The event semantics of conjuncts in ‘The Sun Also Rises’

2021 ◽  
Vol 50 (1) ◽  
pp. 61-82
Author(s):  
Aleksandar Trklja

Abstract The present paper explores the semantics of Hemingway’s ‘plain style’ in The Sun Also Rises by combining corpus linguistic methodology with event semantics theory. The focus of the study is on how the narrator of the novel segments experienced situations in terms of semantic events. Corpus linguistic analysis shows that the ‘plain style’ of the narrative section of the novel is realized by means of coordinated clauses and that the narrator’s event segmentation is associated with a small set of preferred lexical items. These results are interpreted in terms of event semantics to show that preferred lexical items are indicative of event types typical of the narrative section. The semantic analysis of relations between coordinated clauses indicates that these relations are not simply about the juxtaposition of disjoined events. Finally, the study demonstrates that an approach combining corpus linguistic methodology with insights from event semantics can offer new understanding of the propositional meaning of literary texts, and the way narrators encode experienced situations.

This research paper focuses on exploring the id in Hemingway’s The Sun Also Rises (1926). From Freudian prospective, id, ego and superego are three parts of human psyche or mind. The id or pleasure principle is dominant throughout the novel. The instinctive and impulsive urges of the id ruin the ego and superego of the characters. As the characters strive to forget the traumatic past of the war, they indulge in excessive pleasure as free sex and excessive alcoholism. The deep trauma of war rooted in the unconscious of the characters, makes their lives like a hell. Consequently, the id strives for gratification and pleasure for removing the trauma from their minds. Brett, who is the heroine of the novel, falls to the urges of the id blindly. She recklessly indulges in free sex and excessive drinking. Similarly, Jake, Mike, Bill and Count always seek excessive pleasure in drinking. The characters search for pleasure is the unconscious urge for life instinct and psychic energy. The dominant id suppresses ego and superego as a result it creates neurotic anxieties in the characters.


This research paper focuses on exploring the id in Hemingway’s The Sun Also Rises (1926). From a Freudian perspective, id, ego, and superego are three parts of the human psyche or mind. The id or pleasure principle is dominant throughout the novel. The instinctive and impulsive urges of the id ruin the ego and superego of the characters. As the characters strive to forget the traumatic past of the war, they indulge in excessive pleasure as free sex and excessive alcoholism. The deep trauma of war rooted in the unconscious of the characters makes their lives like a hell. Consequently, the id strives for gratification and pleasure for removing the trauma from their minds. Brett, who is the heroine of the novel, falls to the urges of the id blindly. She recklessly indulges in free sex and excessive drinking. Similarly, Jake, Mike, Bill, and Count always seek excessive pleasure in drinking. The characters' search for pleasure is the unconscious urge for life instinct and psychic energy. The dominant id suppresses ego and superego as a result it creates neurotic anxieties in the characters.


2020 ◽  
Vol 8 (3) ◽  
pp. 6
Author(s):  
Dr. Mayur Kumar Mukund Bhai Solanki

Ernest Heminway was interested in the delineation of characters as well as different facets of man’s life through the characters of the novels. Hemingway’s first novel, The Sun Also Rises is about ups and down of man’s life. The novel gives an image of emptiness and futility of life.  As the novel progresses, Hemingway presents a light picture of man’s life in the heavy odds of life. Hemingway tries to assert the fact that there is always light after darkness and joy after sorrow. This research paper is a sincere effort to justify Hemingway’s philosophy of optimism and light.


This research paper focuses on exploring the id in Hemingway’s The Sun Also Rises (1926). From a Freudian perspective, id, ego, and superego are three parts of the human psyche or mind. The id or pleasure principle is dominant throughout the novel. The instinctive and impulsive urges of the id ruin the ego and superego of the characters. As the characters strive to forget the traumatic past of the war, they indulge in excessive pleasure as free sex and excessive alcoholism. The deep trauma of war rooted in the unconscious of the characters makes their lives like a hell. Consequently, the id strives for gratification and pleasure for removing the trauma from their minds. Brett, who is the heroine of the novel, falls to the urges of the id blindly. She recklessly indulges in free sex and excessive drinking. Similarly, Jake, Mike, Bill, and Count always seek excessive pleasure in drinking. The characters' search for pleasure is the unconscious urge for life instinct and psychic energy. The dominant id suppresses ego and superego as a result it creates neurotic anxieties in the characters.


