scholarly journals Die Geste der Kunst

2021 ◽  
Author(s):  
Luca Viglialoro
Keyword(s):  

Die Geste wurde von der römischen Rhetorik über die Physiognomik bis hin zu den Gesture Studies vordergründig als eine funktionale körperliche Stütze für sprachliche Kommunikation oder als sinnliche Spur geistiger Zustände aufgefasst. Gesten begleiten unsere Diskurse und Gemütslagen und machen diese wahrnehmbar. Über diesen traditionell gültigen Standpunkt hinaus verlagert Luca Viglialoro den Fokus auf den somatisch-medialen Kunstcharakter der Geste, um diese als prozesshafte Technik (ars) für die Modellierung der aísthesis zu konturieren. Dafür werden die komplexen Relationen zwischen Gesten und Kunstreflexionen am Beispiel von medial unterschiedlichen Konfigurationen (von der Schrift und der Zeichnung bis zur Fotografie und Installationskunst) analysiert.

Author(s):  
Maya Hickmann ◽  
Henriette Hendriks ◽  
Marianne Gullberg

Recent research shows that adult speakers of verb- vs. satellite-framed languages (Talmy, 2000) express motion events in language-specific ways in speech (Slobin 1996, 2004) and co-verbal gestures (Duncan 2005; Kita & Özyurek 2003; McNeill 1992). Although such findings suggest cross-linguistic differences in the expression of events, little is still known about their implications for first language acquisition. This paper examines how French and English adults and children (ages four and six) express Path and Manner in speech and gesture when describing voluntary motion presented in animated cartoons. The results show that English adults conflate Manner+Path in speech more often than French adults who frequently talk about Path only. Both groups gesture mainly about Path only, but English adults also conflate Manner+Path into single gestures, whereas French adults never do so. Children in both languages are predominantly adult-like in speech and gesture from age four on, but also display developmental progressions with increasing age. Finally, speech and gestures are predominantly co-expressive in both language groups and at all ages. When modalities differ, English adults typically provide less information in gesture (Path) than in speech (Manner+Path; ‘Manner modulation’ phenomenon), whereas French adults express complementary information in speech (Manner) and gesture (Path). The discussion highlights theoretical implications of such bi-modal analyses for acquisition and gesture studies


Gesture ◽  
2010 ◽  
Vol 10 (2-3) ◽  
pp. 321-343 ◽  
Author(s):  
Susan Gerofsky

This paper reports on a research project in mathematics education involving the use of gesture, movement and vocal sound to highlight mathematically salient features of the graphs of polynomial functions. Empirical observations of students’ spontaneous gesture types when enacting elicited gestures of these graphs reveal a number of useful binaries (proximal/distal, being the graph/seeing the graph, within sight/within reach). These binaries inform an analysis of videotaped gestural and interview data and appear to predict teachers’ assessments of student mathematical engagement and understanding with great accuracy. Reframing this data in terms of C-VPT and O-VPT adds a further layer of sophistication to the analysis and connects it with deeper findings in cognitive and neuroscience and gesture studies.


Gesture ◽  
2017 ◽  
Vol 16 (2) ◽  
pp. 157-175 ◽  
Author(s):  
Adam Kendon

Abstract In the eighteenth century and before, gesture was considered from the point of view of how it should be used in oratory, as a part of the art of engaging in persuasive discourse. This contrasts with the interest pursued in modern gesture studies where, for the most part, the hand movements that people make when they speak have been studied as representations of the substantive or propositional content of the utterance, seen as providing clues about the mental or cognitive processes governing speaking. Speaking is also a form of social action, however, and gestures play an important role in this. An historical perspective on the study of gesture from a pragmatic point of view is provided, followed by a summary of the main features of the pragmatic functioning of gesture.


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