scholarly journals Film(making) education for all? British cultural policy and film education

2020 ◽  
Vol 3 (2) ◽  
pp. 191-205
Author(s):  
Chris Nunn
Keyword(s):  
Cultural Policy ◽  
Education For All ◽  
Policy Initiative ◽  
Television Production ◽  
Film And Television ◽  
Film Education ◽  
The Future ◽  
Film Making ◽  
Film Pedagogy

Since the late 1990s various consortia have published papers and reports seeking to establish a systemic public film education in Britain. Despite the time and effort taken by colleagues in organizations such as the British Film Institute (BFI), who have been involved in the production of these papers since at least Making Movies Matter in 1999, it is observable that each policy initiative has eventually fallen away. This article seeks to explore the discourse that these reports, taken together, present and how this might impact the development of a future public film pedagogy, as well as affect students who seek to study film and television production at later stages. This research was finalized shortly before the COVID-19 pandemic, at a time when the film and television industries in Britain were demonstrating huge fiscal successes; however, the fate of the talent that will shape the future of these industries is still very much hanging in the balance.

scholarly journals Cross-media, co-creative and current: New strategies for educating talent for Danish children’s film and television in the 2020s

2021 ◽  
Vol 4 (2) ◽  
Author(s):  
Eva Novrup Redvall
Keyword(s):  
Qualitative Interviews ◽  
Young Audiences ◽  
Film And Television ◽  
Cross Media ◽  
Career Trajectories ◽  
Film Education ◽  
Traditional Training ◽  
Recent Developments ◽  
Film Making

This article analyses recent developments in Danish film and television education through a case study of a new training initiative for creating content for children and young audiences. Following an outline of traditional training and career trajectories in the Danish screen industries in general, and for working with children’s film and television specifically, the case study investigates the guiding ideas behind Manuskriptskolen for børnefiktion (‘The Cross-Media School of Children’s Fiction’), which was established in 2020. The school marks a new approach to Danish film education in several ways. First, by creating a training ground focusing on a specific audience, rather than on screenwriting or film-making more generally. Second, by thinking of content for this audience as fundamentally multi-platform and teaching students storytelling across different media from the outset. Third, by insisting that creating content for this audience calls for having knowledge about the current lives of young people and their media use, and encouraging strategies for engaging or even co-creating content with them. The article builds on qualitative interviews, document analysis and observations at industry events as part of the research project Reaching Young Audiences: Serial Fiction and Cross-Media Storyworlds for Children and Young Audiences.

scholarly journals Exploration of the Application of Virtual Reality and Internet of Things in Film and Television Production Mode

2020 ◽  
Vol 10 (10) ◽  
pp. 3450 ◽  
Author(s):  
Qian Song ◽  
Yoo Sang Wook
Keyword(s):  
Virtual Reality ◽  
Internet Of Things ◽  
Future Development ◽  
Recall Rate ◽  
Virtual Character ◽  
Adaboost Algorithm ◽  
Television Production ◽  
Film And Television ◽  
Interaction System ◽  
The Future

In order to reduce some of the problems of technological restructuring and insufficient expansion in the current film and television production mode, the application of emerging technologies such as artificial intelligence (AI), virtual reality (VR), and Internet of Things (IoT) in the film and television industry is introduced in this research. First, a topical crawler tool was constructed to grab relevant texts about “AI”, “VR”, and “IoT” crossover “film and television”, and the grasping accuracy rate and recall rate of this tool were compared. Then, based on the extracted text, the data of recent development in related fields were extracted. The AdaBoost algorithm was used to improve the BP (Back Propagation) neural network (BPNN). This model was used to predict the future development scale of related fields. Finally, a virtual character interaction system based on IoT-sensor technology was built and its performance was tested. The results showed that the topical crawler tool constructed in this study had higher recall rate and accuracy than other tools, and a total of 188 texts related to AI, VR, and IoT crossover television films were selected after Naive Bayes classification. In addition, the error of the BPNN prediction model based on the AdaBoost algorithm was less than 20%, and it can effectively predict the future development scale of AI and other fields. In addition, the virtual character interaction system based on IoT technology constructed in this study has a high motion recognition rate, produces a strong sense of immersion among users, and can realize real-time capture and imitation of character movements. In a word, the field of AI and VR crossover film and television has great development prospects in the future. Therefore, the application of IoT technology in building the virtual-character interaction system can improve the effect of VR or AI film and television production.

