Logic in the Service of Ancient Eastern Christianity: An Exploration of Motives

2015 ◽  
Vol 97 (1) ◽  
pp. 1-33
Author(s):  
Daniel King

Abstract:The present article explores the motives behind the so-called ‘appropriation’ of Aristotelian logic by the Syriac-speaking community in the Near East from the sixth to the ninth centuries. While it is often assumed that the Syrians adopted Greek logic for religious, and polemical, ends, we aim to show rather that the underlying reasons given for the study of logic and its propagation through educational institutions were much the same among Syriac as they were for Greek practitioners of philosophy in Late Antiquity. There was a marked continuity between the late ancient Greek centres of learning and the Syriac monasteries. Syriac theologians rarely, if ever, sought to use Aristotle as a crutch in sectarian religious debates. There are implications for our understanding of how and why the Arabic renaissance in logic came about.

2019 ◽  
Vol 3 (1-2) ◽  
pp. 183-194
Author(s):  
Edmund Kee-Fook Chia

The phenomenon of religious pluralism is a fact that needs no further discussion. How society and institutions are negotiating its impact, however, certainly needs further scrutiny. Schreiter's call for the construction of local theologies invites us to explore how the preaching of the Gospel has to adapt to the realities of new situations. The present article focuses on Catholic educational institutions and how they are dealing with the multi-cultural and multi-religious communities that are now found not only outside of the schools and universities but also within them as well. Its concern is with how the identity and mission of these Catholic institutions are expressed and measured in the new contexts, taking seriously the teachings of the Church on the role they play in its evangelizing mission.


2010 ◽  
Vol 1 (3) ◽  
pp. 336-361 ◽  
Author(s):  
Ophir Münz-Manor

The article presents a contemporary view of the study of piyyut, demonstrating that Jewish poetry of late antiquity (in Hebrew and Aramaic) was closely related to Christian liturgical poetry (both Syriac and Greek) and Samaritan liturgy. These relations were expressed primarily by common poetic and prosodic characteristics, derived on the one hand from ancient Semitic poetry (mainly biblical poetry), and on the other from innovations of the period. The significant connections of content between the different genres of poetry reveal the importance of comparative study. Thus the poetry composed in late antiquity provides additional evidence for the lively cultural dialogue that took place at that time.


2020 ◽  
pp. 85-104
Author(s):  
Борис Тимофеев

Современная научная богословская мысль склонна к унификации терминов и явлений в сфере своих компетенций. Эта тенденция в современных исследованиях в некоторых случаях распространяется и на древние христианские памятники. Так, например, слово θεωρία многие учёные определяют как мистический метод духовного толкования Священного Писания. Это определение нередко применяется в качестве универсального технического определения при анализе экзегетических произведений древних авторов. При этом игнорируется узус самих экзегетов, которые употребляют это слово в иных значениях. В рамках данной статьи предпринимается попытка выявить и показать основные значения слова θεωρία в древней греческой экзегетической литературе. The article deals with the theology, composition and literary form of the narrations which constitute the prologue part of the book of Genesis (1, 1-11, 26). During the second half of the 19th and at the turn of the 20th cent., following the emergence of the Documentary hypothesis as well as the comparison of the Holy Scripture with the newly-discovered literary monuments of Ancient Near East, the greater part of the narrations that constitute the Prologue were labeled myths and ancient Hebrew folklore (J. Wellhausen, H. Gunkel, J. Frazer). In addition to the then detected Near Eastern parallels, this new attitude towards the narrations of the Prologue was fostered by its lack of a clearly expressed historical dedication and the symbolic form of their exposition. Defending the traditional view of the Prologue as sacred history and prophetic revelation, bishop Kassian (Bezobrazov) proposed to consider all the biblical narrations that contain theophanies as metahistorical. Archpriest Sergey Bulgakov, A. F. Losev and B. P. Vysheslavtsev, who analyzed the phenomenon of myth-making, called the Biblical narration of the origins of the world a myth, but in a sense different from that proposed by Gunkel and Frazer. They have founded a new and positive conception according to which a myth is not fi but rather a kind of reality based upon mystical experience. The author of the article analyzes each of the terms enumerated - «history», «myth», «metahistory» - in their use relating them to the Prologue; he also examines the possibility of their harmonizing with the traditional ecclesiastical view of this part of the book of Genesis.


