scholarly journals Photographers of the Civil War Era: Frank H. Price of Elizabeth and Newark

2021 ◽  
Vol 7 (2) ◽  
pp. 159-175
Author(s):  
Gary Saretzky ◽  
Joseph Bilby

This article is another about the generation of New Jersey photographers who began their career during the U.S. Civil War, initiated with the consideration of Theodore Gubelman in the Winter 2020 issue of New Jersey Studies. Please see that issue for a general introduction. This essay is a case study about Frank H. Price, who also served in the Union Army, and although, like Gubelman, Price had a successful business over a number of years, he had different personal and professional experiences that broaden our understanding of life in the Garden State in the second half of the nineteenth century. Experiencing many of the same events as his portrait subjects, Price is an exemplar of the ambitious young men who personified what Ralph Waldo Emerson characterized in 1844 as “the Young American,” who engaged in the marketplace of ideas and commerce in “a country of beginnings, of projects, of designs, and expectations.” Although Price did not live to old age, he made his mark among his contemporaries. His story includes typical and exceptional experiences, triumphs and tragedies. Note: You can find additional Frank Price photos here: https://web.ingage.io/Pfs9hng.

2016 ◽  
Vol 50 (6) ◽  
pp. 15-22
Author(s):  
Valentine A. Nzengung ◽  
Ben Redmond

AbstractThis paper describes the recovery, on-site nondestructive mechanical breaching, and chemical neutralization of munitions recovered from an underwater environment. The munitions were recovered during salvaging of the scuttled confederate states ship (CSS) Georgia, as part of the Savannah Harbor Expansion Project (SHEP). The CSS Georgia was scuttled on December 20, 1864. The CSS Georgia wreck site is on the Georgia and South Carolina border and covers an approximate area of 350 × 200 feet at a depth of about 36 feet. Because the CSS Georgia shipwreck site would obstruct the SHEP, the U.S. Army Corps of Engineers (USACE) entered into agreements to salvage some artifacts, including the munitions, for conservation. Due to the historical significance of the artifacts and the munitions among the CSS Georgia wreckage, the USACE required that the munitions be neutralized in the safest and least destructive manner possible. The munitions on board the scuttled CSS Georgia consisted of two types of civil war era projectiles, often described as cannon balls. A total of 185 munitions were removed from the CSS Georgia site in 2015. The majority of the recovered projectiles (170) were mechanically breached, and energetics were safely neutralized using MuniRem, an innovative chemical reduction reagent for explosives. After the black powder was completely flushed and neutralized, fuzes were unscrewed, if it could be done safely; otherwise, the explosive ordnance disposal technicians drilled into the fuzes at an angle. The contents of the fuze were neutralized in a solution of MuniRem before reattachment to the projectile. The neutralized black powder solids and wastewater were disposed as nonhazardous wastes. This project constitutes the largest on-site chemical neutralization of recovered confederate and underwater disposed military munitions from the U.S. civil war era.


2011 ◽  
Vol 49 (2) ◽  
pp. 464-466

Kaivan Munshi of Brown University reviews “Heroes and Cowards: The Social Face of War” by Dora L. Costa and Matthew E. Kahn. The EconLit Abstract of the reviewed work begins “Explores the effect of peers on people's behavior, drawing upon the life histories of white and black Union Army Soldiers from the American Civil War. Discusses loyalty and sacrifice; why the U.S. Civil War; building the armies; heroes and cowards; prisoner-of-war camp survivors; the homecoming of….”


2021 ◽  
Vol 7 (1) ◽  
pp. 209-225
Author(s):  
Gary D. Saretzky

The Civil War greatly increased what later became known as “picture hunger.” To meet the demand, 235 new photo galleries started in New Jersey between 1861 and 1865, among them that of the ambitious German immigrant Theodore Gubelman of Jersey City. Although many of the Civil War era photographers did not make the medium their long-term career, Gubelman took advantage of changing trends and technology to remain in business into the next century.


Author(s):  
Gregory P. Downs

What is a revolution and why should we think of the U.S. Civil War Era as part of a revolutionary wave? The introduction lays out theories of revolutions and revolutionary changes and explores why the United States’ domestic transformation fits categories of a revolution because of its reliance on bloody constitutionalism, as well as its relation to a broader international revolutionary wave connecting Spain and Cuba and Mexico to the United States.


2003 ◽  
Vol 77 (2) ◽  
pp. 207-234 ◽  
Author(s):  
Mark R. Wilson

During the Civil War era, when the U.S. explosives industry was already dominated by a handful of firms, the leading manufacturers of black powder tried repeatedly–with mixed success–to fix prices in commercial and military markets. Their surviving correspondence reveals some of the dynamics of oligopolistic collusion and competition. In commercial markets, price-fixing by leading explosives makers was undermined not only by competition from small powder manufacturers but also by rivalry among their own selling agents. The same agency problems that made price-fixing more difficult, however, may have actually made it easier for manufacturers to sustain the social foundations of cooperation by allowing them to blame the failures of their agreements on forces outside their control. Maintaining cooperative relations over the long run proved useful to manufacturers in wartime military markets, in which price agreements were easier to sustain. But during the Civil War, the leading powder producers found that even successful collusion in the military supply business did not guarantee high profits, because government bureaus could prove to be demanding consumers.


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