Jack Jackson, Native Representation, and Underground Comix
Chad A. Barbour analyzes how US Anglo underground comix creator Jack Jackson reconstructs Indigenous identities and experiences in a complex and progressive way. Barbour locates Jackson’s work within the contexts of resistance movements such as Alcatraz and Wounded Knee to show how he interrogates “the parameters of historical recollection and nationalistic mythology in the United States.”
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1997 ◽
Vol 28
(3)
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pp. 257-263
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1975 ◽
Vol 37
(2)
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pp. 641-642
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1995 ◽
Vol 53
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pp. 682-683
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1994 ◽
Vol 52
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pp. 454-455
2001 ◽
Vol 15
(01)
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pp. 53-87
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2009 ◽
1995 ◽
Vol 59
(1)
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pp. 19-57
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1978 ◽
Vol 42
(5)
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pp. 243-245
1985 ◽
Vol 49
(6)
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pp. 386-397
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