scholarly journals Autocenzura w pierwszych polskich przekładach Gianniego Rodariego

Porównania ◽  
2020 ◽  
Vol 26 ◽  
pp. 256-265
Author(s):  
Aneta Wielgosz
Keyword(s):  
Young People ◽  
German Democratic Republic ◽  
Democratic Republic ◽  
State Control

Jak dowodzi Gaby Thomson-Wohlgemuth w poświęconej tłumaczeniom anglojęzycznej literatury dziecięcej w NRD pracy Translation under State Control: Books for Young People in the German Democratic Republic, książki dla dzieci i młodzieży, uznawane na przykład przez izraelską badaczkę Zohar Shavit za margines polisystemu literackiego (według teorii Itamara Even-Zohara) w sytuacji, w której władza centralna próbuje kontrolować i podporządkowywać sobie obieg wydawniczy, zaczynają zajmować centralne miejsce w polisystemie jako pierwsze narzędzie służące do wychowywania posłusznych obywateli. W takim przypadku niezwykle ważny staje się też wybór obcojęzycznych książek do tłumaczenia oraz kontrolai cenzura gotowych przekładów.W Polsce po 1945 roku najczęściej tłumaczonymi dziełami literatury dziecięcej, poza klasycznymi pozycjami, takimi jak Pinokio Carla Collodiego czy Serce Edmonda de Amicisa, były książki autorów związanych z marksizmem i z Włoską Partią Komunistyczną – Gianniego Rodariego i Marcella Argilliego. Ich powieści dla młodzieży często zawierały treści antymonarchistyczne, antykapitalistyczne czy związane z równością klasową. Cenzorzy, jak wynika z badań przeprowadzonych przez Katarzynę Biernacką-Licznar, nie mieli zastrzeżeń do treści tych przekładów. Chciałabym jednak pokazać na przykładzie tłumaczeń pierwszych dwóch powieści Gianniego Rodariego: Opowieści o Cebulku autorstwa Zofii Ernstowej z 1954 roku i Gelsomina w Krainie Kłamczuchów Hanny Ożogowskiej z 1962 roku stosowane przez tłumaczki zabiegi autocenzury, na przykład omijanie kontrowersyjnych fragmentów tekstu. Tłumaczki, mając świadomość istnienia instytucji cenzora, celowo manipulowały tekstem, aby ułatwić bezproblemowe wydanie tych powieści.

Postawy antysystemowe młodzieży w wybranych państwach socjalistycznych Europy Środkowo-Wschodniej w latach 1945–1956 – zarys problematyki

2020 ◽  
Vol 18 (4) ◽  
pp. 203-219
Author(s):  
Jacek Wołoszyn
Keyword(s):  
Young People ◽  
Eastern Europe ◽  
German Democratic Republic ◽  
Central And Eastern Europe ◽  
Democratic Republic ◽  
Religious Communities ◽  
Active Resistance ◽  
Refusal To Participate

The changes occurring in countries of Central and Eastern Europe after 1945 deprived young people of their subjectivity, divested them of the possibility of legal activities outside the structures controlled by the rulers. Simultaneously, the activities taken by the latter threatened the values which were fundamental for the most of them. Some of young people attempted – more or less – to engage in active resistance, usually determined axiologically. It took, among other things, the form of refusal to participate in official youth organisations while staying in religious communities. Some also publicly expressed their oppositions in the form of participation in street demonstrations. Others joined the anti-communist underground or established their own underground groups. Young people’s anti-system attitudes were discussed on the examples of Belarus, Estonia, Czechoslovakia, Lithuania, Latvia, the German Democratic Republic and Ukraine.

Issues Surrounding the Development of the Neo-Nazi Scene in East Berlin

2000 ◽  
Vol 33 (2) ◽  
pp. 45-50 ◽  
Author(s):  
Eric Brothers
Keyword(s):  
New York ◽  
German Democratic Republic ◽  
Democratic Republic ◽  
Third Reich ◽  
Communist Regime ◽  
The Political ◽  
Social Culture ◽  
East Berlin ◽  
The Third ◽  
The Third Reich

The rise of neo-Nazism in the capital of the former German Democratic Republic (GDR) was not inspired by a desire to recreate Hitler's Reich, but by youthful rebellion against the political and social culture of the GDR's Communist regime. This is detailed in Fuehrer-Ex: Memoirs of a Former Neo-Naxi by Ingo Hasselbach with Tom Reiss (Random House, New York, 1996). This movement, however, eventually worked towards returning Germany to its former 'glory' under the Third Reich under the guidance of 'professional' Nazis.

On the automodel properties of the counter-current regurlarly stacked trickle bed columns

1986 ◽  
Vol 51 (2) ◽  
pp. 295-301 ◽  
Author(s):  
Andrzej Gierczycki ◽  
Vladimír Staněk ◽  
Petr Vychodil ◽  
Vladimír Jiřičný ◽  
Jerzy Pikoń ◽  
...  
Keyword(s):  
German Democratic Republic ◽  
Democratic Republic ◽  
Liquid Velocity ◽  
Empirical Correlations ◽  
Hydrodynamic Behaviour ◽  
Trickle Bed ◽  
Counter Current

An approach utilizing the automodel properties in describing the hydrodynamic behaviour of counter-current columns has been extended to regularly stacked beds. Two new kinds of the packing have been investigated: The so-called K-packing, developed in the German Democratic Republic and the Cellular packing, developed in Poland. The results of experiments have been presented in the form of plots of the normalized liquid hold-up, hp, versus the normalized liquid velocity, Ql, and two empirical correlations. A comparison with previous results with randomly packed counter-current trickle bed columns has also been made.

scholarly journals Music for International Solidarity: Performances of Race and Otherness in the German Democratic Republic

2019 ◽  
Vol 16 (1) ◽  
pp. 123-139
Author(s):  
ELAINE KELLY
Keyword(s):  
South Africa ◽  
German Democratic Republic ◽  
Democratic Republic ◽  
West Germany ◽  
International Solidarity

AbstractCentral to the official identity of the German Democratic Republic (GDR) was the state's positioning of itself as the antifascist and anti-colonial other to West Germany. This claim was supported by the GDR's extensive programme of international solidarity, which was targeted at causes such as the anti-apartheid movement in South Africa. A paradox existed, however, between the vision of a universal proletariat that underpinned the discourse of solidarity and the decidedly more exclusive construct of socialist identity that was fostered in the GDR itself. In this article, I explore some of the processes of othering that were embedded in solidarity narratives by focusing on two quite contrasting musical outputs that were produced in the name of solidarity: the LP Kämpfendes Vietnam, which was released on the Amiga record label in 1967, and the Deutsche Staatsoper's 1973 production of Ernst Hermann Meyer's anti-apartheid opera, Reiter der Nacht.

Sign in / Sign up

Export Citation Format

Share Document