3 New Realism(s)

2021 ◽  
pp. 119-218
Keyword(s):  
New Realism

Major powers and geopolitical transformations in the Middle East: competing visions for managing international and regional balances

2019 ◽  
pp. 301
Author(s):  
Marwan Awni Kamil
Keyword(s):  
Middle East ◽  
International Relations ◽  
International System ◽  
Great Powers ◽  
New Realism ◽  
Major Powers

This study attempts to give a description and analysis derived from the new realism school in the international relations of the visions of the great powers of the geopolitical changes witnessed in the Middle East after 2011 and the corresponding effects at the level of the international system. It also examines the alliances of the major powers in the region and its policies, with a fixed and variable statement to produce a reading that is based on a certain degree of comprehensiveness and objectivity.

A. Rudalyov. 4 shots (A. Zhuchkova)

2019 ◽  
pp. 272-277
Author(s):  
Anna V. Zhuchkova
Keyword(s):  
Russian Literature ◽  
Theoretical Research ◽  
New Realism ◽  
The Press ◽  
The Subject

The review considers A. Rudalyov’s book 4 Shots [ 4 vystrela ], devoted to the ‘new realism’, a trend in 2000s Russian literature, and more specifically, works of four ‘new realists’: Z. Prilepin, R. Senchin, S. Shargunov, and G. Sadulaev. The reviewer criticizes the author for an incomplete and biased presentation of ‘new realism’, which had been a focus of intense discussions among literary critics and scholars for over a decade. The same flaw blights the descriptions of the four chapters’ respective protagonists: Prilepin, Senchin, Shargunov, and Sadulaev. Rudalyov ended up writing a panegyric, albeit with very sparse language, mainly by repetition of flattering epithets from the press. He failed, however, to address the discussion of the ‘new realism’ by critics or supply a review of literary theoretical research on the subject. Therefore, the reviewer finds the book lacking in any historical-literary and philological value.

Comparison of Real and Synthetic Network Models of the Western United States with Respect to New Realism Measures

2021 ◽  
Author(s):  
Sogol Babaeinejadsarookolaee ◽  
Jonathan Snodgrass ◽  
Sowmya Acharya ◽  
Scott Greene ◽  
Bernard Lesieutre ◽  
...  
Keyword(s):  
United States ◽  
Network Models ◽  
Western United States ◽  
Synthetic Network ◽  
New Realism

The return of metaphysics as a subject matter of historical ontology: analytical review (ending)

2021 ◽  
Vol 4 (2) ◽  
pp. 180-197
Author(s):  
Olga Stoliarova
Keyword(s):  
Subject Matter ◽  
Transcendental Argument ◽  
Empirical Knowledge ◽  
Theoretical Justification ◽  
Historical Ontology ◽  
New Realism ◽  
Role Meaning ◽  
Analytical Review ◽  
Cognitive Experience ◽  
Scientific Ontology

The second part of the article continues the analytical and historiographical overview of the problems that are substantively related to the question of the role, meaning and historical fate of metaphysics. The author focuses on the phenomenon of the return of metaphysics to the philosophy of our time. The author traces the gradual rehabilitation of metaphysical problems in post-positivist studies of sci-ence. An attempt is made to differentiate these studies from the viewpoint of the opposition between internalism and externalism. The author shows the limits of this differentia-tion and highlights the mixed type of re-search, which focuses on the interaction of “external” and “internal” determinants of knowledge. It is shown that the postpositivist idea of the background knowledge extends not only to scientific (empirical) knowledge, but also to its philosophical (theoretical) justification, which is recognized by many re-searchers as historically and culturally conditioned. This opens up the possibility of a historical critique of the ontological presuppositions of the epistemological (transcendental) justification of science. Such presuppositions are considered in relation to the dis-course of negative ontology, which prohibits the cognitive experience of transcendent be-ing. The author shows that the criticism of these assumptions is carried out in the form of a regressive transcendental argument, which, comparing them with a new, philo-sophically revised scientific ontology, reveals their historically limited character. Thus, the regressive transcendental argument allows us to go beyond the negative ontology of the transcendental justification of science. This leads to the replacement of historical epistemology, whose subject matter is limited to knowledge and its historically mobile structures, with historical ontology, which returns to the description and explanation of reality. The author considers the concepts of new re-alism in the context of historical ontology and traces the connection of the new realism with the post-metaphysical and metametaphysical discourses.

and the Tradition of 1960's New Realism: Between Theatre and Art

2010 ◽  
Vol 22 (1) ◽  
pp. 423-433
Author(s):  
Dror Harari
Keyword(s):  
Art World ◽  
New Realism ◽  
Centre Of Gravity ◽  
Plastic Arts ◽  
The 1960S

While Beckett's minimalism seems to draw his theatre further into its centre of gravity, it also pushes it in a counter move to its medial boundaries. This article examines Beckett's most compact piece, (1969), in the context of the major changes in the art world of the 1960s – particularly, the emergence of “new realist” sensibility in France – and suggests its consideration as a manifestation of “new theatre,” which blurs the line between theatre and the plastic arts.

scholarly journals II.—THE NEW REALISM AND THE OLD IDEALISM1

Mind ◽  
1906 ◽  
Vol XV (59) ◽  
pp. 308-328
Author(s):  
J. S. MACKENZIE
Keyword(s):  
New Realism
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