6 Afterword: the post-digital archive

Keyword(s):  
2008 ◽  
Vol 26 (2) ◽  
pp. 244-257 ◽  
Author(s):  
SARAH WHATLEY

In 2006, an Arts and Humanities Research Council (AHRC) grant was awarded to researchers at Coventry University to create a digital archive of the work of Siobhan Davies Dance. The award is significant in acknowledging the limited resources readily available to dance scholars as well as to dance audiences in general. The archive, Siobhan Davies Dance Online, 1 will be the first digital dance archive in the UK. Mid-way through the project, Sarah Whatley, who is leading the project, reflects on some of the challenges in bringing together the collection, the range of materials that is going to be available within the archive and what benefits the archive should bring to the research community, the company itself and to dance in general.


Author(s):  
Ivan D. Kotlyarov

For the purpose of improving the training of highly qualified specialists the author suggests to create the inner university digital archives of translations of texts on a speciality (from within the exam candidate minimum foreign language) and reports on the history and philosophy of science.


2020 ◽  
pp. 101-120
Author(s):  
Mildred Castillo Cadenas

Este artículo analiza dos momentos en la novela De Ánima (1984) de Juan García Ponce, en los cuales se utiliza el recurso de la ecfrasis y el apropiacionismo. Me aproximaré a estas estrategias con el objetivo de observar su funcionamiento en la estructura narrativa, además del efecto de sentido que producen en una lectura que los considere. También pretendo detallar algunas cuestiones de la relación pintura-escritura para observar el tratamiento intermedial establecido por el autor. El primer momento revisa la relación de una obra del pintor Lucas Cranach el Viejo y el procedimiento narrativo utilizado por García Ponce para articular a Paloma, protagonista femenina. El segundo momento contempla el análisis de dos ecfrasis, cuyo origen es Le Déjeuner sur l'Herbe de Édouard Manet, desde dos perspectivas de la misma representación visual. Asimismo, prestaré atención al tratamiento apropiacionista y su efecto de sentido derivado. El artículo se apoya en la noción de ecfrasis de Luz Aurora Pimentel, Irene Artigas y James Heffernan; la estructura abismada de Helena Beristáin; el apropiacionismo de Juan Martín Prada; y el concepto ánima-animus de Carl Jung. Para las imágenes se hace referencia al Cranach Digital Archive.


Societies ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 2
Author(s):  
Arita Balaram

This study used participatory oral history and digital archiving to explore two interrelated questions: How do Indo-Caribbean women and gender-expansive people across generations experience processes of storytelling? What are the challenges and possibilities of oral history and digital archiving for constructing alternative histories and genealogies of resistance? In the first phase of the study, twelve Indo-Caribbean women and gender-expansive people across generations participated in an oral history workshop where they were introduced to oral history methods, co-created an interview guide, conducted oral history interviews of one another, and engaged in collective reflection about processes of storytelling. In the second phase, four co-authors of a community-owned digital archive participated in semi-structured interviews about their work to craft new narratives of diasporic resistance rooted in the everyday stories of Indo-Caribbean women and gender-expansive people. In this paper, I analyze how Indo-Caribbean women and gender-expansive people practice resistance by breaking silences in their communities around gender-based oppression, shift norms through producing analyses of their own stories, and reshape community narratives. Furthermore, I explore how oral history participants and co-authors of a digital archive understand the risks associated with sharing stories, raising the ethical dilemmas associated with conceptualizing storytelling as purely liberatory.


Histories ◽  
2021 ◽  
Vol 1 (3) ◽  
pp. 100-107
Author(s):  
Lila Caimari

This article summarizes observations on the “archive question” as it manifests itself in Argentina at the present moment. Based on a presentation delivered in Buenos Aires, it opens with a general appraisal of the multiple dynamics (political, disciplinary, technological) converging on this issue. Then, it focuses on a particular dimension of this process—namely, the impact of the digital archive on the reconstruction of the Argentine past.


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