A Golden Age for Creativity Research: Interview with Dean Keith Simonton

2019 ◽  
Vol 6 (1) ◽  
pp. 140-146 ◽  
Author(s):  
Dean Keith Simonton ◽  
Izabela Lebuda
Keyword(s):  
Research Methods ◽  
Golden Age ◽  
Scientific Work ◽  
Research Interest ◽  
Creativity Research ◽  
The Future ◽  
Research Interview

AbstractIn the interview with Dean Keith Simonton, one of most prolific creativity researchers, we discuss his career, main areas of research interest, chosen research methods and share his thoughts about the future of research on creativity and effectiveness in scientific work.

scholarly journals How Groups Generate Creative Ideas? Interview with Roni Reiter-Palmon

2021 ◽  
Vol 8 (2) ◽  
pp. 103-110
Author(s):  
Roni Reiter-Palmon ◽  
Izabela Lebuda
Keyword(s):  
Research Methods ◽  
Scientific Work ◽  
Research Interest ◽  
The Future

Abstract In the interview with Roni Reiter-Palmon, one of most prolific creativity researchers, we discuss her career, main areas of research interest, chosen research methods and share her thoughts about the future of research on creativity and effectiveness in scientific work.

scholarly journals Our Most Important Creative Task: Interview with Mark Runco

2020 ◽  
Vol 7 (2) ◽  
pp. 431-440
Author(s):  
Mark A. Runco ◽  
Izabela Lebuda
Keyword(s):  
Research Methods ◽  
Scientific Work ◽  
Research Interest ◽  
Creative Task ◽  
The Future

Abstract In the interview with Mark Runco, one of most prolific creativity researchers, we discuss his career, main areas of research interest, chosen research methods and share his thoughts about the future of research on creativity and effectiveness in scientific work.

Creativity Tempered by Wisdom: Interview with Robert J. Sternberg

2019 ◽  
Vol 6 (2) ◽  
pp. 274-280
Author(s):  
Robert J. Sternberg ◽  
Izabela Lebuda
Keyword(s):  
Research Methods ◽  
Scientific Work ◽  
Research Interest ◽  
The Future

AbstractIn the interview with Robert J. Sternberg, one of most prolific creativity researchers, we discuss his career, main areas of research interest, chosen research methods and share his thoughts about the future of research on creativity and effectiveness in scientific work.

Epilogue

2018 ◽  
Author(s):  
Jason Phillips
Keyword(s):  
Twentieth Century ◽  
Civil War ◽  
Golden Age ◽  
American Culture ◽  
Postwar Period ◽  
The Public ◽  
Antebellum Era ◽  
Narrative Device ◽  
The Future

This conclusion explains how American temporalities changed after the war and sketches how expectations and anticipations of the future have alternated as the dominant view in American culture through the twentieth century to today. This chapter also shows how the short war myth, the story that Civil War Americans expected a short, glorious war at the outset, gained currency with the public and consensus among scholars during the postwar period. It contrasts the wartime expectations of individuals with their postwar memories of the war’s beginning to show how the short war myth worked as a tool for sectional reconciliation and a narrative device that dramatized the war by creating an innocent antebellum era or golden age before the cataclysm. It considers why historians still accept the myth and showcases three postwar voices that challenged it.

A Brief Statement on the Future of Public Scholarship and the Research Methods Landscape

2019 ◽  
pp. 700-707
Author(s):  
Patricia Leavy
Keyword(s):  
Research Methods ◽  
Teaching Practices ◽  
Knowledge Building ◽  
Research Community ◽  
The State ◽  
Public Scholarship ◽  
Institutional Structures ◽  
The Future ◽  
Book Editor

The book editor offers some final comments about the state of the field and promise for the future. Leavy suggests researchers consider using the language of “shapes” to talk about the forms their research takes and to highlight the ongoing role of the research community in shaping knowledge-building practices. She reviews the challenges and rewards of taking your work public. Leavy concludes by noting that institutional structures need to evolve their rewards criteria in order to meet the demands of practicing contemporary research and suggests that professors update their teaching practices to bring the audiences of research into the forefront of discussions of methodology.

