Das Lesen der Schundkämpfer

2019 ◽  
Vol 44 (1) ◽  
pp. 39-65
Author(s):  
Raphael Rössel
Keyword(s):  
Popular Culture ◽  
Popular Literature ◽  
Urban Setting ◽  
City Life ◽  
The Public ◽  
Imperial Germany ◽  
Hands On ◽  
Dime Novel ◽  
Nick Carter

Abstract In contrast to former research, this paper argues that moral crusaders strategically focused on the plot level of (historical) popular literature. This article asserts that text and reception need to be combined when analysing moral panicking about textual popular culture. This approach is presented by contextualising the public denigration of two distinct narrative elements of the imported dime novel series Nick Carter in Imperial Germany, namely its urban setting and its hands-on detective hero, with changes in the perception of city life and in criminological epistemology. Departing from this example, this contribution reflects on the general benefits of such an approach for reception-oriented criticism.

scholarly journals Beyond the Vampire: Revamping Thai Monsters for the Urban Age

2017 ◽  
Vol 16 (1) ◽  
Author(s):  
Katarzyna Ancuta
Keyword(s):  
Popular Culture ◽  
First Century ◽  
Urban Setting ◽  
Beliefs And Practices ◽  
City Life ◽  
Sexually Aggressive ◽  
Film And Television ◽  
Dominant Discourses ◽  
Twenty First Century ◽  
The City

This article revisits two of the most iconic Thai monstrosities, <em>phi pop</em> and <em>phi krasue</em>, whose changing representation owes equally as much to local folklore, as to their ongoing reinterpretations in  popular culture texts, particularly in film and television. The paper discusses two such considerations, Paul Spurrier’s <em>P</em> (2005) and Yuthlert Sippapak’s <em>Krasue Valentine</em> (2006), films that reject the long-standing notion that animistic creatures belong in the  countryside and portray <em>phi pop</em> and <em>phi krasue</em>’s adaptation to city life. Though commonplace, animistic beliefs and practices have been deemed incompatible with the dominant discourses of  modernization and urbanization that characterise twenty-first century Thailand. Creatures like <em>phi pop</em> and <em>phi krasue</em> have been branded as uncivilised superstition and ridiculed through their unflattering portrayals in oddball comedies. This article argues that by inviting these monsters to relocate to contemporary Bangkok, Spurrier and Sippapak redefine their attributes for the modern urban setting and create hybrids by blending local beliefs and cinematic conventions. The creatures’ predatory character is additionally augmented by the portrayal of the city as itself  vampiric. The article therefore reads these predatory spirits in parallel with the metaphor of the female vampire – a sexually  aggressive voracious creature that threatens male patriarchal order and redefines motherhood.

Public Service Motivation in Buffy the Vampire Slayer

Public Voices ◽  
2016 ◽  
Vol 12 (1) ◽  
pp. 67 ◽  
Author(s):  
Sharon Mastracci
Keyword(s):  
Popular Culture ◽  
Public Service ◽  
Public Service Motivation ◽  
Public Servants ◽  
Buffy The Vampire Slayer ◽  
The Public ◽  
American Popular Culture ◽  
Public Servant ◽  
Definition Of ◽  
The Individual

In this paper, the author examines public service as depicted in the television series Buffy the Vampire Slayer (BtVS). First, she shows how slaying meets the economist’s definition of a public good, using the BtVS episode “Flooded” (6.04). Second, she discusses public service motivation (PSM) to determine whether or not Buffy, a public servant, operates from a public service ethic. Relying on established measures and evidence from shooting scripts and episode transcripts, the author concludes Buffy is a public servant motivated by a public service ethic. In this way, BtVS informs scholarship on public service by broadening the concept of PSM beyond the public sector; prompting one to wonder whether it is located in a sector, an occupation, or in the individual. These conclusions allow the author to situate Buffy alongside other idealized public servants in American popular culture.

Are They Ready for Their Close-Up? Civil Servants and Their Portrayal in Contemporary American Cinema

Public Voices ◽  
2016 ◽  
Vol 11 (1) ◽  
pp. 8 ◽  
Author(s):  
Michelle C. Pautz ◽  
Laura Roselle
Keyword(s):  
Popular Culture ◽  
Public Administration ◽  
Civil Servants ◽  
Case Study Approach ◽  
The Public ◽  
Study Approach ◽  
American Cinema ◽  
Box Office ◽  
Narrative Forms

Perceptions of government and civil servants are shaped by a variety of factors including popular culture. In the public administration literature the significant role that film and other narrative forms have on citizens’ perceptions is duly noted, and there is ample research on politicians and military heroes in film, but a focus on civil servants remains largely elusive. Among the sparse literature centered on civil servants are studies that employ a case study approach or focus on a few films. In contrast, our research employs a large sample of 150 films. These films comprise the top ten box-office grossing films from 1992 through 2006; therefore we examine the films most likely to have been seen by a majority of movie-watching Americans. More than 60 percent of the films in our sample portray government as bad, inefficient, and incompetent. However, the data on more than 300 civil servants yield intriguing findings. Surprising, in light of the negative depiction of government, is the positive depiction of individual civil servants. Half of civil servants were positively portrayed, and only 40 percent were negatively depicted. Americans may view government negatively, but they see in film positive depictions of how individual civil servants can and do make a positive difference.