Excavating the Future

2018 ◽  
Author(s):  
Shawn Malley
Keyword(s):  
Popular Culture ◽  
Science Fiction ◽  
Cultural Study ◽  
Homeland Security ◽  
War On Terror ◽  
Adaptive Responses ◽  
Film And Television ◽  
The Past ◽  
The Future ◽  
The U.S

Well-known in popular culture for tomb-raiding and mummy-wrangling, the archaeologist is also a rich though often unacknowledged figure for constructing ‘strange new worlds’ from ‘strange old worlds’ in science fiction. But more than a well-spring for scenarios, SF’s archaeological imaginary is also a hermeneutic tool for excavating the ideological motivations of digging up the past buried in the future. A cultural study of an array of popular though critically neglected North American SF film and television texts–spanning the gamut of telefilms, pseudo-documentaries, teen serial drama and Hollywood blockbusters–Excavating the Future treats archaeology as a trope for exploring the popular archaeological imagination and the uses to which it is being put by the U.S. state and its adversaries. By treating SF texts as documents of archaeological experience circulating within and between scientific and popular culture communities and media, Excavating the Future develops critical strategies for analyzing SF film and television’s critical and adaptive responses to contemporary geopolitical concerns about the war on terror, homeland security, the invasion and reconstruction of Iraq, and the ongoing fight against ISIS.

Parallel Voices

2015 ◽  
pp. 127-144
Author(s):  
Omar Ahmed
Keyword(s):  
Major Part ◽  
Art Cinema ◽  
Film And Television ◽  
Indian Cinema ◽  
Film Maker ◽  
Film Making ◽  
Indian Art

This chapter assesses Shyam Benegal's seminal Ankur (The Seedling, 1972). The emergence of state-sponsored film-making in the late 1960s with Mrinal Sen's Bhuvan Shome (1969) laid the foundations for a new cinematic discourse, giving way to the next phase in the development of Indian art cinema, dubbed by many as ‘parallel cinema’. The work of film-maker Shyam Benegal forms a major part of the parallel cinema movement, and the rural trilogy of films characterising his early work not only sympathised with the oppressed underclass but also established an influential political precedent for many of the young film-makers emerging from the prestigious Film and Television Institute of India. The chapter looks at the origins and context of New Indian cinema, as well as the definitions of parallel cinema and its importance to the development of art cinema. It also considers Shyam Benegal's authorial status, key ideological strands, and the film's role in helping to politicise cinema in India.

Foreign Language Film Exhibition and Distribution in Australia

1980 ◽  
Vol 15 (1) ◽  
pp. 3-11
Author(s):  
Frank De Chiéra
Keyword(s):  
Foreign Language ◽  
Research Unit ◽  
Film Exhibition ◽  
Film And Television ◽  
The Future

A report on foreign language film exhibition and distribution in Australia was commissioned by the Research Unit of the Australian Film and Television School in late 1979. The report, which includes a directory of over 200 individuals and organizations associated with foreign language film services, will be published by the AFTS as a monograph. Presented here is a comprehensive summary of the report (excluding the directory) which indicates that although the future of ‘ethnic’ film theatres is in doubt, exhibition at alternative venues appears to have increased. Similarly, many more distributors (mainly small) have entered the market.

Do State Corporate Tax Incentives Create Jobs? Quasi-experimental Evidence from the Entertainment Industry

2019 ◽  
Vol 51 (2) ◽  
pp. 92-103 ◽  
Author(s):  
Michael Thom
Keyword(s):  
Employment Growth ◽  
Tax Incentives ◽  
The United States ◽  
Creative Industries ◽  
Corporate Tax ◽  
Policy Makers ◽  
Television Production ◽  
Film And Television ◽  
Incentive Programs ◽  
Quasi Experimental

Policy makers allocate billions of dollars each year to tax incentives that increasingly favor creative industries. This study scrutinizes that approach by examining motion picture incentive programs used in over thirty states to encourage film and television production. It uses a quasi-experimental strategy to determine whether those programs have contributed to employment growth. Results mostly show no statistically significant effects. Results also indicate that domestic employment is unaffected by competing incentives offered outside the United States. These findings are robust to several alternative models and should lead policy makers to question the wisdom of targeted incentives conferred on creative industries.

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