Lebanon

2018 ◽  
Author(s):  
Franck Salameh
Keyword(s):  
Golden Age ◽  
First Century ◽  
Classical Antiquity ◽  
Modern History ◽  
The Future ◽  
Lebanese Literature

This chapter features Lebanese authors spanning the period of the “pioneers” of modern Lebanese literature. Kahlil Gibran (1883–1931), Nadia Tuéni (1935–83), Charles Corm (1894–1963), and Anis Freyha (1903–93), whose works spanned the first century of Lebanon's modern history, wrote tirelessly, extolling the glory of ancient Lebanon, recalling the “golden age” of its Phoenician ancestors and the era spanning “classical antiquity,” expressing both hope and concern for the future of a nascent political entity gushing out of a region torn by conflict, irredentism, and resentful nationalisms. Their works reflect elements and profiles of Lebanese life, Lebanese history, and Lebanese landscapes unfolding with both precision and symbolism.

scholarly journals PEMERIKSAAN SAKSI DALAM PERKARA PIDANA BERDASARKAN IUS CONTITUM INDONESIA

2021 ◽  
Vol 3 (01) ◽  
pp. 45-58
Author(s):  
Toni Parlindungan S
Keyword(s):  
Research Methods ◽  
Scientific Work ◽  
Criminal Cases ◽  
Legal Research ◽  
Main Ideas

Proses pemeriksaan saksi dimulai dari penyidikan sampai pada tingkat penuntutan di pengadilan. Di tingkat penyidikan maka terlebih dahulu saksi diperiksa oleh penyidik dengan memperhatikan perlindungan terhadap saksi yaitu tanpa ancaman atau tekanan.dari pihak manapun. Kemudian saksi dapat diperiksa di tempat kediaman saksi dan saksi diperiksa tanpa disumpah. Sedangkan pada tingkat penuntutan atau pesidangan maka terlebih dahulu saksi dipanggil untuk didengar keterangannya. Penelitian ini bertujuan untuk memenuhi kebutuhan terhadap objek penulisan atau suatu karya ilmiah guna mendapatkan data-data, pokok-pokok pikiran, serta pendapat lainnya dari pakar atau media apapun, yaitu terkait pemeriksaan saksi dalam perkara pidana berdasarkan ius contitum indonesia. Dalam penelitian ini penulis menggunakan metode penelitian hukum normative.   Abstract The process of examining witnesses starts from the investigation to the level of prosecution in court. At the level of investigation, the investigator first examines witnesses by paying attention to the protection of witnesses, namely without threats or pressure from any party. Then the witness can be examined at the witness' residence and the witness can be examined without being sworn in. Meanwhile, at the level of prosecution or trial, witnesses are first called to be heard. This study aims to meet the need for the object of writing or a scientific work in order to obtain data, main ideas, and other opinions from experts or any media, which is related to the examination of witnesses in criminal cases based on ius contitum indonesia. This research the authors use normative legal research methods

scholarly journals Towards a Poetics of Strangeness: Experiments in Classifying Language of Technological Novelty

2018 ◽  
Author(s):  
Michael Simeone ◽  
Advaith Gundavajhala Venkata Koundinya ◽  
Anandh Ravi Kumar ◽  
Ed Finn
Keyword(s):  
World War Ii ◽  
Science Fiction ◽  
Virtual Worlds ◽  
Golden Age ◽  
Margaret Atwood ◽  
Special Relationship ◽  
William Gibson ◽  
World War ◽  
The Future ◽  
Bruce Sterling

The trajectory of science fiction since World War II has been defined by its relationship with technoscientific imaginaries. In the Golden Age of the 1930s and 1940s, writers like Isaac Asimov and Robert Heinlein dreamed of the robots and rocket ships that would preoccupy thousands of engineers a few decades later. In 1980s cyberpunk, Vernor Vinge, William Gibson, and Bruce Sterling imagined virtual worlds that informed generations of technology entrepreneurs. When Margaret Atwood was asked what draws her to dystopian visions of the future, she responded, "I read the newspaper." This is not just a reiteration of the truism that science fiction is always about the present as well as the future. In fact, we will argue, science fiction is a genre defined by its special relationship with what we might term "scientific reality," or the set of paradigms, aspirations, and discourses associated with technoscientific research.

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