scholarly journals Naïve Justice in the Ancient Greek Novel

2016 ◽  
Vol 7 (2) ◽  
pp. 14-30
Author(s):  
Bruce D. MacQueen

This article discusses three trial scenes from three different ancient Greek novels (by Chariton, Achilles Tatius, and Longus), in which naïve justice seems to be deliberately subverted. The titular concept of “naïve justice” is defined here in terms borrowed from Aristotle’s Poetics, where the term “double resolution” is used, disparagingly, of plots in which the good characters are all rewarded and the bad characters all punished. The argument is made that the trial scenes under discussion should raise doubts in the reader’s mind as to which of the parties is truly guilty, and which is truly innocent. This can be seen as a reflection of unexpectedly mature ethical sensibilities on the part of these often-underestimated writers, who seem to have grasped that the “double resolution” may make the reader feel good, but has little to do with the real world.

1988 ◽  
Vol 24 (1) ◽  
pp. 39-46 ◽  

Philosphy is not necessary to religion, and philosophy in the modern West proceeds without much reference to religion. In so far as religion is taken to be a matter of reverence for the traditional gods of place and people, its rites and stories are as resistant to philosophical analysis as are the works of poets and dramatists. Yet insofar as a religion makes claims about the nature of the real world, claims based on some allegedly special mode of access proper to that religion, then it is bound to come under critical scrutiny. The Socratic method of seeking an analysis of meanings and an exposition of modes of knowledge can be readily applied to any religious believers who claim to understand what religious concepts mean and who further claim that they know some of their beliefs to be true. Although Plato has Socrates participate in sacrifices to the gods, he never considers the rites of ancient Greek religion to be worthy of serious philosophical comment. Instead, he invented his own austere, mathematical, cerebral religion, the contemplation of the Good, which provides knowledge of how to live justly in society. Ever since that time, philosophers in the West have tended to invent their own vastly unpopular religions of intellectual supremacy, and to leave the mass of popular religion to superstition and illusion. Theologians, however, conscious of the need to provide some intellecutal basis for their faith, have tended to adopt the philosophical positions of a few, or even of a few hundred, years ago, and baptize them, sometimes very roughly, into the Christian or some other faith.


2021 ◽  
pp. 49-55
Author(s):  
Leonid Yu. Fukson ◽  

The degree of comprehensibility of any art creation depends on its perception as a coherent whole. It is one of the axioms of hermeneutics. Nonetheless, the internal links of a fictional text can be divided into two different types by similarity and by contrast. This fact allows for an analogy that is due to the fiction world being somewhat similar to the real world, i.e., arranged quite in line with the doctrine of the ancient Greek philosopher Empedocles. This philosopher thought the complex unity of the cosmos to be organized by two opposite powers - Love (φιλία) and Feud (νέικος). A modern physicist would call them the forces of attraction and repulsion. The analogs of “love” attraction and “hostile” repulsion are a symbolic representation and a tension of opposite values in a fiction world. When drawing the above analogy, one should take into account the fact that the art world, unlike the real one, has a purely intentional character, that is, all its objects and the connections between them are mediated by the consciousness and value-based intention of the author, the protagonist, and the reader. These opposing powers of “Love” and “Feud” may also be called the integral and differential axes of the value-semantic structure coordinates of the fiction cosmos. It is in these coordinates that the aesthetic event and the comprehensive participation of the reader take place. The paper provides a number of analyses of various works and fragments of fiction to substantiate the above-formulated thesis.


2010 ◽  
Vol 20 (3) ◽  
pp. 100-105 ◽  
Author(s):  
Anne K. Bothe

This article presents some streamlined and intentionally oversimplified ideas about educating future communication disorders professionals to use some of the most basic principles of evidence-based practice. Working from a popular five-step approach, modifications are suggested that may make the ideas more accessible, and therefore more useful, for university faculty, other supervisors, and future professionals in speech-language pathology, audiology, and related fields.


2006 ◽  
Vol 40 (7) ◽  
pp. 47
Author(s):  
LEE SAVIO BEERS
Keyword(s):  

2016 ◽  
Author(s):  
Lawrence A. Cunningham
Keyword(s):  

1996 ◽  
Vol 13 (1) ◽  
pp. 61-72 ◽  
Author(s):  
Sung-Kyoo Huh ◽  
Jong-Dae Jin
Keyword(s):  

2014 ◽  
Vol 222 (2) ◽  
pp. 69-70
Author(s):  
Melody Wiseheart

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