Author(s):  
Derek Attridge

The question this book addresses is whether, in addition to its other roles, poetry—or a cultural practice we now call poetry—has, across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson’s Works and the death of Shakespeare in 1616, continuously afforded the pleasurable experience we identify with the crafting of language into memorable and moving rhythmic forms. Parts I and II examine the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. Part III deals with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the importance of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. Part IV explores the achievements of the English Renaissance, from the manuscript verse of Henry VIII’s court to the anthologies and collections of the late Elizabethan period. Among the topics considered in this part are the advent of print, the experience of the solitary reader, the continuing significance of manuscript circulation, the presence of poet figures in pageants and progresses, and the appearance of poets on the Elizabethan stage. Tracking both continuity and change, the book offers a history of what, over these twenty-five centuries, it has meant to enjoy a poem.


2018 ◽  
Vol 16 (1) ◽  
pp. 78-96
Author(s):  
Ohad Abudraham

Abstract The present article presents four new linguistic features that link Early-Mandaic and Neo-Mandaic: 1. Diphthongisation and fortition of long vowels ū/ī (ࡈࡁࡅࡊࡕࡀ ṭbukta instead of ࡈࡀࡁࡅࡕࡀ ṭabuta “grace”, ࡀࡓࡁࡉࡊࡕࡉࡍࡊࡉࡀ arbiktinkia instead of ࡀࡓࡁࡉࡕࡉࡍࡊࡉࡀ arbitinkia “four of you [f.pl.]”); 2. Apheresis of y in the gentilic noun ‮יהודיא‬‎ (ࡄࡅࡃࡀࡉࡉࡀ hudaiia “Jews”); 3. Assimilation of z in the root ʾzl (ࡕࡏࡋࡅࡍ tʿlun “you [m.pl.] will go”); and 4. Internal analogy in the system of cardinal numbers (ࡕࡀࡓࡕࡀ tarta “two”). The presence of these forms in the two extreme phases of the language as opposed to their almost total absence in the canonical collections of Mandaic scriptures prove not only the ancient origin of some Neo-Mandaic peculiarities but also the wide range of varieties of Mandaic that flourished in Mesopotamia in Late Antiquity.


2014 ◽  
Vol 64 (1) ◽  
pp. 91-120 ◽  
Author(s):  
Simon Hornblower

The subject of this paper is a striking and unavoidable feature of theAlexandra: Lykophron's habit of referring to single gods not by their usual names, but by multiple lists of epithets piled up in asyndeton. This phenomenon first occurs early in the 1474-line poem, and this occurrence will serve as an illustration. At 152–3, Demeter has five descriptors in a row: Ἐνναία ποτὲ | Ἕρκυνν' Ἐρινὺς Θουρία Ξιφηφόρος, ‘Ennaian … Herkynna, Erinys, Thouria, Sword-bearing’. In the footnote I give the probable explanations of these epithets. Although in this sample the explanations to most of the epithets are not to be found in inscriptions, my main aim in what follows will be to emphasize the relevance of epigraphy to the unravelling of some of the famous obscurity of Lykophron. In this paper, I ask why the poet accumulates divine epithets in this special way. I also ask whether the information provided by the ancient scholiasts, about the local origin of the epithets, is of good quality and of value to the historian of religion. This will mean checking some of that information against the evidence of inscriptions, beginning with Linear B. It will be argued that it stands up very well to such a check. TheAlexandrahas enjoyed remarkable recent vogue, but this attention has come mainly from the literary side. Historians, in particular historians of religion, and students of myths relating to colonial identity, have been much less ready to exploit the intricate detail of the poem, although it has so much to offer in these respects. The present article is, then, intended primarily as a contribution to the elucidation of a difficult literary text, and to the history of ancient Greek religion. Despite the article's main title, there will, as the subtitle is intended to make clear, be no attempt to gather and assess all the many passages in Lykophron to which inscriptions are relevant. There will, for example, be no discussion of 1141–74 and the early Hellenistic ‘Lokrian Maidens inscription’ (IG9.12706); or of the light thrown on 599 by the inscribed potsherds carrying dedications to Diomedes, recently found on the tiny island of Palagruza in the Adriatic, and beginning as early as the fifth centuryb.c.(SEG48.692bis–694); or of 733–4 and their relation to the fifth-centuryb.c.Athenian decree (n. 127) mentioning Diotimos, the general who founded a torch race at Naples, according to Lykophron; or of 570–85 and the epigraphically attested Archegesion or cult building of Anios on Delos, which shows that this strange founder king with three magical daughters was a figure of historical cult as well as of myth.


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