Chapter 6. Between Word and Image: Representations of Shi‘ite Rituals in the Safavid Empire from Early Modern European Travel Accounts

2018 ◽  
pp. 129-154
Keyword(s):  
Early Modern ◽  
Word And Image ◽  
Image Representations ◽  
Travel Accounts

scholarly journals The Dido Story in Accounts of Early Modern European Imperialism—An Anthology

Itinerario ◽  
2017 ◽  
Vol 41 (1) ◽  
pp. 129-150
Author(s):  
Andrew Newman
Keyword(s):  
New York ◽  
Sri Lanka ◽  
Early Modern ◽  
Oral Traditions ◽  
Cape Of Good Hope ◽  
Eighteenth And Nineteenth Centuries ◽  
Travel Accounts

This anthology of excerpts from histories and travel accounts composed during the seventeenth, eighteenth, and nineteenth centuries features representations of indigenous oral traditions about the founding of European colonies in Sri Lanka, Melaka, Gujarat, Cambodia, Manila, Jakarta, Taiwan, New York, and the Cape of Good Hope. According to these accounts, the colonists first requested as much land as the hide of an ox could cover, and then cut that hide into strips and claimed all the land they could encircle. The “oxhide measure” is a widely-attested folkloric motif. The introduction, however, questions assumptions about the unreliability of oral traditions and looks to history instead of folklore for an explanation for the colonial parallels. It proposes that Portuguese, Spanish, and Dutch colonists performed the “hide trick” in emulation of the classical story of the Phoenician Queen Dido’s founding of Carthage.

scholarly journals Crusade Propaganda in Word and Image in Early Modern Italy: Niccolò Guidalotto’s Panorama of Constantinople (1662)

2017 ◽  
Vol 39 (3) ◽  
pp. 174-176
Author(s):  
Nirit Ben-Aryeh Debby (book author) ◽  
David R. Lawrence (review author)
Keyword(s):  
Early Modern ◽  
Word And Image ◽  
Early Modern Italy

The “Criminal Tribe” in India before the British

2015 ◽  
Vol 57 (2) ◽  
pp. 323-354 ◽  
Author(s):  
Anastasia Piliavsky
Keyword(s):  
Early Modern ◽  
Social Categories ◽  
Legal Texts ◽  
History Of ◽  
Imperial Politics ◽  
History Of Violence ◽  
Broad Consensus ◽  
Selection Of ◽  
Travel Accounts

AbstractThis paper challenges the broad consensus in current historiography that holds the Indian stereotype of criminal tribe to be a myth of colonial making. Drawing on a selection of precolonial descriptions of robber castes—ancient legal texts and folktales; Jain, Buddhist and Brahmanic narratives; Mughal sources; and Early Modern European travel accounts—I show that the idea of castes of congenital robbers was not a British import, but instead a label of much older vintage on the subcontinent. Enjoying pride of place in the postcolonial critics' pageant of “colonial stereotypes,” the case of criminal tribes is representative and it bears on broader questions about colonial knowledge and its relation to power. The study contributes to the literature that challenges the still widespread tendency to view colonial social categories, and indeed the bulk of colonial knowledge, as the imaginative residue of imperial politics. I argue that while colonialusesof the idea of a criminal tribe comprises a lurid history of violence against communities branded as born criminals in British law, the stereotype itself has indigenous roots. The case is representative and it bears on larger problems of method and analysis in “post-Orientalist” historiography.

Louder Than Words: Broadsheets as Agents in a Multimedial Society

2020 ◽  
Author(s):  
Eva L E Janssens
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Modern Culture ◽  
Word And Image ◽  
Scholarly Attention

Abstract As significant instruments in the dissemination of Protestant ideas, oral, visual and written media affected early modern culture and its mentalities in an unprecedented way. Through word and image, religious oppositions were exacerbated in order to encourage the process of conversion. The role of prints in Protestant propaganda has already received scholarly attention. Yet, too often, a focus on medium-specific characteristics has ignored the interesting facet of interplay with other media. Through a detailed study of several illustrated broadsheets, this contribution analyses how prints of a Protestant stripe related, both in an explicit and in an implicit way, to other modes of communication. The perspective of multi- and intermediality is used as a scientific window on sixteenth-century prints and their reception.

`The bodie and the letters both': `blending' the rules of early modern religion

2008 ◽  
Vol 17 (3) ◽  
pp. 187-203 ◽  
Author(s):  
Patricia Canning
Keyword(s):  
Early Modern ◽  
Conceptual Integration ◽  
Early Modern Catholicism ◽  
Word And Image ◽  
The Reformation ◽  
Modern Context ◽  
Formal Integration ◽  
Emergent Structure ◽  
Poetic Texts

The role of conceptual integration or blending has featured significantly in analyses of contemporary texts. To date, no-one to my knowledge has applied this theory in an early modern context. In the sixteenth century, a historical juncture rich in innovative forms of textual expression, the Reformation generated cognitive and ideological discordances between conceptions of the spiritual and the material, or more specifically, between word and image. These tensions were made manifest in physical acts of iconoclasm by Reformers in response to the `idolatry' of early modern Catholicism. Many poetic texts of the period attempted to validate and perpetuate the Reformed position, denouncing carnal representations of divinity, focusing instead on the spiritual incarnation of Christ as the `Word'. Taking one such text, Herbert's poem `JESU', as the focus of my analysis, I trace the path of a blend through to its emergent structure. I will argue that while the blend coheres conceptually in that it appears to make `plausible' the Reformed worldview, the reality is that it generates an ideological implausibility. As such, this article aims to demonstrate the greater efficacy and scope of blending than would otherwise be available through strictly metaphorical analyses. I will focus specifically on the correspondence between conceptual and formal integration of expression and meaning. My analysis leads to insights that more impressionistic, literary analyses of the period have not addressed, and that stylistic analyses have only briefly outlined, in that I will consider the material effects of this cognitive linguistic phenomenon in the significantly literary theological context of early modern England.

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