La Pata de Cabra, Satire and Free Speech in Nineteenth-Century Mexico City

The article examines how La Pata de Cabra (The Goat's Hoof ), an over-the-top fantastical Spanish comedia de magia (magic play), came to figure centrally in serious debates about Mexican politics and society between 1845 and 1857. The article explores the play's popularity and its resonance in the press – it spawned at least half a dozen satirical newspapers – to argue that satire became a critical political language and form of expression that broadened and sustained debates in an era marked by volatile and often heavily restricted press freedoms. The article's focus on the La Pata phenomenon brings two fields of study, theatre and the press, into productive and necessary conversation.

Sleepwalking, Class Mobility, and the Search for the Social Origins of Populism in Charles Brockden Brown's Edgar Huntly

This paper argues that Brown's sleepwalkers in Edgar Huntly offer us an early figuration for the problems inherent in the phenomenon we now refer to as “populism.” Both populism and sleepwalking function through paradoxical and incongruent forms of expression that appear incoherent. The most prominent explanations that account for this paradoxical form of expression rely on an analysis of the breakdown of discourse. However, this paper argues that the incongruous form of expression is rooted in the reconfiguration of the social arrangements that enable Clithero and Edgar to advance socially but also places them in proximity to social crises. The contradictions of this position of social mobility are the source of the contradictions of the expression of sleepwalking. In depicting a world that makes social identity precarious, Brown offers us an explanation for how such paradoxical modes of expression are rooted in unstable resolutions of post-revolutionary society.

THE EFFECT OF ABSTRACT AS A FORM OF EXPRESSION IN CONTEMPORARY TURKISH PAINTING

After a period of thousands of years as a form of expression in art, since the beginning of the 20th century, the forms have been simplified or changed and the images started to be interpreted differently within the space constitute the subject of this thesis. Research subjects of this article are the definition and features of the concept of space, the definition and characteristics of the concepts of abstract and abstraction, abstract painting uses space in its reflections on Contemporary Turkish painting. In contemporary Turkish painting, the abstract effects of the works of Adem Genç, Adnan Çoker, Adnan Turanî, Ahmet Dalkıran, Alaybey Karoğlu, Devrim Erbil, Hasan Pekmezci and Zafer Gençaydın are limited to examples selected for examination. While abstract and space create a common language in the works of the artists, there are differences in their way of handling the subject in terms of method and application. Qualitative research methods and techniques were used in the study based on the general survey model. The method of "literature research techniques" was used in the research process in order to obtain qualitative data. Keywords: Space, painting, abstract, abstraction, abstract art

THE CONCEPT OF THE POWERS OF THE PROSECUTOR IN THE EXERCISE OF PROSECUTORIAL SUPERVISION OF THE CRIMINAL PROCEDURAL ACTIVITIES OF THE BODIES OF INQUIRY

The article deals with the issues of the concept of the powers of the prosecutor in the exercise ofprosecutorial supervision of the criminal procedural activities of the bodies of inquiry. The authors havecome to the following conclusions. The powers of a prosecutor in criminal proceedings are a set of his rightsand obligations provided for by criminal procedural norms aimed at implementing his functions in criminalproceedings in order to achieve his appointment. In essence the powers are a form of expression of the willof the prosecutor as a public authority. An important feature of the concept of «prosecutor’s authority» is thatit can be defined and established only in a law or other normative legal act that has binding force. Often in the special literature the concepts of powers and legal means of the prosecutor are interpreted as equivalent.In the opinion of the authors it is wrong to identify these concepts. The powers represent the rights of theprosecutor provided for by law. In fact these are the possibilities of the prosecutor regulated by law. Thepowers of the prosecutor are broader than legal means since they cover a larger range of prosecutorialactivities. As a final conclusion the authors define the powers of the prosecutor in the supervision of thecriminal procedural activities of the bodies of inquiry which is understood as the totality of his rights andobligations provided for by criminal procedural norms aimed at the implementation of his functions incriminal proceedings in order to achieve his appointment

Learning Toponyms at School

The article is devoted to the issues of learning toponyms at school. The relevance of the topic is determined by the effectiveness of using toponyms to form students' cultural competencies, to achieve their personal, meta-subject and subject results. Practice shows that the names of geographical objects always arouse great interest among students. Methods used in the study: analysis of scientific and methodological literature on this topic; study and generalization of the experience of teachers working on this topic; observation of the educational process. The results of the work are identification of the most effective methods of using toponyms in the lessons of the Chuvash language and literature for the implementation of educational and educational tasks, compilation of a questionnaire for collecting toponyms, development of methodological recommendations for the organization of research activities of students on this topic. The practical value of this work is determined by the possibility of applying its results by teachers in the classroom and outside of school hours. The author comes to the conclusion that studying the names of geographical objects helps to achieve the planned results, develop cultural competence, learn the history and culture of the native land, realize that language is not only a means of cognition and communication, but also a form of expression of national culture.

