Postawy antysystemowe młodzieży w wybranych państwach socjalistycznych Europy Środkowo-Wschodniej w latach 1945–1956 – zarys problematyki

2020 ◽  
Vol 18 (4) ◽  
pp. 203-219
Author(s):  
Jacek Wołoszyn

The changes occurring in countries of Central and Eastern Europe after 1945 deprived young people of their subjectivity, divested them of the possibility of legal activities outside the structures controlled by the rulers. Simultaneously, the activities taken by the latter threatened the values which were fundamental for the most of them. Some of young people attempted – more or less – to engage in active resistance, usually determined axiologically. It took, among other things, the form of refusal to participate in official youth organisations while staying in religious communities. Some also publicly expressed their oppositions in the form of participation in street demonstrations. Others joined the anti-communist underground or established their own underground groups. Young people’s anti-system attitudes were discussed on the examples of Belarus, Estonia, Czechoslovakia, Lithuania, Latvia, the German Democratic Republic and Ukraine.

Author(s):  
Ron Holloway

COTTBUS FESTIVAL OF EAST EUROPEAN FILMS 2004 No other European festival is better positioned than Cottbus to measure the depth and range of the current film revival in Central and Eastern Europe. Abetted by the smart programming skill of festival director Roland Rust, the 14th Filmfestival Cottbus (2-6 November 2004) - aka the 14th Festival of East European Cinema - was again a must-visit event for critics, cineastes, and directors interested in keeping apace with the hundred or more important productions released annually in filmlands stretching from the former German Democratic Republic to Kazakhstan in Central Asia. This year, with its generous budget of circa 500,000 Euros from Land Brandenburg and the City of Cottbus, the festival staff made absolutely sure that its double competition for features and shorts under separate juries had selected the best entries from a bumper crop of quality productions in a dozen rejuvenated filmlands....


2008 ◽  
Vol 7 (1) ◽  
pp. 44-63
Author(s):  
Sarah Dunlop

This paper will present a few of the results of qualitative, case study research conducted among students in six cities in Central and Eastern Europe. It will describe the use of images in interviews and how this enabled digging beyond cultural, customary religious belief to uncover a search for ultimate meaning and spirituality. A summary of the findings regarding the emerging values of the young people and their descriptions of what is significant to them in life will be related to Savage, Collins-Mayo and Mayo's research conducted in the UK, specifically to their theories of formative and transformative spirituality and the happy midi-narrative. The tension between a young person's actual situation and their dream about their ideal life will be discussed in terms of the research findings regarding the students' use of celebrity images in their living space. The young people's values, as they emerged from the research, will be contrasted with the values and practices of churches in this region, as seen through the young people's perceptions of traditional church and as articulated by local church leaders. The paper will include a short analysis of the current religious situation in former Soviet countries in light of the finding of the research..


1993 ◽  
Vol 45 (2) ◽  
pp. 173-202 ◽  
Author(s):  
Albert O. Hirschman

The revolutionary events of 1989 in Eastern Europe took a special shape in the German Democratic Republic: large-scale flights of citizens to the Federal Republic of Germany combined with increasingly powerful mass demonstrations in the major cities to bring down the communist regime. This conjunction of private emigration and public protest contrasts with the way these distinct responses to discontent had been previously experienced, primarily as alternatives. The forty-year history of the German Democratic Republic thus represents a particularly rich theater of operation for the concepts of “exit” and “voice,” which the author had introduced in his book Exit, Voice, and Loyalty (1970). The events of 1989 are scrutinized in some detail as they trace a more complex pattern of interaction than had been found to prevail in most previous studies.


Porównania ◽  
2020 ◽  
Vol 26 ◽  
pp. 256-265
Author(s):  
Aneta Wielgosz

Jak dowodzi Gaby Thomson-Wohlgemuth w poświęconej tłumaczeniom anglojęzycznej literatury dziecięcej w NRD pracy Translation under State Control: Books for Young People in the German Democratic Republic, książki dla dzieci i młodzieży, uznawane na przykład przez izraelską badaczkę Zohar Shavit za margines polisystemu literackiego (według teorii Itamara Even-Zohara) w sytuacji, w której władza centralna próbuje kontrolować i podporządkowywać sobie obieg wydawniczy, zaczynają zajmować centralne miejsce w polisystemie jako pierwsze narzędzie służące do wychowywania posłusznych obywateli. W takim przypadku niezwykle ważny staje się też wybór obcojęzycznych książek do tłumaczenia oraz kontrolai cenzura gotowych przekładów.W Polsce po 1945 roku najczęściej tłumaczonymi dziełami literatury dziecięcej, poza klasycznymi pozycjami, takimi jak Pinokio Carla Collodiego czy Serce Edmonda de Amicisa, były książki autorów związanych z marksizmem i z Włoską Partią Komunistyczną – Gianniego Rodariego i Marcella Argilliego. Ich powieści dla młodzieży często zawierały treści antymonarchistyczne, antykapitalistyczne czy związane z równością klasową. Cenzorzy, jak wynika z badań przeprowadzonych przez Katarzynę Biernacką-Licznar, nie mieli zastrzeżeń do treści tych przekładów. Chciałabym jednak pokazać na przykładzie tłumaczeń pierwszych dwóch powieści Gianniego Rodariego: Opowieści o Cebulku autorstwa Zofii Ernstowej z 1954 roku i Gelsomina w Krainie Kłamczuchów Hanny Ożogowskiej z 1962 roku stosowane przez tłumaczki zabiegi autocenzury, na przykład omijanie kontrowersyjnych fragmentów tekstu. Tłumaczki, mając świadomość istnienia instytucji cenzora, celowo manipulowały tekstem, aby ułatwić bezproblemowe wydanie tych powieści.


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