2016 ◽  
Vol 3 (1) ◽  
pp. 51
Author(s):  
Dewi Ulya Mailasari

Aimlessness concerns about one’s existence in a society where somebody feels useless amid the society and doesn’t know the role she or he must play. This paper will examine the aimlessness experienced by the main character in the novel entitled The House of Mirth and The Sun Also Rises written by the modernism authors in 1905 and 1926. The first one realized the aimlessness in the very early age, and the life was ended through an overdose, but the later found such feeling after experiencing a war injury. Both characters were victims of the situation but they seemed to have reached a more realistic appreciation of their situation.  Keywords;  Aimlessness; Psychological Consequences;  Main Characters


2016 ◽  
Vol 3 (1) ◽  
pp. 51
Author(s):  
Dewi Ulya Mailasari

Aimlessness concerns about one’s existence in a society where somebody feels useless amid the society and doesn’t know the role she or he must play. This paper will examine the aimlessness experienced by the main character in the novel entitled The House of Mirth and The Sun Also Rises written by the modernism authors in 1905 and 1926. The first one realized the aimlessness in the very early age, and the life was ended through an overdose, but the later found such feeling after experiencing a war injury. Both characters were victims of the situation but they seemed to have reached a more realistic appreciation of their situation.  Keywords;  Aimlessness; Psychological Consequences;  Main Characters


Author(s):  
Walter Bosse

My essay constructs a postcolonial theoretical framework to investigate a scene in Ernest Hemingway's 1926 novel, The Sun Also Rises. The scene suggests that an African-American character--a musician performing the popular jazz song "Aggravatin' Papa"--may share a sexual history with the novel's white female protagonist. The text strategically silences the black character's voice at several moments in the dialogue. By exhuming the musician's lyrics and showcasing the silenced voice in this intertextual relationship, I argue that the marginalized minority voice is, in fact, central to Hemingway’s modernist experimentation. In the very process of its appropriation and silencing in the novel, the black presence bursts forth from its liminal discursive space and intervenes in the narrative’s construction of difference.


2019 ◽  
Vol 1 (2) ◽  
pp. 118-138
Author(s):  
Widyastuti Widyastuti

The objective of this research is to explore politeness strategies used by the main characters in novel “The Sun also Rises”. The analysis is based on the utterances of the main characters. The researcher analyzed the utterances in order to find out the types of politeness strategies used by the main characters. In this research, the researcher used descriptive qualitative by using documentation and observation method of collecting data from the novel. From the analysis of the novel, showed that the main character in The Sun also rises applied the types of politeness strategies, namely bald on record, positive politeness, negative politeness and off record. The main characters also revealed the factors affecting the characters’ politeness in speaking, namely language style, register and domain, slang and solidarity, language and gender in their conversation.  Keywords: Politeness Strategy, Character, The Sun Also Rises


2019 ◽  
Vol 19 (2) ◽  
pp. 159-174
Author(s):  
Miruna Ciocoi-Pop ◽  
Emilian Tîrban

Abstract The purpose of this essay is to capture and convey, through the use of different works of philosophy that encapsulate thoughts on the same idea, the motif of the absurdity of life in Ernest Hemingway’s first novel The Sun Also Rises. The concept of the absurd will be, first and foremost, examined through absurdist criticism of the novel, using the philosophical thought of Albert Camus, Soren Kierkegaard, Friedrich Nietzsche and other philosophers who captured the essence of the absurd in their philosophy, all in order to represent this concept in Hemingway’s novel and to show how it truly manifests itself upon some of the most important characters’ psychology and their actions, portrayed throughout the three parts of the book. Mention will be made of the concept of “Lost generation” as it is the cornerstone to understanding, firstly, the characters’ background and current psychological status and the effects that the war had on an entire generation, leading them to an unwilling search for meaning in what this essay strives to present as a meaningless life.


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