Publiczne eksponowanie banerów antyaborcyjnych w kontekście granic swobody ekspresji

In the article, the author analyzes, from the perspective of the limits of the freedom of speech, one of the controversial forms of expression on the permissibility of abortion. This form of expression consists of presentation in public spaces, large-format photographs containing images of bloody dead human fetuses. Banners containing these types of photographs are presented without any restrictions, which means that anyone, including children, can view them. For this text, common court judgements in which the courts held that this form of expression is not protected by freedom of speech were collected and analyzed. The analysis of the judgments of common courts was complemented by reference to the case-law of the European Court of Human Rights.

Obrazy natsional'nykh kharakterovi yumoristicheskiye personazhi balkanskikhnarodov Yuzhnoy Slavii skvoz'prizmu ikh stereotipnogo otobrazheniya v sovremennykh anekdotakh

Images of national characters and humorous characters of the Balkan peoples of South Slavia through the prism of their stereotypical reflection in modern anecdotes. This article reviews one of the small forms of folklore – anecdote and, more specifically, ethno-anecdote (ethnic joke) as a way of reflecting national specifics, national colour, a form of expression of the most characteristic features of the mentality and way of life of a certain people, nation, social group. Based on texts of anecdotes that are most typical and widespread in the area of the Slavic Balkans, the characteristics of representatives of the so-called “Serbo-Croatian dialect continuum” are explored. National specific qualities reflected in ethnic jokes and stereotypes are discussed. It is concluded that ethnic jokes, as a special thematic kind of anecdote, contain, among other things, important extralinguistic information and can become an objective source when studying the ethnolinguistic and culturological characteristics of a particular country and its inhabitants. Keywords: anecdote, national stereotypes, view of the world, Serbs, Croats, Bosnians, Montenegrins, image, symbol, national character

Aplikasi Pelawatan Jemaat Dengan Menggunakan Metode Haversine Berbasis Android

To visit congregation which is carried out by several members of the congregation who are members of the visiting workgroup accompanied by a pastor from the church visited. This activity is a form of expression of love, concern, and sympathy for the people being cared for. And it is hoped that through this visit, the congregation who is being cared for will get strength, comfort, and help in facing the struggles they are facing. Along with the development of current technology which can help the wider community to find out a person's location through a given address. By using the haversine method, visitors can make visits to the church's residence with a fairly short time and distance because the haversine method has the advantage of being able to calculate the distance and time using two lines on the earth, namely longitude and latitude. The making of this application is to produce an Android-based mobile application using Google Map to get the location of the congregation's residence which will be carried out by the visit to the Terang Hidup GKI congregation, where the visit is one of the service programs of the Terang Hidup GKI church.

Framing the startup accelerator through assemblage theory: A case study of an intensive hub in Indonesia

This article presents how assemblage theory, as taken from Deleuze and Guattari, can be used to understand the intensive approaches of startup accelerators in supporting startup companies. Through a study of a startup accelerator in Jakarta, Indonesia, we present three snapshots to exemplify manifestations of what we argue as the accelerator’s “ seed accelerator” form of content and “ seed funding” form of expression as well as their reciprocal presupposition to demonstrate the multiplicity of assemblage as the organizational principles of the accelerator. Employing the tenets of formalization and territorialization from assemblage theory to analyze the results, this article shows that the “ seed accelerator” form of content is manifested by way of how the accelerator’s bodies of its human elements, activities, events, and infrastructure relate and interconnect throughout the accelerator’s 12-week program towards its end point, that is, fulfilling the stakes for the Final Demo-Day, while, on the other hand, the “ seed funding” form of expression is manifested by way of the usage of terms related to fund-raising, expressions of worry, and the expectations of the hub management and the VC in preparing the startups for the next level of funding. Moreover, we argue that the formalized function of the accelerator assemblage is to intensively seed scalable startups. This assemblage analysis thus offers an interrelational perspective regarding startup accelerators, and demonstrates the value of formalization and territorialization in assemblage theory to understand the programming arrangements in a startup accelerator.