HANDS-ON GEODESY: ENGAGING THE PUBLIC AND FOSTERING INTERN PROFESSIONAL DEVELOPMENT

2017 ◽  
Author(s):  
Daniel W. Zietlow ◽  
◽  
Beth Bartel ◽  
Shelley E. Olds
Keyword(s):  
Professional Development ◽  
The Public ◽  
Hands On

Epilogue

2018 ◽  
Author(s):  
Cassandra L. Yacovazzi
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
Civil War ◽  
Popular Media ◽  
The Public ◽  
Monastic Life ◽  
The Common ◽  
Public Imagination ◽  
Maria Monk ◽  
People Today

Nuns in popular media today are a staple of kitsch culture, evident in the common appearance of bobble-head nuns, nun costumes, and nun caricatures on TV, movies, and the stage. Nun stereotypes include the sexy vixen, the naïve innocent, and the scary nun. These types were forged in nineteenth-century convent narratives. While people today may not recognize the name “Maria Monk,” her legacy lives on in the public imagination. There may be no demands to search convents, but nuns and monastic life are nevertheless generally not taken seriously. This epilogue traces opposition to nuns from the Civil War to the present, analyzing the various images of nuns in popular culture as they relate to the antebellum campaign against convents. It argues that the source of the misunderstanding about nuns is rooted in the inability to categorize these women either as traditional wives and mothers or as secular, career-driven singles.

Nothing in Popular Culture Makes Sense except in the Light of Evolution

2012 ◽  
Vol 16 (2) ◽  
pp. 109-120 ◽  
Author(s):  
Gad Saad
Keyword(s):  
Popular Culture ◽  
Evolutionary Psychology ◽  
Case Analysis ◽  
Human Mind ◽  
Cultural Form ◽  
The Public ◽  
Psychology Today ◽  
Wide Range ◽  
Current Article ◽  
Song Lyrics

An evolutionary lens can inform the study of cultural forms in a myriad of ways. These can be construed as adaptations, as exaptations (evolutionary byproducts), as gene–culture interactions, as memes, or as fossils of the human mind. Products of popular culture (e.g., song lyrics, movie themes, romance novels) are to evolutionary cultural theorists what fossils and skeletal remains represent to paleontologists. Although human minds do not fossilize or skeletonize (the cranium does), the cultural products created by human minds do. By identifying universally recurring themes for a given cultural form (song lyrics and collective wisdoms in the current article), spanning a wide range of cultures and time periods, one is able to test key tenets of evolutionary psychology. In addition to using evolutionary psychology to understand the contents of popular culture, the discipline can itself be studied as a contributor to popular culture. Beginning with the sociobiology debates in the 1970s, evolutionary informed analyses of human behavior have engendered great fascination and animus among the public at large. Following a brief summary of studies that have explored the diffusion of the evolutionary behavioral sciences within specific communities (e.g., the British media), I offer a case analysis of the penetration of evolutionary psychology within the blogosphere, specifically the blog community hosted by Psychology Today.

scholarly journals Collaboration for chemistry communication: Insights from a research-practice partnership

2021 ◽  
Vol 20 (04) ◽  
pp. N01
Author(s):  
Elizabeth Kunz Kollmann ◽  
Marta Beyer ◽  
Emily Howell ◽  
Allison Anderson ◽  
Owen Weitzman ◽  
...  
Keyword(s):  
Informal Education ◽  
Science Communication ◽  
Public Perceptions ◽  
Research Practice ◽  
Science Museums ◽  
Social Scientists ◽  
The Public ◽  
Hands On ◽  
Perceived Relevance ◽  
Data Collections

As several recent National Academies of Sciences reports have highlighted, greater science communication research is needed on 1) communicating chemistry, and 2) building research-practice partnerships to advance communication across science issues. Here we report our insights in both areas, gathered from a multi-year collaboration to advance our understanding of how to communicate about chemistry with the public. Researchers and practitioners from science museums across the U.S. partnered with academic social scientists in science communication to develop and conduct multi-strand data collections on chemistry communication and informal education. Our focus was on increasing interest in, the perceived relevance of, and self-efficacy concerning chemistry through hands-on activities and connecting chemistry to broader themes concerning everyday life and societal impacts. We outline challenges and benefits of the project that future collaborations can gain from and illustrate how our strands of work complemented each other to create a more complete picture of public perceptions of chemistry.

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