Matjabala Mali’ Buku-ruŋanmaram: New Pathways for Indigenous Cultural Survival through Yolŋu Explorations of the University of Sydney Archives

2018 ◽  
Vol 47 (3-4) ◽  
pp. 70-76
Author(s):  
Joseph Neparrŋa Gumbula

AbstractThis article was adapted by Aaron Corn from a lecture presented by Joe Gumbula at the Koori Centre at the University of Sydney on 5 April 2007. The day before, Joe had been admitted to the degree of Doctor of Music honoris causa at the University, and had only recently started work at the Koori Centre on his first Australian Research Council (ARC) project as an ARC Indigenous Research Fellow. Called “Elder Assessments of Early Material Culture Collections from Arnhem Land and Contemporary Access Needs to them among their Source Communities” (DI0775822) and including Aaron Corn as a nominal Mentor, this was the first ARC project to be led by a Yolŋu Chief Investigator. It enabled Joe to undertake detailed research into the Yolŋu heritage collections held in the University of Sydney’s Archives and Macleay Museum. Eighteen members of Joe’s family from Miliŋinbi (Milingimbi) and Galiwin’ku, who were visiting Sydney to attend his graduation ceremony, were present at this lecture. Joe’s assured and impassioned delivery on this occasion aptly demonstrates his exemplary knowledge of Yolŋu heritage, his mastery in applying Yolŋu law to its interpretation, and his ability to engage others in the process and significance of collections research. All University of Sydney materials that Joe presented in the lecture were later published in his 2011 book, Matjabala Mali’ Buku-ruŋanmaram: Images from Miliŋinbi (Milingimbi) and Surrounds, 1926–1948, and, in this article, are cross-referenced to this source, which remains available for purchase from Sydney University Press.

2018 ◽  
Vol 47 (3-4) ◽  
pp. 115-132
Author(s):  
Rebecca Conway

AbstractThe Yolŋu elder and academic Joseph Neparrŋa Gumbula curated the exhibition, Makarr-garma: Aboriginal Collections from a Yolŋu Perspective (Makarr-garma), staged at the University of Sydney’s Macleay Museum from 29 November 2009 to 15 May 2010. This article describes this exhibition’s development and curatorial rationale. A product of his 2007 Australian Research Council (ARC) Indigenous Research Fellowship at the University, Makarr-garma reflected Gumbula’s Yolŋu philosophies as applied to collections in the Gallery, Libraries, Archives and Museums (GLAM) sector. Employing artworks, cultural objects, historic photographs, natural history specimens and his own manikay (songs), he framed this show as a garma (open) ceremonial performance that spanned an archetypal Yolŋu day. The exhibition was immersive and “culturally resonant” (Gilchrist, Indigenising), and provides intellectual and practical insights for the GLAM sector’s representation and management of Indigenous collections.


Rangifer ◽  
2005 ◽  
Vol 25 (1) ◽  
pp. 63
Author(s):  
SESAM SESAM

Centre for Sami Studies at The University of Tromsø has by The Research Council of Norway been assigned to make a survey of Sami and Indigenous research going on in the Nordic countries.


1992 ◽  
Vol 45 (4) ◽  
pp. 387
Author(s):  
Don Melrose

A workshop on 'Star Formation in Different Environments' was held at the University of Sydney in October 1991. The workshop was sponsored by the Research Centre for Theoretical Astrophysics, which was set up in 1991 as a Special Research Centre of the Australian Research Council, with the primary objective of fostering theoretical astrophysics in Australia. The major part of the initial organisation of the workshop was carried out by Geoff Bicknell, who was co-opted to the Research Centre for several months from Mount Stromlo and Siding Spring Observatories. About fifty astrophysicists took part, including three distinguished overseas visitors, Leon Mestel, Colin Norman and Joe Silk, who took leading roles in the scientific discussions.


1995 ◽  
Vol 11 (41) ◽  
pp. 3-11
Author(s):  
Maria Shevtsova

In NTQ40 (November 1994), in the first of two pieces on modern directorial approaches to the staging of opera as music theatre, Maria Shevtsova discussed Peter Brook's production of Impressions de Pelléas, complementing her own analysis with an interview with one of the leading actor-singers, Vincent Le Texier. Pursuing a similar dual-faceted approach, here she provides a detailed explication of Robert Wilson's production of Madame Butterfly, seen at the Opéra de Paris Bastille in 1993, exploring the ways in which Puccini's original orientalisms are translated and transmuted into a version of intercultural theatre appropriate to our own fin de siècle. Again setting her own views against those of a leading actor-singer – here, Diana Soviero, who played Butterfly – she explores how Wilson's coolly aesthetic, even ascetic style ‘incarnates the century's tentacular, monopolistic tendencies (of which interculturalism in its many guises in the arts are a sign), as well as its polyvalencies (of which the blurring of genres – hybrid genres – is a sign)’. Maria Shevtsova, who teaches in the Department of French Studies in the University of Sydney, earlier contributed a three-part survey of ‘The Sociology of the Theatre’ to NTQ17–19 (1989), and recently published a major collection of essays, Theatre and Cultural Interaction. Her present article forms part of research supported by the Australian Research Council Large Grants Scheme.


2016 ◽  
Vol 9 (2) ◽  
pp. 1-9
Author(s):  
Aileen Moreton-Robinson

This paper outlines the historical and policy context of the Australian Research Council funded National Indigenous Research and Knowledges Network (NIRAKN). Key learnings from four years of NIRAKN’s existence are set out, followed by a review of the higher education sector’s Indigenous research capacity building initiatives more generally.


2016 ◽  
Vol 9 (2) ◽  
pp. 1-2
Author(s):  
Aileen Moreton-Robinson ◽  
Mark McMillan ◽  
David Singh

The articles in this special edition attempt to capture the key learnings and the legacy of the Australian Research Council ‘Special Research Initiative’ funded by the National Indigenous Research and Knowledges Network (NIRAKN). NIRAKN is a national, inclusive, multidisciplinary hub-and-spokes-model network of Indigenous researchers at various stages of their careers. The significant research problem that the network sought to address was how to harness the power of diverse Indigenous knowledges to build a strong, sustainable cohort of linked, qualified, Indigenous researchers across disciplines and fields, and how to weave that cohort into the very fabric of Australian research.


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