American Negritude

2020 ◽  
pp. 47-74
Author(s):  
Lisa M. Corrigan

This chapter contextualizes Malcolm X’s interventions about black feelings in the contemporary psychological literatures that framed and circulated about blackness to understand how new black psychology informed Malcolm’s emotional and rhetorical repertoire. Then, in excavating Malcolm’s performances of black rage as an easily identifiable feeling and an intended goal of his rhetorical corpus, Corrigan argues that Malcolm’s psychological strategy articulated what she calls “American Negritude.” Marrying black psychology to the work of African and Caribbean intellectuals theorizing postcolonial black subjectivity, Malcolm’s rhetorical skills hinged on his ability to resituate black political and social consciousness around black pride and disidentification from whites. Malcolm’s American Negritude, particularly as it embraced rage, was at odds with the affective orientation and the racial liberalism of the integrationists and created both tension and opportunity for a global blackness. Still, while Malcolm reconceptualized feeling and being black, his enactment of black rage was often confused with hatred, which fueled white opposition to Malcolm and the NOI and fed white fragility in the early 1960s. Malcolm’s critique of black loyalty to white civil religion hinged on his relentless exposure of faulty black identifications, which he saw as a form of modern slavery.

2005 ◽  
Vol 1 (1) ◽  
pp. 9-45 ◽  
Author(s):  
Erin Runions

In her recent book Precarious Life, Judith Butler points out that not more than ten days after 9/11, on 20 September 2001, George W. Bush urged the American people to put aside their grief; she suggests that such a refusal to mourn leads to a kind of national melancholia. Using psychoanalytic theory on melancholia, this article diagnoses causes and effects of such national melancholia. Further, it considers how a refusal to mourn in prophetic and apocalyptic texts and their interpretations operates within mainstream US American politics like the encrypted loss of the melancholic, thus creating the narcissism, guilt, and aggression that sustain the pervasive disavowal of loss in the contemporary moment. This article explore the ways in which the texts of Ezekiel, Micah, Revelation, and their interpreters exhibit the guilt and aggression of melancholia, in describing Israel as an unfaithful and wicked woman whose pain should not be mourned. These melancholic patterns are inherited by both by contemporary apocalyptic discourses and by the discourse of what Robert Bellah calls ‘American civil religion’, in which the US is the new Christian Israel; thus they help to position the public to accept and perpetuate the violence of war, and not to mourn it.


ARISTO ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 205
Author(s):  
Robby Darwis Nasution
Keyword(s):  

 Kesimpulan yang diambil oleh Geovanie ini sangat tidak tepat jika dilihat dari beberapa tokoh civil religion seperti contoh Bellah yang menyatakan bahwa civil religion di Amerika lebih condong kepada kepatuhan masyarakat atau rakyat terhadap pemerintah dan hukum yang berlaku. Kepatuhan ini seolah-oleh telah men-Tuhankan pemerintah tetapi Rousseau memiliki pendapat lain dimana menurut Rousseau, agama sipil lebih kepada agama yang berkembang dimasyarakat meskipun hanya seperti pemujaan terhadap berhala. Melihat dari keseluruhan isi dari buku yang ditulis oleh Geovanie ini maka menarik sekali untuk menyusun resensi dari buku ini. Tujuan lainnya adalah meluruskan kembali konsep dasar dari civil religion menurut pendapat para ahli sehingga para pembaca menjadi runtut dalam memahami konsep ini.


2020 ◽  
Vol 1 (3) ◽  
pp. 120-124
Author(s):  
Latofat Tajibayeva ◽  

This article discusses the importance of Furkat's work in the semantic renewal of classical literature. Furkat's work, which played a special role in the development of enlightenment literature, has a strong place in the history of culture in the second half of the XIX century and the beginning of the XX century. Critical thinking prevailed in the poet's lyrics, which glorified universal ideas. The expression of social consciousness in an objective and truthful way, the stabilization of realistic principles, begins with Furkat's poetry.


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