platformed sociality has become an elemental part of existential processes and struggles. Previous research has shown that digital contexts offer lifelines of support and a sense of belonging based on shared vulnerabilities. By combining phenomenological and ethnographic approaches, this article explores involuntary childlessness (IC) online in so-called trying-to-conceive (TTC) contexts on Instagram and in blogs. The analysis is driven by the following questions: What are the particularities of digital lifeline communication in the context of IC? Can lifeline communication shape what is coming into being in the context of wished-for children and/or motherhood? Can (digital) life be challenged, extended, or created in this context? Drawing on interviews and online posts from 260 Instagram accounts and three blogs, I argue that digital lifeline communication in TTC environments facilitates digital existence and “digital life” as the notions of motherhood and longed-for and lost children attain a form of digital materiality through posts and discussions.


2019 ◽  
Vol 15 (8) ◽  
pp. 923-942
Author(s):  
Jedd Hakimi

The 2011 U.S. Supreme Court case Brown v. Entertainment Merchants Association adjudicated the State of California’s right to regulate the sale of “violent” video games and, in the process, effectively considered how video games should be apprehended as a cultural form under the law. The court’s decision cited the missteps of judicial film censorship in protecting video games as a form of expression under the First Amendment, placing video games into a cultural time line of expressive forms. Some media scholars contest the court’s approach for overvaluing the cultural aspects of video games and neglecting their distinct digital materiality. However, a close reading of the case and the circumstances that led the justices’ opinions helps articulate a crucial critique of overly materialist approaches to video games associated with media archaeology. The case details reflect the inextricability of materiality and experience in considering video games as a form of expression.


2018 ◽  
Vol 46 (2/3) ◽  
pp. 294-318
Author(s):  
Camelia Gradinaru

This paper investigates GIFs that use famous paintings and art collages in order to discern if their possible interpretations justify the label of ‘floating signifiers’. For this purpose, I explain what ‘floating signifier’ means and describe what happened with the term when it was correlated with the issues of information and digital materiality. Thus, in new media, the parallel term for ‘floating signifier’ is Hayles’s ‘flickering signifier’. In a subtle manner, GIFs represents perfect instantiation of both concepts. The paper also addresses the main “portrait” of GIFs, examining them in both online (Tumblr, Instagram, Facebook) and offline discursive contexts. The signifieds attributed to particular examples of GIFs, and to GIFs in general, delineate their profile in terms of floating signifiers.


2015 ◽  
Vol 1 (1) ◽  
pp. 73-92 ◽  
Author(s):  
Laura Forlano

Abstract Over the past decade, scholars have worked to develop a new lexicon of the cyber-urban in order to express, in a more nuanced and careful way, the hybrid nature of everyday life in cities of the 21st century. Yet, for the most part, our current verbal and visual metaphors and imagined futures along with our theoretical and analytical frames, to a large degree, continue to emphasize the separation of the physical and the digital into discrete and hierarchical layers and ‘stacks.’ Given our limited metaphors, it should come as no surprise that we are unable to traverse socio-economic barriers and build more equitable and pluralistic cities. This paper will discuss the need to move beyond hybrid language and towards a truly integrated theory of digital materiality and the cyber-urban using examples from debates about big data, Smart Cities, the ‘internet of things’ and the quantified self.


2017 ◽  
Vol 32 (4) ◽  
pp. 371-381 ◽  
Author(s):  
Sarah Pink ◽  
Shanti Sumartojo ◽  
Deborah Lupton ◽  
Christine Heyes LaBond

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